A team consisting of a physicist, his wife, a young female psychic and the only survivor of the previous visit are sent to the notorious Hell House to prove/disprove survival after death. ... See full summary »
Barbra and her brother Johnny travel by car from Pittsburgh to the countryside to visit the gravestone of their father in the cemetery. Out of the blue, they are attacked by a strange man and Johnny is murdered. Barbra runs and releases the brake of Johnny's car since the keys are in his pocket, and flees to an isolated farmhouse, where she locks herself inside. Barbra is in shock and soon she finds a man, Ben, who is also escaping from the inhuman creatures and he reinforces the doors, windows and openings in the house. He also finds a shotgun and a radio and they learn that the radiation from a satellite that was returning from Venus has somehow reactivated the brain of the dead. Then they find five humans hidden in the basement: Harry Cooper, his wife Helen and their daughter Karen that is sick; and Tom and his girlfriend Judy. Harry has an argument with Ben, since he believes that the basement is the safest place for them and Harry goes not agree. Along the night, the tension ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The real gravestone that Barbara (Judith O'Dea) cowers beside in the graveyard scene of the movie is that of Nicholas Kramer (1842-1917), whose remains are interred in the Evans City Cemetery in Jackson Township, Butler County, Pennsylvania. See more »
It becomes a plot point that the farmhouse's cellar only has one entrance, which leads into the living room area. But early in the film when Barbara approaches the farmhouse, an outdoor cellar entrance can be noticed. See more »
[Tom has just brought Judy up from the basement]
You gonna let them get her too, huh?
See more »
The credits play over still frames of the hunters dragging Ben out of the house with meat hooks. After the credits, there's a short scene of the hunters setting a pile of zombies on fire. See more »
The film that redefined the horror genre overnight
The Shining, The Exorcist and The Omen are all films that owe some of their stylistic approach to this film. This is the film that re-wrote the rules of the horror genre as it went along, whilst acting as both social critique and fond homage to 'The Birds' as well.
Romero set in place a steady breakdown of all our assumptions of the horror film, which he then utilised to full effect through the rest of this film and the two superb sequels that followed.
This is perhaps one of the greatest low budget cult movies ever made, certainly one of the most influential, and in its brutally harrowing documentary style conclusion a harsh statement on American racial attitudes. A statement which is as relevant today as it was over thirty years ago.
83 of 106 people found this review helpful.
Was this review helpful to you?