| Anthony Perkins | ... | Dennis Pitt | |
| Tuesday Weld | ... | Sue Ann Stepanek | |
| Beverly Garland | ... | Mrs. Stepanek | |
| John Randolph | ... | Morton Azenauer | |
| Dick O'Neill | ... | Bud Munsch | |
| Clarice Blackburn | ... | Mrs. Bronson | |
| Joseph Bova | ... | Pete | |
| Ken Kercheval | ... | Harry Jackson | |
| Don Fellows | ... | Detective | |
| George Ryan | ... | Drillmaster & Team (as George Ryan's Winslow High-Steppers) | |
| rest of cast listed alphabetically: | |||
| Jay Barney | ... | (uncredited) | |
| Timothy Callahan | ... | Plainclothes Cop (uncredited) | |
| Parker Fennelly | ... | Sam - Night Watchman (uncredited) | |
| William Fort | ... | Cop (uncredited) | |
| Tom Gorman | ... | First Detective (uncredited) | |
| Paul Larson | ... | Mrs. Stepanek's Boyfriend (uncredited) | |
| Dan Morgan | ... | Man at Police Station (uncredited) | |
| Maurice Ottinger | ... | Highway Policeman (uncredited) | |
| Gil Rogers | ... | Man at Police Station (uncredited) | |
| Bill Sorrells | ... | Cop at Beanery (uncredited) | |
| Ed Wagner | ... | Cop (uncredited) | |
Directed by | |||
| Noel Black | |||
Writing credits | ||
| Stephen Geller | (novel "She Let Him Continue") | |
| Lorenzo Semple Jr. | (screenplay) | |
Produced by | |||
| Marshall Backlar | .... | producer (as Marshal Backlar) | |
| Noel Black | .... | producer | |
| Jack Grossberg | .... | associate producer | |
| Lawrence Turman | .... | executive producer | |
Original Music by | |||
| Johnny Mandel | |||
Cinematography by | |||
| David L. Quaid | (director of photography) (as David Quaid) | ||
Film Editing by | |||
| William H. Ziegler | (as William Ziegler) | ||
Art Direction by | |||
| Harold Michelson | |||
| Jack Martin Smith | |||
Costume Design by | |||
| Ann Roth | |||
Makeup Department | |||
| Robert Jiras | .... | makeup artist | |
| Ben Nye | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Jack Grossberg | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Roger M. Rothstein | .... | assistant director (as Roger Rothstein) | |
Sound Department | |||
| David Dockendorf | .... | sound | |
| Dennis Maitland | .... | sound | |
Special Effects by | |||
| Billy King | .... | special effects | |
| Ralph Winigar | .... | special effects | |
| Recent Posts (updated daily) | User |
|---|---|
| Sue Ann's car | cross463 |
| Comedy? | marks662 |
| The final scene - isn't that Joe Pesci? | manuel-pestalozzi |
| Coming to DVD! | catmantu |
| deleted/trimmed scenes? | kentonc2001 |
| Pretty Poison | pjap-1 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
It mixes elements of Gun Crazy with Lolita and Night of the Hunter and may have influenced Terrence Malick's Badlands and Billy Bob Thornton's Sling Blade. With this I want to say, Pretty Poison is a very American and good and memorable movie.
It has the best performance of Anthony Perkins I have ever seen. And I have seen Hitchcock's Psycho. He plays a character who, like Billy Liar, lives in a kind of a fantasy world (he is not a teenager however, but well past 30) a potential Lee Harvey Oswald, I guess. His confused state of mind is exploited by a premature, smart and amoral girl, played by Tuesday Weld who is also terrific. The world this confused character had constructed for himself and which gave him some kind of self confidence and cockiness crumbles fast and leaves him a helpless, quivering bundle.
There are some quirky details which lift the story from the ruts of formulaic story telling. The lower middle class girl drives a snazzy powder blue Triumph convertible sports car, the couple make excursions into the wilderness, the Perkins character has a nightmarish night out in hiding, with hooting owls, red lizards and headlights piercing the forest. It all has a slightly surrealistic quality which reflect the character's state of mind and gives the movie a dream like quality. The dialog is also good the best scene for me was Perkin's phone call to the local sheriff in order to report a murder. Check it out.
In the final scene the girl meets a new boyfriend. I bet this is young Joe Pesci, but he is not in the credits. - Thanks to the IMDb message board I know now that I would have lost the bet. Still, it's a pleasant and exciting discovery.