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Joanna (1968)
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Overview
User Rating:
Director:
Writer:
Michael Sarne (screenplay)
Release Date:
24 November 1968 (USA)
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Plot:
A provincial girl is entangled in the mod morality of London. | add synopsis
Awards:
Nominated for Golden Globe.
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User Comments:
Odd Period Piece
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Cast
(Cast overview, first billed only)| Geneviève Waïte | ... | Joanna | |
| Christian Doermer | ... | Hendrik Casson | |
| Calvin Lockhart | ... | Gordon | |
| Donald Sutherland | ... | Lord Peter Sanderson | |
| Glenna Forster-Jones | ... | Beryl | |
| David Scheur | ... | Dominic Endersley | |
| Marda Vanne | ... | Granny | |
| Geoffrey Morris | ... | The Father | |
| Michelle Cook | ... | Margot | |
| Manning Wilson | ... | Inspector | |
| Clifton Jones | ... | Black Detective | |
| Dan Caulfield | ... | White Detective | |
| Michael Chow | ... | Lefty | |
| Anthony Ainley | ... | Bruce | |
| Jane Bradbury | ... | Angela |
Additional Details
Parents Guide:
Runtime:
108 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Filming Locations:
Fun Stuff
Trivia:
Tony Hatch and Jackie Trent were asked to write the theme song. However it was dropped in favour of Rod McKuen's music, but went on to be a major UK hit for Scott Walker
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Soundtrack:
Joanna (Reprise)
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This FAQ is empty. Add the first question.more (21 total)
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Discuss this movie with other users on IMDb message board for Joanna (1968)| Recent Posts (updated daily) | User |
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Mr. Sarne's portrait of an era, now seems often laughable and ludicrous, not unlike many other feature films that intended to demonstrate the importance of one single period, specially such a difficult one as the 60s - they just seem to loose their punch throughout the years. Although 'Joanna' does provide enjoyable, light moments, most of them are all too heavy handed, and unconnected. The movie relies on a number of senseless episodes to show us the story of a young woman yearning to find an adult identity in London, during the late 60s. What could be a sensible, lovely little story - if properly told - is wounded by Ms. Waite's inexperience, as she sleepwalks through the movie, and can only act appalled and shocked during the major conflicts of the story, Mr. Sarne's hideously pretentious, pompous direction, and Mr. Rod McKuen's tedious soundtrack, only highlighted at the movie's ending, in which the entire cast join in a train station singing the title tune - 'you fill our hearts with hope, your smile's like Cinemascope' - while Joanna departs to have her baby, still, as imature, childish and unprepared as she was in the beginning of the movie.