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Signs of Life (1968)
"Lebenszeichen" (original title)

 -  Drama  -  December 1981 (USA)
7.3
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Ratings: 7.3/10 from 1,158 users  
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On Crete, a wounded German paratrooper named Stroszek is sent to the quiet city of Kos with his wife Nora, a Greek nurse, and two other soldiers recovering from minor wounds. Billeted in a ... See full summary »

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Title: Signs of Life (1968)

Signs of Life (1968) on IMDb 7.3/10

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Cast

Credited cast:
Peter Brogle ...
Stroszek
Wolfgang Reichmann ...
Meinhard
Athina Zacharopoulou ...
Nora
Wolfgang von Ungern-Sternberg ...
Becker
Wolfgang Stumpf ...
Captain
Henry van Lyck ...
Lieutenant
Julio Pinheiro ...
Gypsy
Florian Fricke ...
Pianist
Heinz Usener ...
Doctor
Achmed Hafiz ...
Greek resident
Rest of cast listed alphabetically:
Jannakis Frasakis
Eleni Katerinaki
Edit

Storyline

On Crete, a wounded German paratrooper named Stroszek is sent to the quiet city of Kos with his wife Nora, a Greek nurse, and two other soldiers recovering from minor wounds. Billeted in a decaying fortress, they guard a munitions depot. There's little to do: Becker, a classicist, translates inscriptions on ancient tablets found in the fortress, Meinhart devises traps for cockroaches, Nora helps Stroszek make fireworks using gunpowder from grenades in the depot. Slowly, in the heat and torpor, Stroszek goes mad, drives the others from the fortress, and threatens the city with blowing up the depot. With care, the German command must figure out how to get him down. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Release Date:

December 1981 (USA)  »

Also Known As:

Signs of Life  »

Box Office

Budget:

DEM 25,000 (estimated)
 »

Company Credits

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Technical Specs

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Werner Herzog's first feature film. See more »

Quotes

Young Child: Now that I can talk, what shall I say?
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User Reviews

immersion
9 June 2003 | by (denver) – See all my reviews

into a strange culture, in this case WW II German soldiers occupying a Greek island, three of them recuperating in an ancient fortress while a Nazi garrison is billeted in the town below. Herzog captures the exotic setting with brilliant photography, and at the same time the strangeness not only of culture clash but ultimately of the war itself. Intense Greek music on the soundtrack and the crystalline sunlight bring a sharp focus on the madness that comes to inhabit Stroszek's mind, the madness of seeing through what has been done in the name of the fatherland. Herzog's first major film is as much political meditation as it is psychological travelogue.


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