Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Barbra and her brother Johnny travel by car from Pittsburgh to the countryside to visit the gravestone of their father in the cemetery. Out of the blue, they are attacked by a strange man and Johnny is murdered. Barbra runs and releases the brake of Johnny's car since the keys are in his pocket, and flees to an isolated farmhouse, where she locks herself inside. Barbra is in shock and soon she finds a man, Ben, who is also escaping from the inhuman creatures and he reinforces the doors, windows and openings in the house. He also finds a shotgun and a radio and they learn that the radiation from a satellite that was returning from Venus has somehow reactivated the brain of the dead. Then they find five humans hidden in the basement: Harry Cooper, his wife Helen and their daughter Karen that is sick; and Tom and his girlfriend Judy. Harry has an argument with Ben, since he believes that the basement is the safest place for them and Harry does not agree. Along the night, the tension ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The stock music that accompanies Barbara's initial flight from the cemetery zombie was taken from the score for The Hideous Sun Demon (1959), and had been used a year earlier, in the final episode of television's The Fugitive (1963). See more »
In the opening scene, Johnny tells Barbara that they have a "three-hour drive" ahead of them to return home to Pittsburgh. However, later in the film when the TV broadcast is listing local rescue stations, all of the town names given are located in the greater Pittsburgh area. See more »
There is no on-screen copyright notice, nor any of the usual legal disclaimers typically found in movie credits; this is the main reason the film has been in the public domain since its release. See more »
I was flicking through the TV guide which told me the remake of NIGHT OF THE LIVING DEAD was being shown on the Sci-Fi channel so I sat down to watch it. I did like the ground breaking original so eagerly awaited seeing the 1990 version which started with a car driving down a lonely country road just like the original , it was also filmed in black and white just like the original and it was at this point I realised I wasn`t watching the remake- I was watching the original . This wasn`t the first time a certain TV guide got films mixed up because a couple of weeks ago it confused the 1967 war film THE YOUNG WARRIORS with the 1983 vigilante thriller about high school students and their poodle wiping out scum
Slightly disappointed I wouldn`t be seeing the colour remake I still sat down to watch the original because as I said I remember liking it from years ago . I wasn`t disappointed with what I saw but the flaws do jump out at you and bite you in the neck . The acting isn`t very good with Judith O Dea over acting with the rest of the cast under acting . This a great pity because if we had the same type of performances seen in something like 12 ANGRY MEN this movie would have been a masterpiece . I also couldn`t help noticing a few editing errors where it`s suddenly pitch black outside then it flicks to broad daylight then it`s pitch black again , and I don`t think I`ve seen many films recently with such an intrusive soundtrack . I can however forgive these flaws because NOTLD is guerilla film making at its very best , it`s got a simple strength and that is it has a very good script where both imagination and drama grabs you and doesn`t let go - A crashed satillite returning from Venus reanimates the dead ? Utter nonsense of course but the scenario is so well written you can`t help being swept along with the terror as the protagonists watch the world disintergrate on TV . Compare this movie to THE BLAIR WITCH PROJECT and tell me what one is more enjoyable ? No contest is it ?
I liked this movie many years ago and still like it today . Such a pity the production values didn`t come up to the standards of the script , but that said it`s still more compelling than the stuff coming out of Hollywood today
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