14 items from 2016
From Kino Lorber: "Coming April 2017! On DVD and Blu-ray!
Kl Studio Classics in conjunction with MGM!
Octaman (1971) Special Edition
Starring Pier Angeli (Sodom and Gomorrah), Kerwin Matthews (Jack the Giant Killer), Jeff Morrow (This Island Earth) and Buck Kartalian (Planet of the Apes) – Shot by Robert Caramico (Eaten Alive) - Written, Directed and Produced by Harry Essex (Creature from the Black Lagoon, It Came from Outer Space)
Loaded with Extras! Bonus Features to be announced!"
Synopsis (via Blu-ray.com): "A scientific expedition to a remote Mexican fishing community discovers unhealthy amounts of radioactive waters. What they find is a seven foot tall mutant species of octopus with amazing strength and a lust for killing, and soon the expedition realizes that the monster is now on a bloody rampage. »
- Derek Anderson
France’s Grand Lyon Lumière Festival, one of the most prominent of the world’s classic films festival, is finalizing its 2016 industry agenda, introducing multiple innovations at its fast expanding Classic Film Market as it seeks to grow the heritage movie biz in and outside France.
In one, a guest of honour, Nicolas Seydoux, president of Gaumont, will lead an inaugural Symposium, which makes a pioneer attempt to establish elementary figures for classic film markets around the world.
The Classic Film Market runs Oct. 12-14 in Lyon. Launched in 2013, it saw attendance climb last year a robust 31% vs. 2014, though from a niche base. Industry participation was tracking 23% up at 284 participants for the 2016 Market by late last week, compared to a final figure of 213 for last year, said Gerald Duchaussoy, Mfc projects manager.
Of innovations, Lumière’s 4th Classic Film Market is increasing its number of panels, stranded into a series of Practical Round Tables, »
- John Hopewell
This week is packed with releases and news from Mondo, including re-recordings of classic John Carpenter themes performed by the Master of Horror and his band, a Planet of the Apes vinyl soundtrack, and full details for composer Fabio Frizzi’s upcoming live performance of The Beyond soundtrack in Austin, TX.
From Mondo: “Hey all – absolutely jam packed with releases and very cool distributed titles this week. From Mondo we have the groundbreaking score to Planet of the Apes, and from Death Waltz Originals we have the debut artist LP from film composer Wojciech Golczewski (We Are Still Here).
We’re thrilled with our schedule from now until December. Can’t wait to show you guys what we have lined up! »
- Derek Anderson
Movies never end up as they were originally envisioned. For various reasons, directors often decide not to film a section of the shooting-script. Also, throughout the production and post-production process of filmmaking, the cutting-room floor becomes cluttered with scenes, plots or characters that were chosen for deletion. Sometimes, these deleted scenes or subplots would have changed the entire film. Here are 9 movies with abandoned storylines would have altered the way we look at the overall movie.
The Cloverfield Monster was a young child: We never find out very much about the rampaging monster that attacks New York in Cloverfield. Where did it come from and why did it attack the city? Jj Abrams has said that, in the original conception of the story, the creature was a child belonging to an ancient Lovecraftian race that lies sleeping in the depth of the ocean. A young child from this race is awoken by a crashing satellite. »
- email@example.com (Rob Young)
Jared Leto is wearing a preposterous straw hat this morning, a gigantic, not-quite-a-sombrero thing he bought for seven bucks at a corner store. And why not? He's made it this far by committing fully, sometimes crazily, to everything in his life: Method acting, music-making, video directing, tech investing, not to mention the arts of being enigmatic, brainy and really, really good-looking. "I don't dabble," he says. "I dive in, 1,000 percent." So if he needs sun protection for a hike, of course he goes big. In any case, Leto recently turned 44 — "old, »
This past weekend the 2016 San Diego Comic Con took place. On the biggest attendance day of the con, one of the events was a panel celebrating the 30th anniversary of Aliens, released on July 20, 1986. Seven thousand fans sat inside Hall H cheering on star Sigourney Weaver, director James Cameron and another half-dozen of the cast and producing talent behind Aliens.
On one hand, it's incredible to think that, 30 years after the release of Aliens, it would still prove to be an incredibly popular and often quoted movie. The impact of Aliens on Hollywood's sequel factory and action/adventure landscape cannot be dismissed.
On the other hand, can you imagine going to the Comic Con of 1986 and attending a panel celebrating the 30th anniversary of another sci-fi movie that's often credited for elevating its genre, Forbidden Planet? I can't help but think that a Forbidden Planet panel held in '86 would »
- Patrick Sauriol
The second week numbers are in, and it’s what most people expected (at least it’s what I predicted on last week’s podcast). After a fairly decent (but not all that great) $46 million opening weekend, Paul Feig’s Ghostbusters reboot dropped 54% to earn $21 million in its second week. Which, in fairness to it, held up pretty well against great openings for Star Trek Beyond and Lights Out, and the animated behemoth The Secret Life of Pets (which continues to make baffling big money).
