To prove that he still is strong and powerful, Philippe Douvier decides to kill Clouseau. Once news of his "death" has been announced, Clouseau tries to take advantage of it and goes undercover with Cato to find out who tried to kill him.
Peter Sellers plays Aldo Vanucci (aka the Fox), one of the greatest criminals of the world, and master of disguise. After Aldo escapes from the Italian prison he was held in, he meets again... See full summary »
After getting fired from General Federal Studios, Junior Artiste, Hrundi V. Bakshi, ends up getting invited to an upscale party thrown by the wealthy Clutterbuck family. After his tryst with his shoe, he is aided by an inebriated butler and a baby elephant to create hilarious chaos for the hosts and their chic guests. Written by
During the scene in which Peter Sellers wrecks the upstairs bathroom, the band downstairs can be heard playing "It Had Better Be Tonight," which was originally written and used both as a vocal and as an instrumental score in the first "Pink Panther" film. See more »
The sax player is playing a tenor for the whole film until the end during the bubble scene when he mysteriously is playing a beaten up old C melody. Clearly he didn't want to get his horn ruined, but they should have used something else as it's a completely different instrument, different keywork and different color and different size. See more »
When I was working for the Museum of Modern Art, we had a small retrospective for Blake Edwards, and he selected "The Party" as the movie he wanted to open with: he felt it was his "purest" film comedy. After the opening sequence with the Peter Sellers character wrecking a movie set, the bulk of the film takes place during the night of a big Hollywood party (which the Sellers character is inadvertently invited to). In this, the film is as rigorous as Antonioni's "La Notte" (also set during the events of one day and night), and the sight gags build and accumulate in a manner that is reminiscent of Jacques Tati (with the same melancholic humor prevading the slapstick). The film is utterly charming, with some acerbic touches pricking the hypocrisies of Hollywood, and the film takes the time to let the characters (especially the two principals, played by Sellers and Claudine Longet in her only major film role) develop. It may not be as manic as parts of "The Pink Panther" but it's very funny in an even and sustained way.
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