IMDb > The Night They Raided Minsky's (1968)
The Night They Raided Minsky's
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The Night They Raided Minsky's (1968) More at IMDbPro »

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Overview

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Director:
Writers:
Arnold Schulman (screenplay) &
Sidney Michaels (screenplay) ...
(more)
Contact:
View company contact information for The Night They Raided Minsky's on IMDbPro.
Release Date:
22 December 1968 (USA) See more »
Genre:
Tagline:
Sometimes being a nice girl is too much to BARE! See more »
Plot:
Rachel arrives in New York from her Amish community intent on becoming a dancer. Unfortunately Billy... See more » | Full synopsis »
User Reviews:
Why Don't You All Love This Film? See more (27 total) »

Cast

  (in credits order) (verified as complete)

Jason Robards ... Raymond Paine

Britt Ekland ... Rachel Schpitendavel

Norman Wisdom ... Chick Williams

Forrest Tucker ... Trim Houlihan

Harry Andrews ... Jacob Schpitendavel

Joseph Wiseman ... Louis Minsky

Denholm Elliott ... Vance Fowler

Elliott Gould ... Billy Minsky
Jack Burns ... Candy Butcher

Bert Lahr ... Professor Spats
Gloria LeRoy ... Mae Harris
Eddie Lawrence ... Scratch
Dexter Maitland ... Duffy
Lillian Hayman ... Singer in Speakeasy

Richard Libertini ... Pockets (as Dick Libertini)
Judith Lowry ... Mother Annie (as Judith Lowery)
Will B. Able ... Clyde
Mike Elias ... Immigration Officer 1
Frank Shaw ... Immigration Officer 2
Chanin Hale ... Valerie
Ernestine Barrett ... Minsky Girl
Kelsey Collins ... Minsky Girl
Marilyn D'Honau ... Minsky Girl
Kathryn Doby ... Minsky Girl
Joanna Rush ... Minsky Girl (as JoAnn Lehmann)
Dorothea MacFarland ... Minsky Girl
Billie Mahoney ... Minsky Girl
Carolyn Morris ... Minsky Girl
June Eve Story ... Minsky Girl
Dolly Sharp ... Minsky Girl (as Helen Wood)

Rudy Vallee ... Opening Narrator (voice)
rest of cast listed alphabetically:
Mary Boylan ... Laughing Lady in the Audience (uncredited)
Henry Calvert ... (uncredited)
Herbie Faye ... Waiter (uncredited)
Stephen Fitzstephens ... Ice Cream Kisser (uncredited)
Trent Gough ... Minsky Customer (uncredited)
Lester Mack ... (uncredited)
Joe E. Marks ... Mr. Flegelman (uncredited)
Remo Pisani ... Stagehand (uncredited)
Ellen Stretton ... Bit Part (uncredited)
Fat Thomas ... Stagehand (uncredited)

Directed by
William Friedkin 
 
Writing credits
Arnold Schulman (screenplay) &
Sidney Michaels (screenplay) &
Norman Lear (screenplay)

Rowland Barber (book)

Produced by
George Justin .... associate producer
Norman Lear .... producer
 
Original Music by
Charles Strouse 
 
Cinematography by
Andrew Laszlo (director of photography)
 
Film Editing by
Ralph Rosenblum 
Pablo Ferro (uncredited)
 
Casting by
Marion Dougherty 
 
Production Design by
Jean Eckart 
William Eckart 
 
Art Direction by
John Robert Lloyd 
 
Set Decoration by
John Godfrey 
 
Costume Design by
Anna Hill Johnstone 
 
Makeup Department
Irving Buchman .... makeup artist
Bob Grimaldi .... hairdresser (as Robert Grimaldi)
 
Production Management
Jim Di Gangi .... production manager
 
Second Unit Director or Assistant Director
Pablo Ferro .... second unit director
Burtt Harris .... assistant director
Alan Hopkins .... second assistant director (as J. Alan Hopkins)
 
Art Department
Richard Adee .... set dresser
Edward Garzero .... chief scenic artist
Donald Holtzman .... property master
Edward Swanson .... set construction
Walter Way .... set construction
 
Sound Department
Jack Fitzstephens .... sound editor
Dennis Maitland .... production sound mixer (as Dennis L. Maitland)
Dick Vorisek .... sound re-recording mixer (as Richard Vorisek)
Richard P. Cirincione .... assistant sound editor (uncredited)
 
