The working class twin sister of a callous wealthy woman impulsively murders her out of revenge and assumes the identity of the dead woman. But impersonating her dead twin is more complicated and risky than she anticipated.
A bright satirical comedy about an innocent high school girl granted her wishes by a student prodigy. A broad satire of teenage culture in the sixties, its targets ranging from progressive education to beach movies.
A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people's ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free ... See full summary »
It's the end of the 70s. Hippies are assimilating, women are raising their consciousness, and men are becoming confused and ineffectual. Don't expect to be able to keep track of all the ... See full summary »
Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.
A formerly institutionalized young man (Anthony Perkins) meets up with a cute, sexy high school cheerleader (Tuesday Weld) and pretends to be a CIA agent to get her interested in him while she responds to his fantasy all too willingly. This, combined with her adult craving for sensual excitement, adds up to a potentially explosive pairing indeed. And explode it does. Written by
I just finished watching Pretty Poison, and it is a great movie worthy of recognition. I don't know why or how this movie has been somewhat obscured, I guess it wasn't so popular back in those days and it ruined it for other generations.
I'm glad I found this on the movie channel, great performances by Anthony Perkins, really impressive and not exaggerated, which is what a lot of times makes people see as good acting, but this is not the case here, a deep performance is what Mr. Perkins gives us, really laid back and neutral, Kind of the characters he played through his career (Josef K on Welles adaptation of Kafka's "The Process", and his Classic Norman Bates on Psycho) and a great Tuesday Weld as the strange and evolving character Sue Ann Stepanek.
It is so sad that movies like this get lost. A great Screenplay (Best Screenplay Award given by the New York Film Critics Circle Awards) and great acting should make a successful movie, I don't know what happened here.
13 of 16 people found this review helpful.
Was this review helpful to you?