Seven segments related to one another only in that they all purport to be based on sections of the book by David Reuben. The segments range from "Do Aphrodisiacs Work?" in which a court ... See full summary »
Necchi (a bar owner), Perozzi (a journalist), Melandri (an architect) and Mascetti (a broken nobleman) live in Florence. They have been friends since their youngest years and spend every ... See full summary »
An Indian actor makes a huge mistake during the filming of a costume epic. When the 'Fire this guy' list gets confused with the studio head's guest list for a party, he appears there and everyone assumes he must belong. Written by
John Vogel <email@example.com>
This film was improvised from a 56-page outline. Each scene was shot in sequence, and built upon the previous scene. To aid in this experiment, the film's producers had a video-camera tube attached to the Panavision camera and connected to an Ampex studio videotape machine, allowing the actors and crew to review what they had just filmed. See more »
The sax player is playing a tenor for the whole film until the end during the bubble scene when he mysteriously is playing a beaten up old C melody. Clearly he didn't want to get his horn ruined, but they should have used something else as it's a completely different instrument, different keywork and different color and different size. See more »
`The Party' is one of the few comedies that I can watch repeatedly and still enjoy, to a great extent due to the charm of the character Peter Sellers creates. Hrundi V. Bakshi urgently needs to be appropriate and polite (he absolutely CANNOT be impolite), but his natural curiosity and unfamiliarity with his surroundings wreak havoc. He's really quite an admirable fellow, though. He's unfailingly considerate and reasonable, but brave and resourceful when coming to the aid of another, as in the case of producer C.S. Divot's (Gavin MacLeod) exploitation of Michelle Monet (Claudine Longet). I find it hard to accept the notion that the characterization is racist, as some contend, unless you consider the very act of a white person playing an Indian in dark makeup racist. It can't be denied that many westerners find the accent amusing (see Baboo in `Seinfeld,' or Apu in `The Simpsons'). Still, Sellers' characterization of Bakshi is no stereotype, and I don't feel that his portrayal brings discredit to anyone.
That aside, this is one damned funny film! As `anonymous' from Chicago has pointed out below, there are interesting aspects there for your consideration, if you choose to look for them. More than just a series of pratfalls and sight gags, `The Party' is a multi-faceted creation, as is its central character. If you haven't seen it, pour yourself a heaping bowl of birdie num-nums and give it a look. It's on DVD now, collectors.
I need only add that I am not your sugar.
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