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Nostra signora dei turchi (1968)

Avant Garde piece from Carmelo Bene. A series of vignettes drive a whirl of sounds, images and poetry - is it horror, is it comedy, make your own mind up.

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1 win & 2 nominations. See more awards »

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Cast

Cast overview:
Carmelo Bene ...
The Protagonist / Narrator
Lydia Mancinelli ...
Saint Margareth
Ornella Ferrari ...
The Servant
Anita Masini ...
Holy Mary / The Wife
Salvatore Siniscalchi ...
The Publisher
Vincenzo Musso
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Storyline

Avant Garde piece from Carmelo Bene. A series of vignettes drive a whirl of sounds, images and poetry - is it horror, is it comedy, make your own mind up.

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

6 June 1969 (France)  »

Also Known As:

I agia mas ton Tourkon  »

Filming Locations:

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Technical Specs

Runtime:

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| (Ektachrome)

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Italian censorship visa # 52734 delivered on November 16, 1968. See more »

Connections

References The Third Man (1949) See more »

Soundtracks

Werther
(uncredited)
Written by Jules Massenet
See more »

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User Reviews

 
Interesting Avant Garde Experiment from Bene.
31 October 2006 | by (Bloomsburg PA) – See all my reviews

"Our Lady of the Turks" is a film that is hard to categorize. Then again Carmelo Bene's films are hard to define. Often beautiful, sometimes boring, somewhat ego-centric and sometimes bitingly humorous. The film starts off as a sort of mocumentary about Ontranto, Italy. This is where the Turks tried to invade 100 years before; killing the Saracens. Then we are treated to Bene in front of the camera in a series of bizarre, surreal images and comical mishaps. Bene's character is taunted by the Madonna. Wherever he goes this beautiful virgin Mary is sure to follow, making his life a real headache. She is symbolic of man's desire and dreams. This is a film where visuals overpower story or lack there of. At first I didn't know how to feel about the film. But to be honest, it was quite a journey with it's bizarre experimental style. Somewhat frustrating but altogether breathtaking. There's simply nothing like it. If you enjoy Fellini or even experimental films by Stan Brakhage; you may find this film interesting. Not that I didn't enjoy the film, but I felt it was 20 minutes too long. My opinion might change after a second or third viewing.


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