Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Barbra and Tommy visit their father's grave in a remote cemetery when they are suddenly set upon by zombies. Barbra manages to get away and takes refuge in what seems to be an abandoned farm house. She is soon joined by Ben who stopped at the house in need of gas. Beset by the walking dead all around them Ben does his best to secure the doors and windows. The news reports are grim however with creatures returning to life everywhere. Barbra and Ben are surprised when they realize there are 5 people hiding out in the basement: Harry, Helen and Judy Cooper; and a young couple, Tom and Judy. Dissensions sets in almost immediately with Harry Cooper wanting to be in charge. As their situation deteriorates, their chances of surviving the night lessen minute by minute. Written by
The music used in the film was from a Capitol/EMI Records Hi-Q stock music library, on which the copyright was in the public domain, and cost the filmmakers $1500. It was originally used in Teenagers from Outer Space (1959). See more »
At about 24 minutes, when the wood is being nailed in place to secure the house, the nails used are far too small to have any significant effect. See more »
[Noticing nobody in the cemetary]
Why isn't no one around?
Well, it's late. You could of gotten up earlier.
Well, look, I already lost an hour of sleep to the time change.
I think you complain just to hear yourself talk!
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The credits play over still frames of the hunters dragging Ben out of the house with meat hooks. After the credits, there's a short scene of the hunters setting a pile of zombies on fire. See more »
I was flicking through the TV guide which told me the remake of NIGHT OF THE LIVING DEAD was being shown on the Sci-Fi channel so I sat down to watch it. I did like the ground breaking original so eagerly awaited seeing the 1990 version which started with a car driving down a lonely country road just like the original , it was also filmed in black and white just like the original and it was at this point I realised I wasn`t watching the remake- I was watching the original . This wasn`t the first time a certain TV guide got films mixed up because a couple of weeks ago it confused the 1967 war film THE YOUNG WARRIORS with the 1983 vigilante thriller about high school students and their poodle wiping out scum
Slightly disappointed I wouldn`t be seeing the colour remake I still sat down to watch the original because as I said I remember liking it from years ago . I wasn`t disappointed with what I saw but the flaws do jump out at you and bite you in the neck . The acting isn`t very good with Judith O Dea over acting with the rest of the cast under acting . This a great pity because if we had the same type of performances seen in something like 12 ANGRY MEN this movie would have been a masterpiece . I also couldn`t help noticing a few editing errors where it`s suddenly pitch black outside then it flicks to broad daylight then it`s pitch black again , and I don`t think I`ve seen many films recently with such an intrusive soundtrack . I can however forgive these flaws because NOTLD is guerilla film making at its very best , it`s got a simple strength and that is it has a very good script where both imagination and drama grabs you and doesn`t let go - A crashed satillite returning from Venus reanimates the dead ? Utter nonsense of course but the scenario is so well written you can`t help being swept along with the terror as the protagonists watch the world disintergrate on TV . Compare this movie to THE BLAIR WITCH PROJECT and tell me what one is more enjoyable ? No contest is it ?
I liked this movie many years ago and still like it today . Such a pity the production values didn`t come up to the standards of the script , but that said it`s still more compelling than the stuff coming out of Hollywood today
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