There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt to remain safe from these bloodthirsty, flesh-eating monsters.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Several people are hunted by a cruel serial killer who kills his victims in their dreams. While the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
Barbra and Johnny visit their father's grave in a remote cemetery when they are suddenly set upon by zombies. Barbra manages to get away and takes refuge in what seems to be an abandoned farm house. She is soon joined by Ben who stopped at the house in need of gas. Beset by the walking dead all around them Ben does his best to secure the doors and windows. The news reports are grim however with creatures returning to life everywhere. Barbra and Ben are surprised when they realize there are 5 people hiding out in the basement: Harry, Helen and Judy Cooper; and a young couple, Tom and Judy. Dissensions sets in almost immediately with Harry Cooper wanting to be in charge. As their situation deteriorates, their chances of surviving the night lessen minute by minute. Written by
George A. Romero chose Evans City Cemetery for the famous first scene due in large part to its isolated location. The crew did not want to be interrupted by onlookers or police inquiring about their presence, and the cemetery being situated atop a hill in a heavily wooded area allowed them the opportunity for privacy. Ironically, it has become a popular tourist attraction and destination for fans of the film in the decades since its release. See more »
The first time we see the dead body at the top of the stairs, the face has been eaten away. Later when the body is being dragged away, the rug conveniently covers the face but for a split second we are able to see the face and it is clearly normal. See more »
They ought to make the day the time changes the first day of summer.
Well it's eight o' clock and it's still light.
A lot of god the extra daylight does us, you know we've still got a three hour drive back, we're not going to be home until after midnight.
Well, if it really bugged you, Johnny, you wouldn't do it.
You think I wanna blow Sunday on a scene like this? You know, I figure we're either going to have to move mother out here or move the grave to Pittsburgh.
Well she ...
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The credits play over still frames of the hunters dragging Ben out of the house with meat hooks. After the credits, there's a short scene of the hunters setting a pile of zombies on fire. See more »
Romero is sublime. His ability to take a small budget and turn it into a
stratosphericly giant film is unparalleled. This is one of the best
apocalypse films ever (along with the rest of the trilogy). The zombies
represent a slow moving enemy. It is easy to escape them. You have only to
fear your own mistakes. On these the zombies will capitalize. One of the
best aspects of this film is the lead character. Romero has always presented
intelligent non-stereotypical black characters in his films. This film was
made in 1968 while civil rights tensions were high, and the most "in
control" character in the whole movie is a black man. If you can get past a
couple of cheesy supporting performances, this is one of the best horror
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