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Memories of Underdevelopment (1968)
"Memorias del subdesarrollo" (original title)

 -  Drama  -  17 May 1973 (USA)
7.9
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Ratings: 7.9/10 from 1,779 users  
Reviews: 14 user | 19 critic

Sergio (Sergio Corrieri - Soy Cuba), through his life following the departure of his wife, parents and friends in the wake of the Bay of Pigs incident. Alone in a brave new world, Sergio ... See full summary »

Writers:

(novel), (screenplay), 1 more credit »
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Cast

Complete credited cast:
Sergio Corrieri ...
Sergio Carmona Mendoyo
Daisy Granados ...
Elena
Eslinda Núñez ...
Noemi
Omar Valdés ...
Pablo
René de la Cruz ...
Elena's brother
Yolanda Farr
Ofelia González
Jose Gil Abad
Daniel Jordan
Luis López
Rafael Sosa
Rest of cast listed alphabetically:
Eduardo Casado Revuelta
René Depestre ...
Himself / Panelist
Edmundo Desnoes ...
Himself
Pello el Afrokán
Edit

Storyline

Sergio (Sergio Corrieri - Soy Cuba), through his life following the departure of his wife, parents and friends in the wake of the Bay of Pigs incident. Alone in a brave new world, Sergio observes the constant threat of foreign invasion while chasing young women all over Havana before finally meeting Elena (Daisy Granados), a young virgin girl he seeks to mould into the image of his ex-wife, but at what cost to himself? Written by Mr Bongo

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Country:

Language:

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Release Date:

17 May 1973 (USA)  »

Also Known As:

Memories of Underdevelopment  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

| (TV)

Sound Mix:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

In the Kennedy speech montage, Charles Mingus' "Oh Lord Don't Let Them Drop That Atomic Bomb on Me" can be heard. See more »

Connections

Followed by Memorias del desarrollo (2010) See more »

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User Reviews

 
Memoiras del subdesarrollo is a stunning look into post Revolutionary Cuba.
25 November 1999 | by (Olympia Wa) – See all my reviews

Memorias del subdesarrolo (memories of the underdeveloped) is a look into the life of a bourgeois young writer who decides to stay in his native Cuba following the Cuban revolution, and enters himself into a life of detachment, seclusion, and avoidance. Sergio (the writer) is juxtaposed with Elna (a young woman following the trends that are dictated to her) to show a clash in idealism, values, and moral that leads to dramatic court scene that ultimately puts in question the current state of Cuba opposed to the past. Alea's use of Sergio, Elena, Pablo (a petty bourgeois that flees to Miami), and the court shows Alea's insight into the great social change that followed the revolution. Through the course of the film you see the change in society that spurns it's, once, culturally elite to become detached from there surroundings and society, leaving only two options: flight, and seclusion. This film is a great look into a society, and a man trying to escape from it. .


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