Tony Rome, a tough Miami PI living on a houseboat, is hired by a local millionaire to find jewelry stolen from his daughter, and in the process has several encounters with local hoods as well as the Miami Beach PD.
Jill St. John,
Police detective Joe Leland investigates the murder of a homosexual man. While investigating, he discovers links to official corruption in New York City in this drama that delves into a world of sex and drugs.
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Tony Rome is a Miami based detective who while diving in the ocean finds the body of a young woman. He is hired by Gronsky to find her killer. Tony has to sift through a stack of suspects, plus trying to elude the police. Written by
When Tony Rome walks into the room in the massage parlor where Bronski is, Bronski (Dan Blocker) is watching the TV show Bonanza (1959) where he starred as Hoss Cartwright. See more »
A local TV station would never break into the broadcast of a national program (especially one like Daniel Boone, aimed at children and families) to announce the murder of the owner of a two-bit go-go club. See more »
I don't want to alarm you, ma'am, but there's a killer on the loose.
Oh, well if I see one, I'll call you.
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Sinatra once again plays the Miami based private eye he originated in "Tony Rome" a year earlier. He was pretty effective the first time around, but that one didn't have a script as silly as the one he has to contend with here. Of course, scripts never meant much to Frankie, anyway. If the Chairman of the Board WAS bored, or just tired, he'd rip a few pages out of the script to keep things moving. When the movie was something like "Lady in Cement," it probably didn't matter, anyway. Besides, with a more stunning than ever Raquel Welch in the cast, I mean, who really cares?
Wherever Ol' Blue Eyes went, his entourage of goons and sycophants were sure to follow, and one such unfortunate, Pat Henry, a comedian of little talent, is along for the ride as Frank's buddy. Richard Conte, the fine actor from such interesting film noirs as "The Blue Gardenia" and "Cry of the City," shows up, as he often did in Sinatra films ("Ocean's 11," "Assault on a Queen") and provides the mostly mediocre film with his usual competence. The best performance, however, belongs to TV's "Hoss" (Dan Blocker).
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