Memorias del subdesarrollo (1968)

User Rating:

8.1/10   

Director:

Tomás Gutiérrez Alea

Writers:

Edmundo Desnoes (novel)
Edmundo Desnoes (screenplay)

Release Date:

17 May 1973 (USA)

Genre:

Drama

Plot:

Sergio, a wealthy bourgeois aspiring writer, decides to stay in Cuba even though his wife and friends flee to Miami...

Plot Keywords:

Cuba | Cuban Missile Crisis | New Latin American Cinema | Fidel Castro | Havana Cuba

Awards:

3 wins

Cast

Sergio Corrieri	...	Sergio Carmona Mendoyo
Daisy Granados	...	Elena
Eslinda Núñez	...	Noemi
Omar Valdés	...	Pablo
René de la Cruz	...	Elena's brother
Yolanda Farr
Ofelia González
Jose Gil Abad
Daniel Jordan
Luis López
Rafael Sosa
rest of cast listed alphabetically:
Eduardo Casado Revuelta
René Depestre	...	Himself / Panelist
Edmundo Desnoes	...	Himself
Pello el Afrokán
Jack Gelber	...	Himself
Tomás Gutiérrez Alea	...	Himself
Gilda Hernández
Fausto Pinelo
Beatriz Ponchova
Gianni Toti	...	Himself / Panelist
Julio Vega
René Villarreal
David Viñas	...	Himself / Panelist

Also Known As:

Historias del subdesarrollo
Inconsolable Memories
Memories of Underdevelopment (USA)

Runtime:

97 min | West Germany:90 min (TV)

Country:

Cuba

Language:

Spanish | English

Color:

Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Brazil:18 | Singapore:NC-16 | Argentina:16

Filming Locations:

Havana, Cuba

Company:

Cuban State Film

Trivia:

The first film to be made in post-revolutionary Cuba to be released in the United States.

Movie Connections:

Followed by Memorias del desarrollo (2009)

Emotional Existentialism

"Memories of Underdevelopment" (Cuban, 1968): Made in 1968, set and shot (b/w) in 1961-62 Cuba, using a frighteningly smooth blend of documentary footage, and flash-backs, with new sets, locations, and actors in present-time, we watch a man at an airport say goodbye to most everyone he's ever known. THEY are escaping the new Castro Cuba, to start over in Miami, USA. HE has decided to remain (although we're never given much of an explanation why), and use (what must be) his independent wealth. Now living in the big city with only strangers, he wanders about looking for relationships. Instant closeness. Replacements. Although carrying the demeanor of a suave, patient, aging bachelor, he has the desperation of a teenage boy, driven by appearances and hormones. As archival footage is used to expand the vision of Castro's Cuba, it is clear the lonely man is the one making the bigger mistake. I thought of this "story" as Emotionally Existential.