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The Producers (1967)

7.7
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Ratings: 7.7/10 from 35,815 users   Metascore: 97/100
Reviews: 238 user | 80 critic | 5 from Metacritic.com

Producers Max Bialystock and Leo Bloom make money by producing a sure-fire flop.

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Title: The Producers (1967)

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Won 1 Oscar. Another 2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Max Bialystock (as Zero)
...
...
...
...
...
Andréas Voutsinas ...
Carmen Ghia (as Andreas Voutsinas)
...
...
Eva Braun (as Renee Taylor)
David Patch ...
...
The Drunk (as Bill Hickey)
...
Shimen Ruskin ...
The Landlord
Frank Campanella ...
The Bartender
Josip Elic ...
Violinist
Edit

Storyline

Down-on-his-luck theatrical producer Max Bialystock is forced to romance rich old ladies to finance his efforts. When timid accountant Leo Bloom reviews Max's accounting books, the two hit upon a way to make a fortune by producing a sure-fire flop. The play which is to be their gold mine? "Springtime for Hitler." Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Add Synopsis

Taglines:

Hollywood Never Faced a Zanier Zero Hour! See more »

Genres:

Comedy | Musical

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

10 November 1968 (USA)  »

Also Known As:

Springtime for Hitler  »

Box Office

Budget:

$941,000 (estimated)

Opening Weekend:

$6,091 (USA) (7 June 2002)

Gross:

$111,866 (USA) (10 January 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Pathécolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The name "Rudolfo" that the "hold me, touch me" lady gives to Bialystock when they are playing "The Contessa and the Chauffeur" at the movie's beginning, is also the name of the chauffeur Bialystock hired after he and Bloom raise the money for the play. See more »

Goofs

The positions of Max's hands change between shots when he is told to be a stable boy. See more »

Quotes

Hold me, Touch me: Oh Bialy, Bialy, darling, did I hurt you?
Max Bialystock: It's only a flesh wound, lambchop.
See more »

Crazy Credits

Zero Mostel is listed in the closing credits simply as "Zero". See more »

Connections

Featured in DVD-R Hell: Heil Honey, I'm Home (2011) See more »

Soundtracks

Das Lied der Deutschen
(uncredited)
Music by Joseph Haydn (1791)
Lyrics by August Heinrich Hoffman von Fallersleben (1841)
Sung by Kenneth Mars
See more »

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User Reviews

 
This Quotable Classic is Still One of Mel Brooks' Very Best
18 April 2007 | by (Whitehall, PA) – See all my reviews

I know more people who quote lines from THE PRODUCERS than from Shakespeare; make of that what you will! :-) That said, people seem to either love it or hate it, but most folks I know agree this nutzoid farce has, to quote groovy LSD (delightful Dick Shawn), "Love Power!" Writer/director Mel Brooks' insanely zany yet strangely sweet tale of down-on-his-luck Broadway producer Max Bialystock (the great Zero Mostel, who should have been nominated for an Oscar himself) who uses his powers of persuasion (and wheedling, and bellowing, and conning :-) to convince meek accountant Leo Bloom (justifiably Oscar-nominated Gene Wilder) to help him make a surefire Broadway flop that, if their nutty book-cooking scheme works, will land them in Rio -- or, if it doesn't work, Sing Sing. This screamingly funny, no-holds-barred comedy won Mel Brooks an Oscar for Best Screenplay and put the former YOUR SHOW OF SHOWS writer on the map as a filmmaker. Anyone trying to make a comedy depending on controversy and questionable taste for its laughs should watch THE PRODUCERS first and see how a master does it! For that matter, Mel Brooks and Gene Wilder ought to watch it again themselves; after the duds they were churning out for a while there, maybe they need a refresher course in how to be funny. (Hell, it might be as simple as them teaming up again; Wilder seemed able to temper Brooks's mania for poo-poo humor and Brooks seemed able to help Wilder to better balance out his trademark blend of shrill hysteria and sweetness.) Much as my family and I also loved the Broadway and film editions of the musical version co-written by Brooks and Thomas Meehan and starring the incomparable Nathan Lane and Matthew Broderick (even though I felt that Broderick wasn't quite as good as Leo Bloom as Lane was as Max Bialystock. That said, together they have great buddy chemistry), the original is still the champ.


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