MOVIEmeter
SEE RANK
Down 424 this week

The Producers (1967)

PG  |   |  Comedy  |  10 November 1968 (USA)
7.7
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.7/10 from 36,496 users   Metascore: 97/100
Reviews: 238 user | 82 critic | 5 from Metacritic.com

Producers Max Bialystock and Leo Bloom make money by producing a sure-fire flop.

Director:

Writer:

Watch Trailer
0Check in
0Share...

Watch Now

From $3.99 on Amazon Instant Video

ON DISC

IMDb Picks: May

Visit our IMDb Picks section to see our recommendations of movies and TV shows coming out in May, sponsored by COVERGIRL.

Visit the IMDb Picks section

User Lists

Related lists from IMDb users

a list of 24 titles
created 12 Apr 2011
 
a list of 37 titles
created 26 Mar 2012
 
a list of 40 titles
created 15 May 2012
 
a list of 45 titles
created 01 Jul 2013
 
a list of 45 titles
created 27 Dec 2013
 

Related Items

Search for "The Producers" on Amazon.com

Connect with IMDb


Share this Rating

Title: The Producers (1967)

The Producers (1967) on IMDb 7.7/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of The Producers.

User Polls

Won 1 Oscar. Another 2 wins & 5 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

The Producers (2005)
Comedy | Musical
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world's worst show.

Director: Susan Stroman
Stars: Nathan Lane, Matthew Broderick, Uma Thurman
Comedy
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Dr. Frankenstein's grandson, after years of living down the family reputation, inherits granddad's castle and repeats the experiments.

Director: Mel Brooks
Stars: Gene Wilder, Madeline Kahn, Marty Feldman
Comedy | Western
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

To ruin a western town, a corrupt political boss appoints a black sheriff, who promptly becomes his most formidable adversary.

Director: Mel Brooks
Stars: Cleavon Little, Gene Wilder, Slim Pickens
Silent Movie (1976)
Comedy
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

A film director and his strange friends struggle to produce the first major silent feature film in forty years.

Director: Mel Brooks
Stars: Mel Brooks, Marty Feldman, Dom DeLuise
High Anxiety (1977)
Comedy
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Mel Brooks' parody of Alfred Hitchcock films.

Director: Mel Brooks
Stars: Mel Brooks, Madeline Kahn, Cloris Leachman
Certificate: GP Comedy
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

In 1920s Soviet Russia, a fallen aristocrat, a priest and a con artist search for a treasure of jewels hidden inside one of twelve dining chairs, lost during the revolution.

Director: Mel Brooks
Stars: Mel Brooks, Ron Moody, Frank Langella
Comedy | Musical
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Mel Brooks brings his one-of-a-kind comic touch to the history of mankind covering events from the Old Testament to the French Revolution in a series of episodic comedy vignettes.

Director: Mel Brooks
Stars: Mel Brooks, Gregory Hines, Dom DeLuise
Life Stinks (1991)
Comedy
    1 2 3 4 5 6 7 8 9 10 5.7/10 X  

A filthy rich businessman bets a corporate rival that he can live on the streets of L.A. without the comforts of home or money, which proves to be tougher than he thought.

Director: Mel Brooks
Stars: Mel Brooks, Lesley Ann Warren, Jeffrey Tambor
Spaceballs (1987)
Adventure | Comedy | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

Planet Spaceball's President Skroob sends Lord Dark Helmet to steal Planet Druidia's abundant supply of air to replenish their own, and only Lone Starr can stop them.

Director: Mel Brooks
Stars: Mel Brooks, John Candy, Rick Moranis
Adventure | Comedy | Musical
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

A spoof of Robin Hood in general and Robin Hood: Prince of Thieves (1991) in particular.

Director: Mel Brooks
Stars: Cary Elwes, Richard Lewis, Roger Rees
Comedy | Fantasy | Horror
    1 2 3 4 5 6 7 8 9 10 5.7/10 X  

Mel Brooks' parody of the classic vampire story and its famous film adaptations.

Director: Mel Brooks
Stars: Leslie Nielsen, Mel Brooks, Peter MacNicol
Comedy | Crime | Musical
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

The younger brother of the consulting detective tries to steal Sherlock's glory by solving an important case assisted by an eccentric Scotland Yard detective and a lovely but suspicious actress.

Director: Gene Wilder
Stars: Gene Wilder, Madeline Kahn, Marty Feldman
Edit

Cast

Cast overview, first billed only:
...
Max Bialystock (as Zero in closing credits)
...
...
...
...
...
Andréas Voutsinas ...
Carmen Ghia (as Andreas Voutsinas)
...
...
Eva Braun (as Renee Taylor)
David Patch ...
...
The Drunk (as Bill Hickey)
...
Shimen Ruskin ...
The Landlord
Frank Campanella ...
The Bartender
Josip Elic ...
Violinist
Edit

Storyline

Down-on-his-luck theatrical producer Max Bialystock is forced to romance rich old ladies to finance his efforts. When timid accountant Leo Bloom reviews Max's accounting books, the two hit upon a way to make a fortune by producing a sure-fire flop. The play which is to be their gold mine? "Springtime for Hitler." Written by Scott Renshaw <as.idc@forsythe.stanford.edu>

