| Makhouredia Gueye | ... | Ibrahim Dieng | |
| Ynousse N'Diaye | ... | 1st Wife | |
| Isseu Niang | ... | 2nd Wife | |
| Serigne N'Diayes | ... | Imam | |
| Serigne Sow | ... | Maissa | |
| Mustapha Ture | ... | Shop Keeper | |
| Farba Sarr | ... | Businessman | |
| Moudoun Faye | ... | Mailman | |
| Mouss Diouf | ... | Nephew | |
| Christoph Colomb | ... | Water Seller | |
| Thérèse Bas | ... | Dieng's Sister | |
| rest of cast listed alphabetically: | |||
| Mamadou Cisoko | |||
Directed by | |||
| Ousmane Sembene | |||
Writing credits(in alphabetical order) | ||
| Ousmane Sembene | writer | |
Produced by | |||
| Robert de Nesle | .... | producer | |
Cinematography by | |||
| Paul Soulignac | |||
Film Editing by | |||
| Gilbert Kikoïne | |||
| Max Saldinger | |||
Production Management | |||
| Ibrahima Barro | .... | unit production manager | |
| Jean Maumy | .... | production manager | |
| Paul S. Vieyra | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Babakar Samb | .... | assistant director | |
Sound Department | |||
| Elhadji Mbow | .... | assistant sound | |
| Henri Moline | .... | sound (as Henry Moline) | |
Camera and Electrical Department | |||
| Maya Bracher | .... | still photographer | |
| Robert Caristan | .... | camera operator (as J. Karistan) | |
| Dia Cherif | .... | electrician | |
| Emile Ganem | .... | electrician | |
| Issa Tiaw | .... | assistant camera | |
Other crew | |||
| Anne-Marie Rochas | .... | script supervisor | |
| Awa Sylla | .... | production secretary | |
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| The Little Foxes | L'argent | Biutiful | Séraphine | Balzac: A Life of Passion |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
This is partially a response to the above review by Irene Schneider. Mandabi is the second feature length film of Senegalese born director Usmán Sembén. he was also a well respected writer and The Money Order (English translation) is an adaptation of his own book. Capturing the corruption eminent in post colonial Africa by following a proud man who tries to cash a money order sent by a relative working in Paris, France. This newly arrived money turns all those around him, including the lead character into to be kindly a pack of wolves, determined to pick him for all he's got. Except he hasn't even cashed the money order yet. Slow and observant with a charming rhythmic score that engulfs the viewer, it watches a society slowly eating itself because of poverty and selfishness and no one is spared in Usmán Sembén's lament against greed and avarice. A beautifully recapped montage saves what might have been a slightly didactic if not hopeful ending. To note, as opposed to the above comment, there is nothing simple about the movie and it is as prescient today as back then and is no history lesson. To be enjoyed by all those who enjoy the movies of Satyajit Ray because the film making style is very similar to his. ** Use of Usmán Sembén as opposed to Ousmane Sembene is because the director is credited as that in the movie and it seems to be the correct rendition of the name.