Julius Orlovsky, after spending years in a New York mental hospital, emerges catatonic and must rely on his brother Peter, who lives with poet Allen Ginsberg. When Julius wanders off in the... See full summary »
In a big city downtown we meet Emma and Jay, two young 20 something lovers buying drugs and then watch as they waste the rest of the day away, oblivious to everything around them. As always... See full summary »
Jonathan auf der Heide,
Guilherme and Sofia, brother and sister, grow up sharing experiences and slowly discovering their sexuality. The thing that Sofia doesn't know is how far Guilherme will go to keep her inside his own perverse, dark and perfect circle.
Joana de Verona
An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953. He struggles to come to terms with his feelings ... See full summary »
A student needs to deliver a short film as a homework, which has to be shot in just one sequence. He writes an erotic scene and invites an older woman to act in his project ¿The problem? ... See full summary »
Jaime Humberto Hermosillo
Milo is a railroad brakeman, his wife a painter. They have some poet friends who spend a good bit of time hanging out at their apartment. When Milo and his wife are visited by their bishop,... See full summary »
Julius Orlovsky, after spending years in a New York mental hospital, emerges catatonic and must rely on his brother Peter, who lives with poet Allen Ginsberg. When Julius wanders off in the middle of filming, Frank hires and actor (Joseph Chaikin) to play the character and begins a fictional version of his psychological portrait. Then, as suddenly as he vanished, Julius turns up in an institution where he and Peter must face their relationship. Written by
I haven't seen this film in years, but it remains my standard of what a great film should be. Some of the most beautiful imagery celluloid has ever seen. Through its simplicity of character and plot it creates complex layers of thought, questioning reality, family, and perhaps even existence. Few films compete with its clarity and none out shine it. Although Frank is best known for his photography and his film PULL MY DAISY, this film is where he really embraced the medium as a wicked yet intriguing voyeur. Also, it seems that women really relate to this film, though there is no leading female character that I remember. If you can find a copy of this film (I think you can get the VHS from the Modern Museum of Art in Houston) I suggest you see. It is pure brilliance.
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