A team consisting of a physicist, his wife, a young female psychic and the only survivor of the previous visit are sent to the notorious Hell House to prove/disprove survival after death. ... See full summary »
Barbra and her brother Johnny travel by car from Pittsburgh to the countryside to visit the gravestone of their father in the cemetery. Out of the blue, they are attacked by a strange man and Johnny is murdered. Barbra runs and releases the brake of Johnny's car since the keys are in his pocket, and flees to an isolated farmhouse, where she locks herself inside. Barbra is in shock and soon she finds a man, Ben, who is also escaping from the inhuman creatures and he reinforces the doors, windows and openings in the house. He also finds a shotgun and a radio and they learn that the radiation from a satellite that was returning from Venus has somehow reactivated the brain of the dead. Then they find five humans hidden in the basement: Harry Cooper, his wife Helen and their daughter Karen that is sick; and Tom and his girlfriend Judy. Harry has an argument with Ben, since he believes that the basement is the safest place for them and Harry goes not agree. Along the night, the tension ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The torch (table leg) jumps from the chair outside to the character's hand and back again between shots when the chair is put outside. See more »
[while putting the wreath on their father's grave]
I wonder what happened to the one from last year. Each year, we spend good money on these things. Then, we come out here and the one from last year's gone.
Well, the flowers die and the caretaker has someone to take them away.
Yeah, a little spit-and-polish could clean this up and sell it next year. I wonder how many times we bought the same one.
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The credits play over still frames of the hunters dragging Ben out of the house with meat hooks. After the credits, there's a short scene of the hunters setting a pile of zombies on fire. See more »
Romero is sublime. His ability to take a small budget and turn it into a stratosphericly giant film is unparalleled. This is one of the best apocalypse films ever (along with the rest of the trilogy). The zombies represent a slow moving enemy. It is easy to escape them. You have only to fear your own mistakes. On these the zombies will capitalize. One of the best aspects of this film is the lead character. Romero has always presented intelligent non-stereotypical black characters in his films. This film was made in 1968 while civil rights tensions were high, and the most "in control" character in the whole movie is a black man. If you can get past a couple of cheesy supporting performances, this is one of the best horror films ever.
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