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Pas de deux (1968)
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Overview
User Rating:
Your Rating:
Director:
Plot:
Two ballet dancers perform a dance enhanced with surreal multi and after-image effect visuals. | Add synopsis »
Plot Keywords:
Dance
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Ballet
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Surrealism
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Number In Title
Awards:
Nominated for Oscar.
Another 4 wins
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NewsDesk:
(6 articles)
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User Reviews:
A visual masterpiece
See more (13 total) »
Cast
(in credits order) (verified as complete) | Margaret Mercier | ... | Ballerina |
| Vincent Warren | ... | Ballet Dancer |
Directed by | |||
| Norman McLaren | |||
Produced by | |||
| Norman McLaren | .... | producer (uncredited) | |
Cinematography by | |||
| Jacques Fogel | |||
Production Design by | |||
| Ludmilla Chiriaeff | (uncredited) | ||
Sound Department | |||
| Ron Alexander | .... | sound | |
| Maurice Blackburn | .... | sound editor | |
Special Effects by | |||
| Wally Howard | .... | special effects | |
Music Department | |||
| Dobre Constantin | .... | musician: panpipes | |
Other crew | |||
| Ludmilla Chiriaeff | .... | choreographer | |
Production CompaniesDistributors
- Columbia Pictures (USA)
Additional Details
Also Known As:
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Parents Guide:
Runtime:
13 min
Country:
Language:
Color:
Sound Mix:
Certification:
Did You Know?
Trivia:
Created using an optical printer to reprint images from one frame onto another.See more »
Movie Connections:
Featured in Weird Sex and Snowshoes: A Trek Through the Canadian Cinematic Psyche (2004) (TV)See more »
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An 
company.
Stunning, enthralling, captivating, breathtaking.
A visual masterpiece composed from two dancers, clever back-lighting, a pan-pipe and some stop motion/multi-exposure effects. Proof that in the hands of an artist the sum surpasses the parts, must be seen to be believed! The progression from the simplest expression of human motion into a cascade of frames and forms draws the viewer from first to last image. The beauty of the initial simplicity turns into a delicious betrayal of epectations as subtle new effects are thrown into the mix. The music, passionate and stark, is a perfect match and even the synchronizing between aural and visual ebbs and flows is impeccable. Should be seen by anyone who enjoys film as art.