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The Killing of Sister George (1968)

X | | Drama | March 1969 (UK)
George lives with her lover, Childie and plays a cheerful district nurse in a BBC soap opera. However, her character is to be killed off, and George realises that the only other job she can... See full summary »

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Writers:

(from the play by), (screenplay)
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Nominated for 1 Golden Globe. See more awards »
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Cast

Cast overview, first billed only:
...
...
Coral Browne ...
...
Leo Lockhart
...
Hugh Paddick ...
Freddie
...
Ted Baker
Sivi Aberg ...
Diana
...
Floor Manager
Elaine Church ...
Marlene
Brendan Dillon ...
Bert Turner
Mike Freeman ...
Noel
Maggie Paige ...
Maid
...
Deputy Commissioner
Dolly Taylor ...
Tea Lady
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Storyline

George lives with her lover, Childie and plays a cheerful district nurse in a BBC soap opera. However, her character is to be killed off, and George realises that the only other job she can get is the voice of a cow in a children's tv programme. Her life begins to fall apart as Childie has an affair with a predatory tv producer. Written by Paul Baker <bakerjp@unix.lancs.ac.uk>

Plot Summary | Plot Synopsis

Taglines:

The story of three consenting adults in the privacy of their own home.

Genres:

Drama

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

March 1969 (UK)  »

Also Known As:

Das Doppelleben der Sister George  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

It received an X rating in 1968, but was downgraded to an R in 1972. Director Robert Aldrich spent $75,000 unsuccessfully battling the X rating in court. See more »

Quotes

George: I collect horse brasses.
Mercy Croft: Oh, how useful.
See more »

Crazy Credits

During the opening credits, the picture distractingly flips from left to right as the main character travels through claustrophobia-inducing alleyways. See more »

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User Reviews

Robert Aldrich, Sensitive Guy of the Sixties
10 May 1999 | by See all my reviews

Am I the only one who finds it painfully touching that Robert Aldrich went from the biggest hit of his career--the almost woman-free DIRTY DOZEN--to the kind of movie he really wanted to make, i.e., a stagebound melodrama about an aging lesbian soap star's love for a demented nymphet? In its day, SISTER GEORGE was considered the ne plus ultra in coarse homophobia; critics saw the sweaty thumbprints of the Aldrich Touch on every girl-on-girl scene. (Does anyone now lambaste THE BITTER TEARS OF PETRA VON KANT for not being hardhitting docudrama?) In retrospect, the movie seems to me one of Aldrich's most affecting, with Coral Browne (December) and a teeny, teenaged Susannah York (May) grand-slamming this folie a deux to a fare-thee-well.


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