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Memories of Underdevelopment (1968)
"Memorias del subdesarrollo" (original title)

 -  Drama  -  17 May 1973 (USA)
7.9
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Ratings: 7.9/10 from 1,886 users  
Reviews: 15 user | 20 critic

Sergio (Sergio Corrieri - Soy Cuba), through his life following the departure of his wife, parents and friends in the wake of the Bay of Pigs incident. Alone in a brave new world, Sergio ... See full summary »

Writers:

(novel), (screenplay), 1 more credit »
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Cast

Complete credited cast:
Sergio Corrieri ...
Sergio Carmona Mendoyo
Daisy Granados ...
Elena
Eslinda Núñez ...
Noemi
Omar Valdés ...
Pablo
René de la Cruz ...
Elena's brother
Yolanda Farr
Ofelia González
Jose Gil Abad
Daniel Jordan
Luis López
Rafael Sosa
Rest of cast listed alphabetically:
Eduardo Casado Revuelta
René Depestre ...
Himself / Panelist
Edmundo Desnoes ...
Himself
Pello el Afrokán
Edit

Storyline

Sergio (Sergio Corrieri - Soy Cuba), through his life following the departure of his wife, parents and friends in the wake of the Bay of Pigs incident. Alone in a brave new world, Sergio observes the constant threat of foreign invasion while chasing young women all over Havana before finally meeting Elena (Daisy Granados), a young virgin girl he seeks to mould into the image of his ex-wife, but at what cost to himself? Written by Mr Bongo

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Parents Guide:

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Details

Country:

Language:

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Release Date:

17 May 1973 (USA)  »

Also Known As:

Memories of Underdevelopment  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Alea was heavily influenced in his style by Alain Resnais' _Hiroshima Mon Amour_. See more »

Connections

Followed by Memorias del desarrollo (2010) See more »

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User Reviews

 
should I stay or should I go
3 May 2007 | by (Tijuana, Baja California, Mexico) – See all my reviews

A Cuban intellectual who is from the bourgeois class, though educated and perceptive enough not to fall hook line and sinker for whatever bourgeois mentality may prevail, watches as nearly everyone who can, abandons Cuba in the wake of Castro's triumphant overthrow of Batista. Why he doesn't join them is one of the film's burning questions. Utilizing newsreel footage, the film superimposes the main character into or onto the setting of revolutionary Cuba in a very successful way, capturing the drama of those times and his own dilemmas. That the Revolution itself was started by and led by the disaffected sons and daughters of the upper class, the question to stay and try to transform the country, also meant getting on their wagon, while leaving had its own implications. Caught in the middle, and abandoned by his wife, who left for Miami, he becomes infatuated with his housekeeper, a Baptist convert, giving the film an interesting erotic spirituality, in one beautiful scene imagining her baptism, and later picking up on a young woman and having a relationship that nearly lands him in jail, discovering underdevelopment and social conservatism in relation to his own loose morality. In the end, he's tolerated by the Revolution, probably much to the dislike of the anti-Castro crowd.


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