Who is to blame for the mediocre performance? Was it all the pre-release negativity from misogynistic Twitter and Reddit users? Did the over-bearing Ghostbusters defenders put off potential other movie goers? Is America not ready for an all-female horror comedy? Or are we just sick of cash-grab reboots in general?
All are valid questions, but only »
- Luke Owen
From being initially written off on the basis of the underwhelming trailers to its emergence as a funny, fast-paced and fan-pleasing summer blockbuster, Star Trek Beyond has according to most critics done a bang up job of both honouring and continuing the classic franchise on the eve of its 50th anniversary.
Key to its impact is yet another rousingly adventurous and rich score from Michael Giacchino, whose return to the Trek realm for the third time was launched with a spectacular live concert performance at the movie’s premiere in Los Angeles. But then music has always been one of the most important and powerful weapons in the Star Trek arsenal, several of Hollywood’s most legendary composers having beamed us into the unknown. »
- Sean Wilson
Among his many TV and film credits are many well-know works, including “Cool Hand Luke,” “The Outlaw Josey Wales,” “Mister Roberts,” “Gymkata” and “The Rock.” He started as a wrestler and body builder, but soon that led to roles on Broadway and TV.
He moved to Los Angeles to pursue a career in films and further his work in television. Throughout his 60 years in the business he had roles in popular TV series, including “My Favorite Martian,” “Friends,” “E.R.,” “Curb Your Enthusiasm” and “How I Met Your Mother. »
- Maria Cavassuto
Although he starred in movies like “Gymkata,” “Cool Hand Luke,” “Outlaw Josey,” “Wales” and “Mister Roberts,” he didn’t start his career as an actor. He first started as a wrestler and body builder, but soon that led to roles on Broadway and TV.
He moved to Los Angeles to pursue a career in films and further his work in television. Throughout his 60 years in the business he had roles in popular movies and shows, including “The Rock,” “My Favorite Martian,” “Friends,” “E.R., »
- Maria Cavassuto
If you wish more horror films came with onomatopoetic titles, I’ve got the movie for you.
When Kevin Smith released his now -notorious horror comedy Tusk, many reviewers took issue with the ludicrous premise in which a mad scientist takes it upon himself to transform a man into a walrus. Apparently none of these critics had ever seen Bernard L. Kowalski’s 1973 horror film Sssssss—new to Blu-ray from Scream Factory—because if they had, they might have recognized that the premise of Smith’s movie had been covered nearly 30 years earlier, only with a snake instead of a walrus. It is, to put it bluntly, not a very good movie. But it is a weird one, and sometimes “weird” counts.
- Patrick Bromley
As a horror fan, sometimes you just want to wade in the waters of the absurd and inane. To bath in the bathetic, and wash in the ridiculous. If you’re up for a swim, throw on your trunks and join me for Herbert J. Leder’s It! (1967), a modern retelling of the Golem legend dry humped by Psycho. And if that description piques your interest, take the plunge with me, won’t you?
Produced by Seven Arts Pictures and distributed by Warner Brothers/Seven Arts, It! was released in the UK (where it was filmed) in July of ’67 followed by the U.S. in November. Frequently paired with Leder’s previous film, The Frozen Dead (’66), the U.S. print of It! was in black and white, as opposed to the glorious Eastmancolour on display and as intended. The film was also known as Anger of the Golem, and Curse of the Golem, »
- Scott Drebit
It was the pop culture sensation of the 1990s – and now it’s back to storm TV screens in the UK (well, Channel 5 anyway). The X-Files initially ran for 10 series’ (in addition to spawning two movies) and introduced us to two of television’s greatest heroes in the form of FBI agents Mulder (David Duchovny) and Scully (Gillian Anderson), both dedicated to exposing extraterrestrial and paranormal phenomena lurking amidst the fabric of everyday life.
However, the series wouldn’t have had half its impact without the input of composer Mark Snow, whose haunting music constantly had viewers anticipating what was around the next corner. Here are 19 memorable tracks exploring the rich yet underrated soundtrack history of this landmark show, ones confirming Snow as perhaps the unsung hero of The X-Files. »
- Sean Wilson
Fans of special effects icon Ray Harryhausen should rejoice at the remastering of 1961’s Mysterious Island, a sequel of sorts to Jules Verne’s more celebrated 20,000 Leagues Under the Sea, which had been memorably adapted by Richard Fleischer in 1954. Director Cy Endfield takes the reigns on this big budget spectacle which tends to suffer from a bout of sequel-itis as regards the bombastic fervor of gigantic, menacing creatures taking precedence over characterization or narrative energy. Still, the production quality does display the same sense of movie magic specific to a certain period of cinema where Harryhausen’s signature Dynamation would influence generations of future filmmakers.
During the 1865 siege of Richmond, Virginia, a handful of soldiers, both Union and Confederate, escape the stockade via a hot air balloon, ending up somewhere on a strange island in the Pacific Ocean. Captain Cyrus Harding (Michael Craig) more or less resumes control of the men, »
- Nicholas Bell
14 items from 2016
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