Inspector Clouseau travels to Rome to catch a notorious jewel thief known as "The Phantom" before he conducts his most daring heist yet--a princess' priceless diamond with one slight imperfection, known as "The Pink Panther."
To prove that he still is strong and powerful, Philippe Douvier decides to kill Clouseau. Once news of his "death" has been announced, Clouseau tries to take advantage of it and goes undercover with Cato to find out who tried to kill him.
By a twist of fate, clumsy still good-hearted, aspiring actor Hrundi V. Bakshi, is invited to attend Fred "General" Clutterbuck's big party, after having utterly ruined the set of his latest feature film. What Mr. Clutterbuck doesn't know, is that Bakshi is present at his gathering, merrily mingling with the highly-esteemed guests he and his wife have wholeheartedly invited. The night is approaching and all of the guests have finally assembled in this magnificent villa, equipped with the latest innovations modern technology has to offer. In this cozy and friendly atmosphere, drinks are flowing, food is in abundance and everybody is having a great time with light conversations and in high spirits, enjoying the music from the band. But when Bakshi accidentally has his first-ever sip of alcohol and his real identity is finally revealed, only God knows how this well-thought party is going to end up... Written by
When Hrundi is walking through the kitchen in search of a bathroom, Vin Scully can be heard calling a Dodger game on the radio. Scully still calls Dodger games to this day, decades later. See more »
In the scene mid-way through the film where the woman is playing guitar and singing, the sounds of the guitar strings are not in sync with her finger plucking. There are also sounds from other instruments like a flute playing along with the music yet she is performing solo with only the acoustic guitar. See more »
What can you say about Peter Sellers? From the Goon Show, through the Ealing comedies, the Pink Panther films, up to Being There, he was consistently brilliant! Kubrick knew it, Blake Edwards knew it, and this movie does a lot to prove it to everyone else. Instead of making his stereotype just a vehicle for laughs, he brings out the pathos and beauty inherent in alienation..instead of using scripted antique gags as an invitation to walk through the role, he transcends each tired joke with impeccable timing and facial expressions. Even the silly sixties situations don't ruin the comedy here, as they did in Alice B. Toklas. In my opinion, this one is timeless, and should be seen by anyone who has a sense of humor.
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