| Photos (see all 40 | slideshow) |
| Peter O'Toole | ... | Henry II | |
| Katharine Hepburn | ... | Eleanor of Aquitaine | |
| Anthony Hopkins | ... | Richard | |
| John Castle | ... | Geoffrey | |
| Nigel Terry | ... | John | |
| Timothy Dalton | ... | King Philip of France | |
| Jane Merrow | ... | Alais | |
| Nigel Stock | ... | Capt. William Marshall | |
| Kenneth Ives | ... | Queen Eleanor's guard | |
| O.Z. Whitehead | ... | Bishop of Durham | |
| Fran Stafford | ... | Lady in Waiting | |
| Ella More | ... | Lady in Waiting | |
| Kenneth Griffith | ... | Strolling player | |
| Henry Woolf | ... | Strolling player | |
| Karol Hagar | ... | Strolling player | |
| David Griffith | ... | Strolling player (as Mark Griffith) |
Directed by | |||
| Anthony Harvey | |||
Writing credits | ||
| James Goldman | (play) | |
| James Goldman | (screenplay) | |
Produced by | |||
| Joseph E. Levine | .... | executive producer | |
| Jane C. Nusbaum | .... | associate producer | |
| Martin Poll | .... | producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Douglas Slocombe | |||
Film Editing by | |||
| John Bloom | |||
Casting by | |||
| Paul Lee Lander | |||
Art Direction by | |||
| Peter Murton | |||
Costume Design by | |||
| Margaret Furse | |||
Makeup Department | |||
| Bill Lodge | .... | makeup artist | |
| A.G. Scott | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Al Burgess | .... | second assistant director | |
| Kip Gowans | .... | assistant director | |
| Patrick O'Brien | .... | second assistant director | |
Art Department | |||
| Ted Clements | .... | assistant art director | |
| Peter James | .... | set dresser | |
| Gilbert Margerie | .... | art director: France | |
| Gus Walker | .... | construction manager | |
Sound Department | |||
| Chris Greenham | .... | sound editor | |
| Gerry Humphreys | .... | dubbing mixer (as Gerry Humphries) | |
| Simon Kaye | .... | sound recordist | |
Camera and Electrical Department | |||
| Michael Browne | .... | chief electrician (as Michael Brown) | |
| Robin Vidgeon | .... | assistant camera | |
| Michael Walter | .... | grip | |
| Chic Waterson | .... | camera operator | |
| Keith Blake | .... | clapper loader (uncredited) | |
| Bob Penn | .... | still photographer (uncredited) | |
| Robert Willoughby | .... | special still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| David Baker | .... | wardrobe | |
| Vi Murray | .... | wardrobe | |
Editorial Department | |||
| Lesley Walker | .... | assistant editor | |
Music Department | |||
| John Barry | .... | conductor | |
| Sidney Margo | .... | music contractor (uncredited) | |
| Robert Richards | .... | orchestrator (uncredited) | |
Other crew | |||
| Pamela Carlton | .... | continuity | |
| Jilda Smith | .... | production secretary | |
| Emanuel Azenberg | .... | play associate producer: Broadway (uncredited) | |
| Walter Hyman | .... | play producer: Broadway (uncredited) | |
| Alan King | .... | play producer: Broadway (uncredited) | |
| Eugene V. Wolsk | .... | play producer: Broadway (uncredited) | |
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Historical pageantry aside, the movie plays like a medieval version of Eugene O'Neill's "Long Day's Journey into the Night." It is a very cinematic rendition of James Goldman's famous stage play. Great acting and excellent dialogue are the film's strongest cards. The dialogue has a strange, modern flavor to it that comes close of bringing down the fourth wall. But it is a brilliant script, full of wicked, quotable lines. Not entirely realistic, but fun nevertheless. The acting is sensational. It is truly sad to know that O'Toole did not get the Oscar for his performance as Henry II - he dominates a film filled with strong acting. It is fun to see Hepburn acting naughty. A very young Anthony Hopkins and future 007 Timothy Dalton, are excellent in supporting roles. Anthony Harvey directs with great gusto. Don't be dissuaded by the film's period setting, the movie is lots of fun.