Seven segments related to one another only in that they all purport to be based on sections of the book by David Reuben. The segments range from "Do Aphrodisiacs Work?" in which a court ... See full summary »
Necchi (a bar owner), Perozzi (a journalist), Melandri (an architect) and Mascetti (a broken nobleman) live in Florence. They have been friends since their youngest years and spend every ... See full summary »
An Indian actor makes a huge mistake during the filming of a costume epic. When the 'Fire this guy' list gets confused with the studio head's guest list for a party, he appears there and everyone assumes he must belong. Written by
John Vogel <email@example.com>
When I was working for the Museum of Modern Art, we had a small retrospective for Blake Edwards, and he selected "The Party" as the movie he wanted to open with: he felt it was his "purest" film comedy. After the opening sequence with the Peter Sellers character wrecking a movie set, the bulk of the film takes place during the night of a big Hollywood party (which the Sellers character is inadvertently invited to). In this, the film is as rigorous as Antonioni's "La Notte" (also set during the events of one day and night), and the sight gags build and accumulate in a manner that is reminiscent of Jacques Tati (with the same melancholic humor prevading the slapstick). The film is utterly charming, with some acerbic touches pricking the hypocrisies of Hollywood, and the film takes the time to let the characters (especially the two principals, played by Sellers and Claudine Longet in her only major film role) develop. It may not be as manic as parts of "The Pink Panther" but it's very funny in an even and sustained way.
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