Recovering from an attempted suicide, a man is selected to participate in a time travel experiment that has only been tested on mice. A malfunction in the experiment causes the man to ... See full summary »

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Cast

Cast overview, first billed only:
...
Olga Georges-Picot ...
Anouk Ferjac ...
Alain MacMoy ...
Vania Vilers ...
Ray Verhaeghe ...
Van Doude ...
Yves Kerboul ...
Dominique Rozan ...
Annie Bertin ...
Jean Michaud ...
Claire Duhamel ...
Bernard Fresson ...
Sylvain Dhomme ...
Irène Tunc ...
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Storyline

Recovering from an attempted suicide, a man is selected to participate in a time travel experiment that has only been tested on mice. A malfunction in the experiment causes the man to experience moments from his past in a random order. Written by Andy Taylor <mimyandy@interlog.com>

Plot Summary | Add Synopsis

Taglines:

The past is the present and future in Alain Resnais' new time machine.

Genres:

Drama | Sci-Fi

Certificate:

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Details

Country:

Language:

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Release Date:

24 April 1968 (France)  »

Also Known As:

Te amo, te amo  »

Box Office

Opening Weekend:

$7,250 (USA) (21 February 2014)

Gross:

$59,041 (USA) (13 June 2014)
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Company Credits

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Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Quotes

Claude Ridder: Catherine. Catherine... I love you. Do you hear me? I love you. It was the only reason. Long before you die. And now I'm dead. I'm cold. I hear my words. It's the drug... How likely I'll survive? Oh yeah, 100% if I were a rat. Then I'm a rat, because I'm alive. Now see... anyway still have to wait four minutes. And the rat? Where is the rat?
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Soundtracks

Misterioso
by Thelonious Monk
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User Reviews

 
Space of memory, endless returns
19 May 2011 | by (Greece) – See all my reviews

Ostensibly buried upon release under the avalanche of the '68 events, a time when the Parisian youths were more keen to plan for a radical future than lament a forlorn past (and perhaps as preparation spent their movietime away from the streets watching Week End or La Chinoise, films that rehearsed their efforts), in this Resnais film we find no eternal sunshines and no spotless minds. We find only memory, this destructive facet of consciousness grinding out its painful cycle of endless returns.

I had anticipated a complex film, it's what fans of it insist, instead it's the most simple of Resnais' features I have seen. We see here a life rearranged out of time, a love affair, a death. We see how the lovers met, what idle or affectionate time they shared on the same bed, how they hoped or thought to communicate and know one another but probably didn't, the man's struggles to maintain the closeness in the relationship and his failure to do so. We see how they grew apart and broke up, and what happened of them.

Resnais' touch is that we don't see any of this in that order, rather as convalescent images relived, as though there might not be pattern there. But once the novelty plays out, he doesn't take it far enough. He has to rely on montage for all this, and acquits himself rather well. When they break up, he doesn't follow the scene with something from older, happier times, the contrast would've been much too easy, instead he gives us an anonymous scene from a time inbetween where she's crying on his shoulder.

It's a simple film only because it comes by the hand of Resnais. In retrospect he was perhaps unlucky to make Hiroshima mon Amour his debut. And as followup, the complete, perfect abstraction of it. What was left for him to go next?


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