| Photos (See all 11 | slideshow) |
| Julie Christie | ... | Petulia Danner | |
| George C. Scott | ... | Dr. Archie Bollen | |
| Richard Chamberlain | ... | David Danner | |
| Arthur Hill | ... | Barney | |
| Shirley Knight | ... | Polo | |
| Pippa Scott | ... | May | |
| Kathleen Widdoes | ... | Wilma | |
| Roger Bowen | ... | Warren | |
| Richard Dysart | ... | Motel Receptionist | |
| Ruth Kobart | ... | Nun | |
| Ellen Geer | ... | Nun | |
| Lou Gilbert | ... | Mr. Howard | |
| Nate Esformes | ... | Mr. Mendoza (as Nat Esformes) | |
| Maria Val | ... | Mrs. Mendoza | |
| Vincent Arias | ... | Oliver | |
| Eric Weiss | ... | Michael | |
| Kevin Cooper | ... | Stevie | |
| Joseph Cotten | ... | Mr. Danner | |
| The Grateful Dead | ... | Themselves | |
| Big Brother and the Holding Company | ... | Themselves | |
| The Committee | ... | Themselves | |
| Ace Trucking Company | ... | Themselves (as A.T.C. Company) | |
| rest of cast listed alphabetically: | |||
| Rene Auberjonois | ... | Fred Six (uncredited) | |
| Bruce Chesse | ... | Tourist (uncredited) | |
| Barbara Colby | ... | Patient (uncredited) | |
| Michael Earl | ... | Boy in Park (uncredited) | |
| Mickey Hart | ... | Hippie 2 (uncredited) | |
| Howard Hesseman | ... | Hippie (uncredited) | |
| Phil Lesh | ... | Hippie 4 (uncredited) | |
| Ron McKernan | ... | Hippie 5 (uncredited) | |
| DeAnn Mears | ... | Nurse (uncredited) | |
| Josephine Nichols | ... | Neighbor (uncredited) | |
| Austin Pendleton | ... | Intern (uncredited) | |
| Danny Rifkin | ... | Hippie 6 (uncredited) | |
| Mel Stewart | ... | Supermarket Clerk (uncredited) | |
| Bob Weir | ... | Hippie 7 (uncredited) | |
Directed by | |||
| Richard Lester | |||
Writing credits | ||
| Lawrence B. Marcus | (screenplay) | |
| John Haase | (novel "Me and the Arch Kook Petulia") | |
| Barbara Turner | (adaptation) | |
Produced by | |||
| Don Devlin | .... | executive associate producer | |
| Denis O'Dell | .... | associate producer | |
| Raymond Wagner | .... | producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Nicolas Roeg | (as Nicholas Roeg) | ||
Film Editing by | |||
| Antony Gibbs | |||
Casting by | |||
| Fred Roos | |||
Production Design by | |||
| Tony Walton | |||
Set Decoration by | |||
| Audrey A. Blasdel | (as Audrey Blasdel) | ||
Costume Design by | |||
| Tony Walton | |||
Makeup Department | |||
| Gustaf Norin | .... | makeup artist (as Gus Norin) | |
| Vivienne Walker | .... | hair stylist (as Vivian Zavitz) | |
Production Management | |||
| Emmett Emerson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John D. Bloss | .... | assistant director (as John Bloss) | |
| Michael J. Dmytryk | .... | assistant director (uncredited) | |
Art Department | |||
| Stephen R. Ferry | .... | property master (as Stephen Ferry) | |
| Dean Tavoularis | .... | associate art director | |
Sound Department | |||
| Don Challis | .... | dubbing editor | |
| Gerry Humphreys | .... | dubbing mixer | |
| Francis E. Stahl | .... | sound | |
Camera and Electrical Department | |||
| Freddie Cooper | .... | camera operator | |
| Gibby Germaine | .... | chief electrician | |
| Paul Hawkins | .... | light show | |
| Paul Wilson | .... | camera operator | |
| Robert Willoughby | .... | special still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Arlette Nastat | .... | costumes: Miss Christie (as Arlette Nastat 'Real') | |
| Rita Riggs | .... | wardrobe | |
| Ray Summers | .... | wardrobe | |
Music Department | |||
| John Barry | .... | conductor | |
Other crew | |||
| Rita Davison | .... | continuity | |
| David Hicks | .... | design consultant | |
| Harry Zubrinsky | .... | location manager | |
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| The Painted Veil | Feast of Love | The Kite Runner | Before the Devil Knows You're Dead | Beaches |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I've never seen a film which captured the confusion of love gone wrong like this. The kaleidoscopic editing can be a distraction but it also helps create the torment of the main character as his life slowly ceases to make sense. Stunningly photographed by Nicolas Roeg, and a clear influence on his later BAD TIMING, in which the neurosis, present in all the characters of PETULIA, blossoms into full-blown psychosis. What this film has over Roeg's is a sharper compassion and a satiric portrait of late summer-of-love San Francisco which feels accurate and quite ahead of its time. Disillusion has already set in. George C Scott is majestic, and Julie Christie goes from irritating in the "BRINGING up BABY for the Pepsi Generation" opening sequences, to ultimately moving and affecting. The ending, where she goes under the gas (to give birth, but it feels more permanent than that), is as oddly chilling as Lester's earlier HOW I WON THE WAR (which ends with Michael Crawford eating a biscuit, and manages to make this terrifying). What can I say? If you have time and sympathy for people who are a bit screwed up, PETULIA may speak to you.