When practicing for a role, actor Jack is mistaken for the killer Ace. He doesn't realize this until it's too late and is carried off to gangster boss Leo Smooth, who wants Ace to do a job ... See full summary »
When practicing for a role, actor Jack is mistaken for the killer Ace. He doesn't realize this until it's too late and is carried off to gangster boss Leo Smooth, who wants Ace to do a job for him. Fearing for his life, Jack plays his role, but always searching for a way out of the well-guarded house. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
When Albany is being taken to meet the Boss, the car he's in passes several movie houses. On the marquees you can see the names of several cast members, such as Henry Silva, starring in gangster pictures. See more »
When Sally is giving Smooth his art lesson, he says he will put more red on the canvas, but uses blue paint instead. See more »
The title is quite true. There is never a dull 'moment' in this film, simply because the entire movie consists of 100 dull minutes. Van Dyke plays a bit-part actor who becomes entangled with gangster/mob type caricatures stealing a valuable painting, and other such dross. (On that note the film is about as lacklustre as the 1965 co-production 'Theft Of The Mona Lisa'). The director seems to have been offered an entirely different script to the one offering the audience alleged 'comedy', which is regrettably confined to Van Dyke's "unique" brand of muggery (eg Lt Robinson Crusoe, 1966).
Ed G Robinsons presence is not even worth mentioning, in the hope that it can be overlooked in summation of his career's overall contribution to American movie history and development.
An inept, feeble-minded vomition of the sort of pap that elucidates any mystery surrounding why such a tycoon as Walt D should have ended up bankrupt.
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