Night of the Living Dead (1968)

A group of people hide from bloodthirsty zombies in a farmhouse.

Director:

George A. Romero

Writers:

John A. Russo (screenplay), George A. Romero (screenplay)

Stars:

Duane Jones, Judith O'Dea, Karl Hardman

1 win.

Cast

Cast overview, first billed only:
Duane Jones	...	Ben
Judith O'Dea	...	Barbra
Karl Hardman	...	Harry
Marilyn Eastman	...	Helen
Keith Wayne	...	Tom
Judith Ridley	...	Judy
Kyra Schon	...	Karen Cooper
Charles Craig	...	Newscaster / Zombie
S. William Hinzman	...	Zombie (as Bill Heinzman)
George Kosana	...	Sheriff McClelland
Frank Doak	...	Scientist
Bill 'Chilly Billy' Cardille	...	Field Reporter
A.C. McDonald	...	Zombie / Posse Member
Samuel R. Solito	...	Zombie / Posse Member
Mark Ricci	...	Washington Scientist

Storyline

The radiation from a fallen satellite might have caused the recently deceased to rise from the grave and seek the living to use as food. This is the situation that a group of people penned up in an old farmhouse must deal with.

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Plot Keywords:

farmhouse | grave | zombie | barricade | satellite | 

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Taglines:

Pits the dead against the living in a struggle for survival!

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Genres:

Horror | Sci-Fi

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Certificate:

Unrated

Details

Official Sites:

Films sans Frontières [fr]

Country:

USA

Language:

English

Release Date:

1 October 1968 (USA)

Also Known As:

Laugh Track: Night of the Living Dead

Filming Locations:

Basement, Latent Image - Carson Street, South Side, Pittsburgh, Pennsylvania, USA

Box Office

Budget:

$114,000 (estimated)

Company Credits

Production Co:

Image Ten, Laurel Group, Market Square Productions

Technical Specs

Runtime:

96 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

1.33 : 1

Did You Know?

Trivia

There were two trucks used in the film. The first one used in the beginning of the film would not start for the trek-to-the-gas-pump scenes and had to be replaced. Unfortunately, they forgot to break the headlights.

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Goofs

During the body-eating scene, one of the zombies can be seen looking at the camera for just a split second before taking a bite out of the 'human flesh'.

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Quotes

Tom: Well... the television said that's the right thing to do.

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Crazy Credits

The credits play over still frames of the hunters dragging Ben out of the house with meat hooks. After the credits, there's a short scene of the hunters setting a pile of zombies on fire.

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Connections

Referenced in The Kingdom (1994)

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Soundtracks

"Battle to the Death"
(uncredited)
Music by Harry Bluestone and Emil Cadkin

User Reviews

Low budget, creepy and unique - legendary for a reason

This landmark 1968 horror-shocker is a great example of what can be done with a limited budget, a simple idea, and some dedicated and talented participants. Very nicely shot, mostly well acted, NOTLD grabs your attention from the very beginning to the very end - and what a classic end it is.

The story begins with Barbara (Judith O'Dea) and her brother visiting the grave of a friend of their mother, and takes off almost immediately, as they are attacked by a horde of cannibalistic zombies. Narrowly escaping, but losing her emotional balance in the process, Barbara escapes to a house a bit farther down the road where she meets Ben (Duane Jones), the hero of the film. They discover a family with a sick little girl and a young couple in the basement of the house and they all get to work barricading themselves in and preparing weapons and other defenses. The rest of the story concerns the group dynamics between these survivors as the dead close in on their refuge, the story of what is going on in the rest of the USA - revealed through TV reportage and radio broadcasts, and sheer survival. The human side of this film is an interesting and accurate character study concerning what happens to people whose very lives are threatened.

The horror of this film is, unlike a lot of its recent descendants, less a matter of blood and gore than a matter of the real active horror of realistically depicted scenes of murder, death and cannibalism. Though the black and white footage involving blood and gore is certainly effective, there may not be quite enough of it for today's average horror fan. The photographic techniques of this film are innovative and powerful - showing just enough of the sheer hideousness of the film's basic concepts to disturb viewers, but not enough to allow them to detach from the film's protagonists.

I strongly recommend this film to anybody interested in the art of film making, and to those who enjoy the horror genre, though it is hard to imagine any serious horror fan who hasn't already seen this.