This classic (Greek) tale tells how a noble youth accidentally marries his own mother, kills his own father (deliberately) and ends up paying a terrible price for invoking the wrath of the ...
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The land ruled by King Oedipus is plagued by ill-fortune and the people are promised relief by the gods if the slayer of the former king is apprehended and punished. This does not bode well... See full summary »
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is ... See full summary »
This classic (Greek) tale tells how a noble youth accidentally marries his own mother, kills his own father (deliberately) and ends up paying a terrible price for invoking the wrath of the Gods. Written by
Steve Crook <email@example.com>
Epilogue: Citizens of our ancestral Thebes Gaze on Oedipus the Mighty and once Masterful; And count no man blessed in his life until he's passed beyond all pain and earthly strife. Sophocles circa 430 B.C. See more »
Sophocles on cinema is a delight; but with a dream cast that includes the lovely, talented Lili Palmer, the great Orson Welles, the charming Cyril Cusack, the arresting Donald Sutherland in a most unusual role, and of course stalwarts Christopher Plummer and Richard Johnson, the effect can be heady.
I recommend the film to anyone who cares for drama and acting. I am amused that the film has not been marketed intelligently by the studios and remains unseen by many who would have loved to see the film.
The scenes where Oedipus unknowingly kills his own father is captured on film in a truly remarkable way, suggesting the fleeting moment where recognition between father and son is totally implausible.
Jocasta's (Lili Palmer) performance is top notch--probably her best role ever. Cyril Cusack, Orson Welles, and Donald Sutherland add additional flavour to this remarkable effort.
I have always wondered why the famous cinematographer Walter Lassally did not choose to film the movie in the letterbox or cinemascope format, which would have given the subject an epic sweep it deserved. The format used by Lassally restricted the film to the level of a play on film rather than cinema capturing the great play on celluloid. Even with this fault, the film will remain one of my favourites. I commend Phillip Saville for his casting--bringing together great actors on both sides of the Atlantic.
I doubt if the ancient Greeks could have enjoyed the play any better than on a technicolor screen with special effects.
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