Julius Orlovsky, after spending years in a New York mental hospital, emerges catatonic and must rely on his brother Peter, who lives with poet Allen Ginsberg. When Julius wanders off in the... See full summary »
After several years without contact, Martijn visits his sister Daantje, who just started to live on her own in Amsterdam. He tells her he is going to make a documentary from her life, and ... See full summary »
First of a Trilogy: In a New York ravaged with acid rains, a man in his twenties meets a mysterious, yet familiar young woman who disrupts the banality of his day-to-day existence. Together, they will embark on a surreal journey with a devastating climax.
Libidinous 15 year old English schoolgirl Lucy finds her single mother dead. They never had a good relationship, but this still unbalances her. She moves in with the family of her mother's old friend. She hates him and seduces his wife.
A student needs to deliver a short film as a homework, which has to be shot in just one sequence. He writes an erotic scene and invites an older woman to act in his project ¿The problem? ... See full summary »
Jaime Humberto Hermosillo
After not having seen each other in five years, Chris Terry goes to visit his younger sister Noelle Terry in Montréal. Their lives, both together and apart, have been turbulent ones with ... See full summary »
A woman who never got over the fact that her father abandoned her as a child tracks him down with only one desire - to ruin his life just as he ruined hers. A tragic incestuous game of deceit and seduction begins.
Julius Orlovsky, after spending years in a New York mental hospital, emerges catatonic and must rely on his brother Peter, who lives with poet Allen Ginsberg. When Julius wanders off in the middle of filming, Frank hires and actor (Joseph Chaikin) to play the character and begins a fictional version of his psychological portrait. Then, as suddenly as he vanished, Julius turns up in an institution where he and Peter must face their relationship. Written by
I haven't seen this film in years, but it remains my standard of what a great film should be. Some of the most beautiful imagery celluloid has ever seen. Through its simplicity of character and plot it creates complex layers of thought, questioning reality, family, and perhaps even existence. Few films compete with its clarity and none out shine it. Although Frank is best known for his photography and his film PULL MY DAISY, this film is where he really embraced the medium as a wicked yet intriguing voyeur. Also, it seems that women really relate to this film, though there is no leading female character that I remember. If you can find a copy of this film (I think you can get the VHS from the Modern Museum of Art in Houston) I suggest you see. It is pure brilliance.
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