Sergio (Sergio Corrieri - Soy Cuba), through his life following the departure of his wife, parents and friends in the wake of the Bay of Pigs incident. Alone in a brave new world, Sergio ... See full summary »
Muraki, a hardboiled Yakuza gangster, has just been released from prison after serving a sentence for murder. Revisiting his old gambling haunts, he meets Saeko, a striking young ... See full summary »
Fictionalized account of the adventures of hired gunman Antonio das Mortes, set against the real life last days of rural banditism. The movie follows Antonio as he witnesses the descent of ... See full summary »
Geraldo Del Rey,
This study of Cuba--partially written by renowned poet Yevgeny Yevtushenko--captures the island just before it made the transition to a post-revolutionary society. Moving from city to ... See full summary »
Eldorado, a fictitious country in Latin America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins ... See full summary »
In Paris, the pedantic Alexandre lives with his mate Marie in her apartment, an open relationship. Alexandre, who is idle and chauvinist, spends his days reading, drinking and shagging ... See full summary »
Als Fidel Castro in Kuba die Macht übernimmt,zittern die Reichen. Familie Orozco versucht panisch,ihren Besitz zu retten. Kaum ist Hab und Gut zu Geld gemacht,läßt die Regierung neue ... See full summary »
Tomás Gutiérrez Alea
When her country is taken over by socialist revolutionaries, a wealthy woman can't bear to give up all of her wealth and possessions to the new government, so she hides all of her treasures... See full summary »
Tomás Gutiérrez Alea
In 1960, José del Carmen Valenzuela Torres, from the small town of Nahueltoro in Chile, brutally murdered Rosa Rivas Acuña and her five children. This classic film of the Latin American ... See full summary »
Divided into three segments, namely 1 Neocolonialism, 2 Act for liberation, 3 Violence and liberation, the documentary lasts more than 4 hours this deals with the defense of the revolution ... See full summary »
Fernando E. Solanas
María de la Paz,
Fernando E. Solanas,
Sergio (Sergio Corrieri - Soy Cuba), through his life following the departure of his wife, parents and friends in the wake of the Bay of Pigs incident. Alone in a brave new world, Sergio observes the constant threat of foreign invasion while chasing young women all over Havana before finally meeting Elena (Daisy Granados), a young virgin girl he seeks to mould into the image of his ex-wife, but at what cost to himself? Written by
This isn't just a film of historical value; far from it. It is one of the greatest films ever made by anyone. The balance of elements that went into this venture came out magnificently poetic and real. The semi-documentary style is deeply influenced by 'Hiroshima Mon Amor' and other New Wave classics, but the sensibility is Alea's own and distinctly 'Latin American Intellectual.' There are very few films that can make me cry, this is one of them. Not because of the story, but simply because of the way it is made, the beautifully subtle way it is expressed. The leading character's central tragedy of not being able to reconcile his own deep feeling for his people with his intellectual standards because of their 'underdevelopment' and subsequent alienated existence or more precisely their inability to transcend their alienation to reach a more fulfilled state is one of the most touching and relevant themes I've ever seen in a film. It is more relevant more today, 30 years later than it was then, everywhere, not just in the island of Cuba with its mere 7 million inhabitants. A great performance by Sergio Corrieri (I Am Cuba) provides the required erotic undertone and comedic rhythms to convey the true feel of an intellectual 'playboy' existence in early '60s Cuba. The effect of this film is visceral and must be seen to be appreciated, words can hardly describe it. Suffice it to say that it uses all the resources of cinema and then some, but subtly and with maximum poetic control, and is a thousand times more valuable than most of the pretentious art films of today. If only one tenth of one percent of the audience that will see a piece of garbage like 'Mission Impossible 2' (which I sat and puked through I regret to say, because of all the hype about the 'action sequences' of John Woo, to kill a couple of hours which I'll never again be able to recover) this summer could somehow miraculously be forced to watch and understand this film and see its parallels within their own society of computerized complacent banality, the intellectual level of this country would shoot up overnight.
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