Visual Effects by
Pablo Ferro .... visual consultant
 
Camera and Electrical Department
Vinnie Gerardo .... assistant camera (as Vincent Gerardo)
Richard C. Kratina .... camera operator (as Richard Kratina)
Michael Mahony .... key grip
Willie Meyerhoff .... gaffer (as William Meyerhoff)
Josh Weiner .... still photographer
Ron Zarilla .... second assistant camera
 
Casting Department
Bernie Styles .... extras casting
 
Costume and Wardrobe Department
George Newman .... wardrobe
Flo Transfield .... wardrobe (as Florence Transfield)
 
Editorial Department
Michael Breddan .... assistant editor
Ron Kalish .... assistant editor (uncredited)
 
Music Department
Philip J. Lang .... conductor
Philip J. Lang .... orchestrator
 
Other crew
Danny Daniels .... choreographer
Dick DeBenedictis .... choreographer (as Richard DeBenedictis)
Pablo Ferro .... title designer: main title sequence
William Giorgio .... assistant to producer
Marguerite James .... script supervisor (as Marguerite James Powell)
Shirley Marcus .... production secretary
Morton Minsky .... technical advisor
Anne Wallace .... assistant choreographer
Jane Hoyt Thompson .... assistant: Norman Lear (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
MPAA:
Rated PG-13 for suggestive content and brief nudity
Runtime:
99 min
Country:
Language:
Sound Mix:
Certification:
Australia:PG (TV rating) | Sweden:Btl | USA:PG-13 | USA:M (original rating)

Did You Know?

Trivia:
Tony Curtis was offered the role of Raymond Paine but declined due to disagreements over the script and was replaced at a month's notice by Jason Robards. The role of Billy Minsky was offered to a young Alan Alda but he was unavailable due to his commitment to "The Apple Tree" on Broadway.See more »
Goofs:
Continuity: In the closeup of Rachele's breasts, her hair lies over her left shoulder. When the camera shows her face and upper torso in the next shot, her hair is not over her shoulder.See more »
Quotes:
Jacob Schpitendavel:Louis Minsky, are thee father to the Minsky what has the theater?
Louis Minsky:Yes.
Jacob Schpitendavel:If I were thee, I would thrash thy son to within an inch of his life.
Louis Minsky:You are not me, and you may still do it.
See more »
Movie Connections:
Soundtrack:
The Night They Raided Minsky'sSee more »

FAQ

This FAQ is empty. Add the first question.
19 out of 21 people found the following review useful.
Why Don't You All Love This Film?, 6 May 2007
Author: Tom Murray (tamurray@acn.net) from Belleville, Ontario, Canada

Why doesn't everybody just love this movie? It is one of most delightful comedies that I have ever seen. I saw it when it first came out in the cinema and watched it three times that first week and at least four times since.

It is a very stylized movie, with an introductory narration right out of the 1920's. The style carries right through the film, with wonderful vaudeville routines. The "girls" are not particularly beautiful and are, by current standards a little overweight. Also they seem to be going through the motions with a variety of personalities. They do not have beautiful singing voices and they do not dance in perfect synchronization but nobody, especially them, seems to care. Burlesque is, after all, light entertainment. The comedy skits are very simple and unintelligent but they are performed with great panache. Sir Norman Wisdom (born 1915), the great British stage and screen clown of the Charlie Chaplin ilk, and Jason Robards Jr., the dapper Oscar-winning, American actor of the classic stage are the two central male characters and are both attracted to the beautiful Amish girl who has left home to dance stories from the Bible on stage. Wisdom is a master clown and can move in ways that are magically humorous. Burlesque has two meanings, with two spellings: - a humorous and provocative stage show featuring slapstick humour, comic skits, bawdy songs, striptease acts, and a scantily clad female chorus. (Burlesk) - an artistic composition, especially literary or dramatic, that, for the sake of laughter, vulgarizes lofty material or treats ordinary material with mock dignity. (Burlesque) The movie is a burlesque about burlesk. It also makes fun of religion, stage performances, censorship, prudery, friendship, business, fraud, crime, police, audience intelligence, class distinction, love, seduction, hypocrisy, etc. The mood is intense from start to finish, with several collages of scenes from the past and the movie's present. When I was not laughing out loud, I was laughing inside. The comedy on the stage is very elementary but the comedy in the story is often quite subtle and intelligent. Back to the initial question — I think that the movie may be too stylized for many people to enjoy, especially since the style has long been almost extinct. But if one accepts the style and allows oneself to become immersed in it and flow with it, the movie can be great.

Was the above review useful to you?
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