George lives with her lover, Childie and plays a cheerful district nurse in a BBC soap opera. However, her character is to be killed off, and George realises that the only other job she can... See full summary »
Set in the Depression, a gang of half-witted small-time hoods led by Slim Grissom kidnap heiress Barbara Blandish and Slim proceeds to fall in love with her. Remake of the 1948 British film... See full summary »
Harry manages The California Dolls, a female wrestling tag team endlessly touring America, and he's also romantically involved with one of them. Their fortunes seem on the slide (... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
A sexy starlet resembles Lylah Clare, a flamboyant star of the thirties, who died mysteriously and tragically on her wedding night gets a chance to play her in a biographical film directed by Lylah's real-life husband (Peter Finch) and history repeats itself as he falls for her reincarnation. Written by
Although this was her first film in three years, Kim Novak found that she had little enthusiasm for her character. Director Robert Aldrich found it increasingly difficult to elicit a viable performance from her. See more »
When Elsa is speaking in Lylah's voice, if you look closely you can see that the words are slightly out of sync with Elsa's mouth. See more »
[Upon nearing a large greenhouse, while giving Elsa a walking tour of his estate]
You might say that that greenhouse is something of a memorial to her. We had a Japanese gardener that used to look after it. Nice little fellow - quiet as a cherry blossom. Worked out here the best part of ten years, then suddenly one day we were at war. And the Government - who know a dangerous man when they see one - gave him a few hours to pack up before they shipped him off to some god-forsaken concentration ...
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I think the word to describe it is "unbelievable". Peter Finch is in it, an actor known for being rather picky. He was to win an Oscar for "Network" I wonder what this movie looked on paper. Robert Aldrich won his dues with films like "Attack", "The Big Knife" even "Whatever Happened To Baby Jane" another camp fest but with a brain and a real intention. Here, everything is in top gear without ever really moving. In short, a mystery. Poor Kim Novak. Even her make-up doesn't make any sense. Pale lips. It's pointless for me to go on, you have to see it. I had the chance, thanks to Turner Classic Movies. Kim Novak's character seems to be possessed by the spirit of Lylah Clare, the doomed star she's suppose to to play in a preposterous movie about her life. When she is under the influence of the spirit, she laughs and talks with the grave tones of a hybrid, part Lotte Lenya part Mercedes MacCambridge. Outrageous! Peter Finch playing the director and one of the former Lylah's lovers creates a monster without nuances. His debate with the studio head, played loudly by Ernest Borgnine, about films vs movies seems to be Aldrich's major preoccupation. Valentina Cortese's costume designer is a very brief delight, Rosella Falk's lesbian is in unintentional hoot but the prize goes to Coral Browne, playing a columnist as if she were Catherine The Great and with a wooden leg. I swear I'm not joking. As yo may very well suspect, I think this is one of the worst films I've ever seen and yes, I had a lot of fun. That's why a 5 out of 10 seem fair to me.
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