The Lost Continent (1968)

Director:

Michael Carreras

Writers:

Michael Carreras (writer)
Dennis Wheatley (novel)

Release Date:

19 June 1968 (USA)

Genre:

Adventure | Fantasy | Horror

Tagline:

A living hell that time forgot!

Plot:

This film starts out like the Love Boat on acid, as a cast of varied characters, with various issues...

Plot Keywords:

Ship | Monster | Water | Sea Weed | Sea Monster

Cast

Eric Porter	...	Capt. Lansen
Hildegard Knef	...	Eva Peters (as Hildegarde Neff)
Suzanna Leigh	...	Unity Webster
Tony Beckley	...	Harry Tyler
Nigel Stock	...	Dr. Webster
Neil McCallum	...	First Officer Hemmings
Ben Carruthers	...	Ricaldi (as Benito Carruthers)
Jimmy Hanley	...	Patrick, the bartender
James Cossins	...	Nick, chief engineer
Dana Gillespie	...	Sarah
Victor Maddern	...	The mate
Reg Lye	...	The Helmsman
Norman Eshley	...	Jonathan, the prisoner
Michael Ripper	...	Sea Lawyer

Also Known As:

Lost Island
The People of Abrimes

Runtime:

89 min | USA:97 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

Finland:(Banned) (1968) | Sweden:15 | UK:X | USA:G

Filming Locations:

Elstree Studios, Borehamwood, Hertfordshire, England, UK

Company:

Hammer Film Productions

Trivia:

In interviews Eddie Powell claimed that Christopher Lee was going to play the part Powell played.

Quotes:

Capt. Lansen: What kind of a circus is this, anyway?
The Grand Inquistor: You are in the court of El Supremo. The Chosen One.
Nick, chief engineer: He means the lad sitting on the throne.
Capt. Lansen: That boy?
Harry Tyler: He's the one who pays the piper!

Odd & Unusual Hammer Voyage

You know what a typical Hammer production looks like, and "The Lost Continent" definitely doesn't fit that picture. It doesn't feature any old Gothic castles or torture dungeons, any cloaked vampires or mad Barons and it doesn't even star Christopher Lee or Peter Cushing. Surely Hammer also produced other mythologist films and stories revolving on time warps, but "The Lost Continent" is an entire league on its own and the complete opposite to what you expect. Right after watching this movie, you can't even properly determine for yourself whether it's good or bad … just plain weird. "The Lost Continent" is an outrageously plotted but awkwardly coherent film with two entirely different main story lines rolled into one. The titular continent (although it's merely just a small island) actually doesn't get reached until the twenty last minutes and, before that, it is just a suspenseful thriller set on a boat. The ambiance on the ancient and leaky cargo ship is rather tense and sinister. The captain ignores safety warnings and advice from his personnel and the passengers prefer facing a terrible sea storm rather than to return to the coast, even though they have been informed about the potentially explosive cargo. Suffice to say these aren't normal tourists, but people with dark secrets or even fugitive criminals. There are a lot of intrigues going on-board, but the sea is mightier. The captain and his passengers have to abandon ship, but they recover another one slowly drift towards uncharted regions. There they encounter ravenous seaweed and a lot of other things that don't make the least bit of sense, like gigantic crab-creatures, a native tribe under the impression that the Spanish Inquisition isn't finished yet and a local girl with the most gorgeous pair of breasts in the universe. In order to set food on land, they have to put watery pillows on their feet and attach balloons on their shoulders, which forms another very ludicrous sight to behold. "The Lost Continent" is an incredibly silly film, but all cast members perform their roles with a poker straight face, like as if they were starring in the greatest & most budgeted epic adventure in the history of cinema. The effects and monsters designs are extremely dodgy and laughable, but also somewhat charming. The film hasn't got a real ending, but (fortunately?) Hammer never bothered to make a sequel. Crazy little Brit-film, but I wouldn't hesitate to recommend it to open-minded fans of cult cinema.