Plot Summary | Add Synopsis

Taglines:

Hollywood Never Faced a Zanier Zero Hour! See more »

Genres:

Comedy

Certificate:

PG | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

|

Release Date:

10 November 1968 (USA)  »

Also Known As:

Mel Brooks' The Producers  »

Box Office

Budget:

$941,000 (estimated)

Opening Weekend:

$6,091 (USA) (7 June 2002)

Gross:

$111,866 (USA) (10 January 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Pathécolor) (uncredited)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

According to an interview with director and Blue Underground owner William Lustig, the original negative was destroyed because the then-owner decided it wasn't necessary to pay for the storage of its negative library. See more »

Goofs

The way de Bris' hand is on Leo's shoulder changes. See more »

Quotes

Ulla: [Sees Max and Leo and takes off dress] We make love?
Max Bialystock: No, we don't make love. Go to work.
[Ulla starts dancing to music on record player]
See more »

Crazy Credits

Zero Mostel is listed in the closing credits simply as "Zero". See more »

Connections

Referenced in Terror 2000 - Intensivstation Deutschland (1994) See more »

Soundtracks

Flying Down To Rio
(uncredited)
Written by Vincent Youmans, Gus Kahn, and Edward Eliscu
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
A Milestone in Film-making

The DVD release of "The Producers" sends me every viewing back to 1968 when I first saw this brilliant, barrier-smashing comedy. Zero Mostel and Gene Wilder were the perfect pair to bring to life the adventures of a Broadway faded impresario, now a con man, and his neurotic, hyper, accountant accomplice.

Together they fleece old ladies, something Mostel's Max Bialystock was doing before the auditor, Max Bloom, came by to check the books. Mostel's seduction of the old, the awful and the ugly has no equal in movie physical comedy.

The scheme: put on the worst flop imaginable and when it closes virtually after opening night the two scammers snare riches: the investments they don't have to return. But if the show is a hit...

The producers' vehicle, "Springtime for Hitler," both brought audiences to a new level of appreciation for the malleable, creative power of film and...it made some viewers genuinely nervous, even upset.

Following Steve Allen's observation that a formula for comedy based on history is Tragedy+Time, director Mel Brooks brought to the screen, less than a quarter century after World War II ended, Dick Shawn as a campy fuehrer surrounded by the Nazi counterpart of the Rockettes. And Max and Leo are clearly Jewish in character if not so openly identified.

Kenneth Mars grabs laughs as the author of "Springtime for Hitler," an unreconstructed, Hitler-adoring flake who raises pigeons on the roof of a Manhattan tenement while accoutered in the odd leftovers of Wehrmacht uniforms.

When I fitted in seeing "The Producers" in its opening week I sat in the middle of an audience that was, to a certain extent, as befuddled as the film's playgoers watching the first part of the intended-to-outrage musical comedy about the Third Reich. Not only were SS uniforms, swastikas and photos of Hitler on the "stage" but the movie theater audience also digested, perhaps for the first time, a send-up of an uproarious gay couple, two real queens. One is effeminate to the core, the other is a cross-dresser (and a faultlessly garish one at that). This kind of stuff hadn't been done before in a Hollywood flick.

1968's audience had many who well-remembered World War II and some had fought in the conflict. I knew people who admitted feeling that the horrific global battle against Hitler had been trivialized by Brooks and his extroverted cast - until they could no longer hold back guffaws that segued rapidly into uncontrolled laughter.

That "The Producers" is also now a runaway Broadway hit is no surprise and I'd love to see a DVD release with Lane and Broderick. However fine they would be, it's the original that broke barriers.

The DVD has a number of worthwhile features including a fascinating "Making of..." segment. Peter Seller's short, famous encomium is read and there are the usual other additions. An outtake presenting an alternative blow-up of the "Springtime for Hitler" theater is interesting, largely because it shows how perceptive Brooks was in scrapping it for the shorter scene actually used.

"The Producers" is, in some ways, a subversive movie. Without stridently proclaiming a new aesthetic, it is exactly that and so it's a timeless classic. This is not satire about Nazism, Hitler and the Third Reich. It's treating as suitable material for slapstick and quick gags the detritus of an evil time.

But it's also a bit dated, no subject is taboo today for comedic treatment, and many who see it for the first time (as my teenage son did tonight) will enjoy the movie without getting the full impact of its assault on conventionality.

Is there any historical topic that will not, in the passage of time, be employed for pure comedy? Is it possible that the next generation will laugh at a comedy parodying Auschwitz? I hope not but I also can't be sure.

Many years ago I refused to watch "Hogan's Heroes" on TV because I personally knew former U.S. POWs. But that show, with Werner Klemperer as Colonel Klink, was very popular. "Hogan's Heroes" was to TV what "The Producers" was, and is, to film. And both made a mark that will be emulated as future generations go beyond satire to humorous treatment of matters most today consider beyond the pale of acceptability as a vehicle for laughs.

10/10


43 of 54 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Dick Shawn - Robin Williams? chismjer
Favourite Quote/Moment Parasitegames
Can someone explain what's so illegal? robert48-1
Rated 7.7? Really?? gosh717
Love Flower song leonesio
Achtung Baby chaz01
Discuss The Producers (1967) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?