| Peter Lee Lawrence | ... | Jim Slade | |
| John Ireland | ... | Douglas | |
| Gloria Osuna | ... | Marjorie (as Gloria Osuña) | |
| Eduardo Fajardo | ... | Chavel, Madman | |
| Julio Peña | ... | Mayor | |
| Raf Baldassarre | ... | Verdugo | |
| Piero Lulli | ... | J. Texas Corbett | |
| Franco Pesce | ... | Old Ben | |
| Andrea Scotti | ... | Blacksmith | |
| Calisto Calisti | ... | Cassidy | |
| Francesco Narducci | ... | Bartender | |
| Giovanni Ivan Scratuglia | (as Ivan Scratuglia) | ||
| Paola Natale | ... | Elizabeth | |
| Giovanni Betti | |||
| Frank Braña | ... | Joe, Stagecoach Driver (as Francisco Braña) | |
| Luis de Tejada | |||
| rest of cast listed alphabetically: | |||
| Armando Calvo | |||
| Miguel Del Castillo | ... | Glaerstone Banker | |
| Leonidas Guerra | |||
| Miguel Guzmán | |||
| Víctor Israel | ... | Barrett, Madman | |
| José Jaspe | ... | David, Madman | |
| Giovanni Petrucci | ... | Jeff Mortimer Logan | |
| Alfonso Rojas | ... | Percy, Townsman | |
| Gino Turini | ... | Freddy Butcher | |
Directed by | |||
| Umberto Lenzi | |||
Writing credits(in alphabetical order) | ||
| Marco Leto | writer | |
| Eduardo Manzanos Brochero | story | |
| Vittorio Salerno | writer | |
Original Music by | |||
| Angelo Francesco Lavagnino | |||
Cinematography by | |||
| Alejandro Ulloa | |||
Film Editing by | |||
| Daniele Alabiso | |||
Production Design by | |||
| José Luis Galicia | |||
| Ramon Pérez Cubero | |||
Costume Design by | |||
| Walter Patriarca | |||
Makeup Department | |||
| Raul Ranieri | .... | makeup artist (as Raoul Ranieri) | |
| Maurizio Trani | .... | hair stylist | |
| Vincente Vasquez | .... | makeup artist | |
Production Management | |||
| Ignacio Gutiérrez-Solana | .... | production supervisor (as Ignacio Gutiérrez) | |
| Averoe Stefani | .... | production manager (as Averroè Stefani) | |
Second Unit Director or Assistant Director | |||
| Francisco Ariza | .... | assistant director | |
| Roberto Giandalia | .... | assistant director | |
Art Department | |||
| Saverio D'Eugenio | .... | set designer | |
Camera and Electrical Department | |||
| Renato Doria | .... | assistant camera | |
| Raúl Pérez Cubero | .... | camera operator (as Raúl Pérez Cubero) | |
Costume and Wardrobe Department | |||
| Luisa Petrella | .... | seamstress | |
Other crew | |||
| Lamberto Andreani | .... | production secretary (as Lamberto Adriani) | |
| Isabel Mulá | .... | script supervisor | |
| Fernando Rossi | .... | production secretary | |
|
|
|
|
|
| I crudeli | Da uomo a uomo | Il grande silenzio | Texas, addio | Oggi a me... domani a te! |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | IMDb Western section |
| IMDb Italy section | Add this title to MyMovies |
Jim Slade is sentenced to forced labor, since he refused to kill somebody in war (due to his religious conscience). After the war, he returns home and finds his parents murdered. He chases the murderers and kills most of them - and everything I told you now just happens in the first 15 minutes of the film! After this rushed beginning, the real story unfolds. Bandits are trying to rob a bank - but there is no money in that bank because a transport with 200,000 dollars did not arrive yet. So the bandits threaten to return soon... and the citizens are eager to find a new sheriff and prepare for the attack.
John Ireland plays a priest who is suspiciously fast on the draw. Eduardo Fajardo has only a small appearance as one among a bunch of madmen breaking from their cage. Piero Lulli, though, is at his best in the role of the leader of the bandits. Peter Lee Lawrence plays Slade as good as possible under the circumstances - it is a hero poorly developed by the screenplay who makes him a pacifist in the beginning and a gunman later on, but for a man who's never touched a gun before, he seems to learn effortlessly how to become the most dangerous man in town within a day or two. Also he first was ready to go to prison for his religious belief - and then he kicks that over board without a single regret later on. It would have been possible to make Slade a character torn between duty and desire, but instead the makers of the movie simply settle for a fast gun. Thus, "Una pistola per cento bare" became just one average movie among many.