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The Producers (1967)

7.7
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Ratings: 7.7/10 from 34,301 users   Metascore: 97/100
Reviews: 232 user | 80 critic | 5 from Metacritic.com

Producers Max Bialystock and Leo Bloom make money by producing a sure-fire flop.

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Title: The Producers (1967)

The Producers (1967) on IMDb 7.7/10

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Won 1 Oscar. Another 2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Max Bialystock (as Zero)
...
...
...
...
...
Andréas Voutsinas ...
Carmen Ghia (as Andreas Voutsinas)
...
...
Eva Braun (as Renee Taylor)
David Patch ...
...
The Drunk (as Bill Hickey)
...
Shimen Ruskin ...
The Landlord
Frank Campanella ...
The Bartender
Josip Elic ...
Violinist
Edit

Storyline

Down-on-his-luck theatrical producer Max Bialystock is forced to romance rich old ladies to finance his efforts. When timid accountant Leo Bloom reviews Max's accounting books, the two hit upon a way to make a fortune by producing a sure-fire flop. The play which is to be their gold mine? "Springtime for Hitler." Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Add Synopsis

Taglines:

Once upon a time there was a Broadway producer...who met a "creative" but timid accountant. Together they concocted the most outrageous $1,000,000 scheme in the annals of Show Biz. See more »

Genres:

Comedy | Musical

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

10 November 1968 (USA)  »

Also Known As:

Springtime for Hitler  »

Box Office

Budget:

$941,000 (estimated)

Opening Weekend:

$6,091 (USA) (7 June 2002)

Gross:

$111,866 (USA) (10 January 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Pathécolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The scene with Max and Leo outside the fountain at Lincoln Center was the last scene to be filmed. Gene Wilder thought Leo's ecstasy mirrored his own at the time, and was what convinced him to stay with acting. See more »

Goofs

In the bar during the intermission, the way 'see/hear/speak no evil' is done changes. See more »

Quotes

Franz Liebkind: Gentlemen. Ve have here a technical problem. Hmm? I do not know if vat ve have here is ze quick burning fuse or ze slow buring fuse. Ja, ja, I must find zis out.
[snips dynamite fuse]
Franz Liebkind: Zis is critical.
[lights fuse with match]
Franz Liebkind: Ha ha ha, ja ja, you see zis? You see zis here vat I have told you? Yeah, zis is an example of smartness here. I have said that zis is ze quick fuse. Huh? And zis IS ze quick fuse.
[pause]
All: THE QUICK FUSE!
[explosion]
See more »

Crazy Credits

Zero Mostel is listed in the closing credits simply as "Zero". See more »

Connections

Referenced in Remington Steele: Springtime for Steele (1985) See more »

Soundtracks

Die Wacht am Rhein
(uncredited)
Music by Karl Wilhelm
Lyrics by Max Schneckenburger
(only used in the german synchronisation, replacing 'Das Lied der Deutschen')
sung on the roof of Franz Liebkings house
See more »

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User Reviews

 
This Quotable Classic is Still One of Mel Brooks' Very Best
18 April 2007 | by (Whitehall, PA) – See all my reviews

I know more people who quote lines from THE PRODUCERS than from Shakespeare; make of that what you will! :-) That said, people seem to either love it or hate it, but most folks I know agree this nutzoid farce has, to quote groovy LSD (delightful Dick Shawn), "Love Power!" Writer/director Mel Brooks' insanely zany yet strangely sweet tale of down-on-his-luck Broadway producer Max Bialystock (the great Zero Mostel, who should have been nominated for an Oscar himself) who uses his powers of persuasion (and wheedling, and bellowing, and conning :-) to convince meek accountant Leo Bloom (justifiably Oscar-nominated Gene Wilder) to help him make a surefire Broadway flop that, if their nutty book-cooking scheme works, will land them in Rio -- or, if it doesn't work, Sing Sing. This screamingly funny, no-holds-barred comedy won Mel Brooks an Oscar for Best Screenplay and put the former YOUR SHOW OF SHOWS writer on the map as a filmmaker. Anyone trying to make a comedy depending on controversy and questionable taste for its laughs should watch THE PRODUCERS first and see how a master does it! For that matter, Mel Brooks and Gene Wilder ought to watch it again themselves; after the duds they were churning out for a while there, maybe they need a refresher course in how to be funny. (Hell, it might be as simple as them teaming up again; Wilder seemed able to temper Brooks's mania for poo-poo humor and Brooks seemed able to help Wilder to better balance out his trademark blend of shrill hysteria and sweetness.) Much as my family and I also loved the Broadway and film editions of the musical version co-written by Brooks and Thomas Meehan and starring the incomparable Nathan Lane and Matthew Broderick (even though I felt that Broderick wasn't quite as good as Leo Bloom as Lane was as Max Bialystock. That said, together they have great buddy chemistry), the original is still the champ.


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