| Photos (See all 12 | slideshow) |
| Beryl Reid | ... | June Buckridge | |
| Susannah York | ... | Alice 'Childie' McNaught | |
| Coral Browne | ... | Mercy Croft | |
| Ronald Fraser | ... | Leo Lockhart | |
| Patricia Medina | ... | Betty Thaxter | |
| Hugh Paddick | ... | Freddie | |
| Cyril Delevanti | ... | Ted Baker | |
| Sivi Aberg | ... | Diana | |
| William Beckley | ... | Floor Manager | |
| Elaine Church | ... | Marelen | |
| Brendan Dillon | ... | Bert Turner | |
| Mike Freeman | ... | Noel | |
| Maggie Paige | ... | Maid | |
| Jack Raine | ... | Deputy Commissioner | |
| Dolly Taylor | ... | Tea Lady | |
| Meier Tzelniker | ... | Mr. Katz | |
| Cicely Walper | ... | Mrs. Coote | |
| Byron Webster | ... | Jack Adams | |
| Rosalie Williams | ... | Mildred | |
| rest of cast listed alphabetically: | |||
| Gina Evans | ... | Club Owner (uncredited) | |
| Joe Gray | ... | Party Guest (uncredited) | |
| Nigel Kingsley | ... | Extra (uncredited) | |
| Sam Kydd | ... | Taxi Driver (uncredited) | |
| Eileen Page | ... | Leslie (uncredited) | |
| Derek Partridge | ... | Personal Manager (uncredited) | |
| James Payne | ... | Man in Traffic Jam (uncredited) | |
| Velvet Rhodes | ... | Lesbian (uncredited) | |
| Madeline Smith | ... | Nun (uncredited) | |
Directed by | |||
| Robert Aldrich | |||
Writing credits(in alphabetical order) | ||
| Lukas Heller | writer | |
| Frank Marcus | play "The Killing of Sister George" | |
Produced by | |||
| Robert Aldrich | .... | producer | |
| Walter Blake | .... | associate producer | |
| Edgar J. Scherick | .... | executive producer | |
Original Music by | |||
| Gerald Fried | |||
Cinematography by | |||
| Joseph F. Biroc | |||
Film Editing by | |||
| Michael Luciano | |||
Casting by | |||
| Lynn Stalmaster | |||
Art Direction by | |||
| William Glasgow | |||
Set Decoration by | |||
| John Brown | |||
Costume Design by | |||
| Renié | |||
Makeup Department | |||
| Jean Austin | .... | hair stylist | |
| William Turner | .... | makeup artist (as Bill Turner) | |
Production Management | |||
| David Bennett | .... | production manager | |
| Eddie Saeta | .... | unit manager | |
| George Tobin | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Daisy Gerber | .... | assistant director | |
| Dennis Robertson | .... | first assistant director: London | |
Art Department | |||
| Jack Holden | .... | assistant art director | |
| Ygnacio Sepulveda | .... | property master | |
Sound Department | |||
| Richard S. Church | .... | sound mixer (as Dick Church) | |
| Robin Gregory | .... | sound mixer: London | |
Camera and Electrical Department | |||
| Bernie Abramson | .... | still photographer | |
| Wally Fairweather | .... | camera operator: London | |
| Laurie Shane | .... | gaffer | |
| Herbert Smith | .... | camera operator: London (as Herbie Smith) | |
| Brian West | .... | lighting camera operator: London | |
| Keith Blake | .... | clapper loader (uncredited) | |
| Gary Boren | .... | assistant camera (uncredited) | |
| William N. Clark | .... | assistant camera (uncredited) | |
| Ned Davenport | .... | camera operator (uncredited) | |
| Bill Hannah | .... | gaffer (uncredited) | |
| Joe Jackman | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Marie Osborne | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Frank J. Urioste | .... | assistant film editor (uncredited) | |
Other crew | |||
| Adell Aldrich | .... | script supervisor (as Adele Bravos) | |
| William Aldrich | .... | assistant to producer | |
| Robert Sherman | .... | dialogue supervisor | |
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| Closer | Stage Beauty | Saving Face | Desperate Remedies | It's in the Water |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Beryl Reid gives a no-holds-barred performance as an aging lesbian actress who's already teetering on the edge when she gets word that her character in a TV soap opera is to be killed off. She takes out her frustrations on her childlike lover (Susannah York) and a production head (Coral Browne), the two of whom eventually become intimate on their own. The script-reading sequence had me howling with laughter, and Reid's non-stop barrage of put-downs, insults, wisecracks and other hateful remarks are acidly hilarious. A surprisingly realistic sex scene near the end is pretty graphic for its time (I almost felt like looking away) and we never learn much about Browne's icy character, but the final scene is gut-wrenching, as is the final line of dialogue. *** from ****