Ella Peterson is a Brooklyn telephone answering service operator who tries to improve the lives of her clients by passing along bits of information she hears from other clients. She falls ... See full summary »
Duke and Boots, two young thugs, hold up a California gas-station owner. Duke, viral and savage, taunts the slower and psychologically-confused Boots because he has never made a sexual ... See full summary »
Paul, a divorced architect, marries Nichole, a woman from Paris. His teen daughter Jenny has fallen in with the English beatnik scene and likes to hang out in cave-like clubs to listen to ... See full summary »
As the young man, Tom, prepares to leave the Suffolk village of his birth, voices and experiences from his family's past crowd in on his mind, weaving a poetic tapestry of the love of home and the longing to get away from it.
A formerly institutionalized young man (Anthony Perkins) meets up with a cute, sexy high school cheerleader (Tuesday Weld) and pretends to be a CIA agent to get her interested in him while she responds to his fantasy all too willingly. This, combined with her adult craving for sensual excitement, adds up to a potentially explosive pairing indeed. And explode it does. Written by
The movie that Dennis and Sue Ann go to see in their local theater is Roger Corman's "The St. Valentine's Day Massacre", released by Twentieth Century Fox a year before this film was released. The same scene that is glimpsed here also turns up as stock footage in a later film, "Capone" (1974), which Corman produced. See more »
Sue Ann Stepanek:
You know, when grown-ups do it, it's kind of dirty. That's because there's no one to punish them.
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A twisted, neglected gem, sparked by Weld and Perkins.
"Pretty Poison" is one of those low-budget finds you discover every once in a great while on late-night TV or at the video store when none of the new releases pique your interest. Deftly adapted by Lorenzo Semple, Jr. from Stephen Geller's Book "She Let Him Continue," director Noel Black (in his debut) hits all the right marks with this thoroughly bizarre, inventive tale of madness and deception.
Loony, neurotic Anthony Perkins (about on par with his classic Norman Bates character) is a fidgety-looking arsonist who lures young co-ed Tuesday Weld into helping him pull off his next big "project." He finds Weld not only willing but his perfect match when it comes to cooking up schemes. To say any more would absolutely ruin this diverting, kinky little "black comedy." Suffice it to say there are enough forks in the road to keep your mind thoroughly on "drive."
Perkins and Weld are at their offbeat best here. Perkins goes without saying, but Tuesday Weld has always intrigued me with her coy, playful, deceptive little vixens. She has an off-the-wall style all her own! Just catch her in "Lord Love a Duck," "Who'll Stop the Rain," "I Walk the Line," "Play It As It Lays" (again with Perkins) or "Looking for Mr. Goodbar" to see precisely what I mean. She's absolutely bewitching! Beverly Garland, too often wasted in films, has one of her best roles here as Tuesday's flinty mom who becomes an unwitting element in the scheme.
If weird is your game, "Pretty Poison" is the name. You won't be sorry.
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