Inspector Clousseau travels to Rome to catch a notorious jewel thief known as "The Phantom" before he conducts his most daring heist yet--a princess' priceless diamond with one slight imperfection, known as "The Pink Panther."
To prove that he still is strong and powerful, Philippe Douvier decides to kill Clouseau. Once news of his "death" has been announced, Clouseau tries to take advantage of it and goes undercover with Cato to find out who tried to kill him.
Fu Manchu's 168th birthday celebration is dampened when a hapless flunky spills Fu's age-regressing elixir vitae. Fu sends his lackeys to round up ingredients for a new batch of elixir, ... See full summary »
After getting fired from General Federal Studios, Junior Artiste, Hrundi V. Bakshi, ends up getting invited to an upscale party thrown by the wealthy Clutterbuck family. After his tryst with his shoe, he is aided by an inebriated butler and a baby elephant to create hilarious chaos for the hosts and their chic guests. Written by
Associate producer Ken Wales nearly drowned during filming, after stuntman Dick Crockett shoved him into the foam-filled swimming pool as a joke. No-one had told either man that the foam was actually designed for use by firefighters, and absorbed oxygen in order to help put out fires, meaning that Wales couldn't breathe even when he was above the water, and had to be rescued by a couple of stagehands. See more »
In the scene mid-way through the film where the woman is playing guitar and singing, the sounds of the guitar strings are not in sync with her finger plucking. There are also sounds from other instruments like a flute playing along with the music yet she is performing solo with only the acoustic guitar. See more »
When I was working for the Museum of Modern Art, we had a small retrospective for Blake Edwards, and he selected "The Party" as the movie he wanted to open with: he felt it was his "purest" film comedy. After the opening sequence with the Peter Sellers character wrecking a movie set, the bulk of the film takes place during the night of a big Hollywood party (which the Sellers character is inadvertently invited to). In this, the film is as rigorous as Antonioni's "La Notte" (also set during the events of one day and night), and the sight gags build and accumulate in a manner that is reminiscent of Jacques Tati (with the same melancholic humor prevading the slapstick). The film is utterly charming, with some acerbic touches pricking the hypocrisies of Hollywood, and the film takes the time to let the characters (especially the two principals, played by Sellers and Claudine Longet in her only major film role) develop. It may not be as manic as parts of "The Pink Panther" but it's very funny in an even and sustained way.
25 of 31 people found this review helpful.
Was this review helpful to you?