Young Oliver Twist runs away from an orphanage and meets a group of boys trained to be pickpockets by an elderly mentor.

Director:

Writers:

(book), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
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Harry Secombe ...
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Peggy Mount ...
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Hylda Baker ...
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Wensley Pithey ...
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Storyline

Musical adaptation of Charles Dickens's classic tale of an orphan who runs away from the orphanage and hooks up with a group of boys trained to be pickpockets by an elderly mentor. Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Plot Synopsis

Taglines:

Much Much More Than a Musical! See more »

Genres:

Drama | Family | Musical

Certificate:

G | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

27 September 1968 (UK)  »

Also Known As:

Oliver  »

Box Office

Budget:

$10,000,000 (estimated)

Gross:

$16,800,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm optical prints)| (Westrex Recording System) (70 mm prints)| (Westrex Recording System) (35 mm magnetic prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film is always listed as running 153 minutes, but this is because of the Overture heard before the film, the Intermission Music, and the Exit Music. The actual film, including the opening credits, runs about 145 minutes. See more »

Goofs

During the "Who will buy" scene, the military band march in followed by soldiers. However when they march off screen the soldiers are leading the band. See more »

Quotes

Nancy: [singing] Who cares if straightlaces sneer at us in the street? Fine airs and fine graces don't have to sin to eat.
See more »

Connections

Referenced in Saturday Night Live: Rick Moranis/Rickie Lee Jones (1989) See more »

Soundtracks

Oom-Pah Pah
(1960) (uncredited)
Words and Music by Lionel Bart
Sung by Shani Wallis and Chorus
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Frequently Asked Questions

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User Reviews

 
First in a long line
11 May 1999 | by (United Kingdom) – See all my reviews

This film introduced me to musicals at the age of 5 or 6, starting a trend which has lasted for over two decades since - it remains my favourite for a lot of reasons - the great treatment of Dickens' admittedly complicated book; memorable characters who do not sing, alongside those who do (stellar performances from everyone); fun and frolics, and a few heartbreaking moments; and Lionel Bart's tremendous score. The 'Who Will Buy' sequence is one of the best ever. One to watch and cherish and remember just how good musical films used to be.


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