Shot by a jealous husband, Charley falls out a porthole and is lost at sea only to find himself returned as an attractive blond woman. His best friend is staying at his house as he puts ... See full summary »
The Illustrated Man is classic Bradbury, a collection of eighteen startling visions of humankind's destiny, unfolding across a canvas of decorated skin, visions as keen as the tattooist's ... See full summary »
After 17 years, things have got too predictable and stale. They argue, they visit a marriage counselor, Richard (drunk) visits a prostitute. They split up. After meeting other people, they ... See full summary »
Dick Van Dyke,
Hard up and with a grudge against insurance companies, Rex Black feigns his death and meets up with his wife and the money in Malaga when things seemed to have quietened down. But when the ... See full summary »
Bruce Pritchard is paralysed mysteriously after his Brothers wedding. Rejected by his family, he is placed in a nursing home. Angry and depressed, he finds hope with a nurse. Can Bruce find a life outside the home?
Christopher Gill is a psychotic killer who uses various disguises to trick and strangle his victims. Moe Brummel is a single and harassed New York City police detective who starts to get phone calls from the strangler and builds a strange alliance as a result. Kate Palmer is a swinging, hip tour guide who witnesses the strangler leaving her dead neighbor's apartment and sets her sights on the detective. Moe's live-in mother wishes her son would be a successful Jewish doctor like his big brother. Written by
The first victim is identified both in a line of dialogue and in the end credits as "Alma Mulloy;" however, when the killer reads about the murder in the paper, the news article lists her name as "Alice Mulloy." See more »
Rod Steiger plays a psycho who likes to strangle women to death. George Segal plays a Jewish cop after him. Lovely, young Lee Remick plays Segal's love interest. Unfortunately Steiger is interested in her too.
Very odd movie. The dialogue is crisp, sharp and handled expertly by the cast. It just sounds different--I mean this in a good way. Steiger chews the scenery again & again & again & AGAIN as the killer. Segal is just fine, but he (understandably) pales next to Steiger. Remick is astonishingly beautiful and having a whale of a time in her role. Also Eileen Heckart is a scream as Segal's very Jewish mother. The sequence between her and Remick is a definite highlight.
All in all, a strange, but enjoyable, mix of suspense, humor and romance. Not for everybody but worth a look.
Only debit--more than a few homophobic comments are thrown about as jokes. But then this was made in 1968.
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