Inspector Clouseau travels to Rome to catch a notorious jewel thief known as "The Phantom" before he conducts his most daring heist yet--a princess' priceless diamond with one slight imperfection, known as "The Pink Panther."
To prove that he still is strong and powerful, Philippe Douvier decides to kill Clouseau. Once news of his "death" has been announced, Clouseau tries to take advantage of it and goes undercover with Cato to find out who tried to kill him.
Inspector Clouseau disappears, and the Surete wants the world's second best detective to look for him. However, Clouseau's enemy, Dreyfus, rigs the Surete's computer to select, instead, the... See full summary »
By a twist of fate, clumsy still good-hearted, aspiring actor Hrundi V. Bakshi, is invited to attend Fred "General" Clutterbuck's big party, after having utterly ruined the set of his latest feature film. What Mr. Clutterbuck doesn't know, is that Bakshi is present at his gathering, merrily mingling with the highly-esteemed guests he and his wife have wholeheartedly invited. The night is approaching and all of the guests have finally assembled in this magnificent villa, equipped with the latest innovations modern technology has to offer. In this cozy and friendly atmosphere, drinks are flowing, food is in abundance and everybody is having a great time with light conversations and in high spirits, enjoying the music from the band. But when Bakshi accidentally has his first-ever sip of alcohol and his real identity is finally revealed, only God knows how this well-thought party is going to end up... Written by
The sax player is playing a tenor for the whole film until the end during the bubble scene when he mysteriously is playing a beaten up old C melody. Clearly he didn't want to get his horn ruined, but they should have used something else as it's a completely different instrument, different keywork and different color and different size. See more »
When I was working for the Museum of Modern Art, we had a small retrospective for Blake Edwards, and he selected "The Party" as the movie he wanted to open with: he felt it was his "purest" film comedy. After the opening sequence with the Peter Sellers character wrecking a movie set, the bulk of the film takes place during the night of a big Hollywood party (which the Sellers character is inadvertently invited to). In this, the film is as rigorous as Antonioni's "La Notte" (also set during the events of one day and night), and the sight gags build and accumulate in a manner that is reminiscent of Jacques Tati (with the same melancholic humor prevading the slapstick). The film is utterly charming, with some acerbic touches pricking the hypocrisies of Hollywood, and the film takes the time to let the characters (especially the two principals, played by Sellers and Claudine Longet in her only major film role) develop. It may not be as manic as parts of "The Pink Panther" but it's very funny in an even and sustained way.
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