| Alan Arkin | ... | Insp. Jacques Clouseau | |
| Frank Finlay | ... | Supt. Weaver | |
| Delia Boccardo | ... | Lisa Morrel | |
| Barry Foster | ... | Addison Steele | |
| Patrick Cargill | ... | Commissioner Sir Charles Braithwaite | |
| Beryl Reid | ... | Mrs. Weaver | |
| Clive Francis | ... | Clyde Hargreaves | |
| Richard Pearson | ... | Shockley | |
| Michael Ripper | ... | Steven Frey | |
| Susan Engel | ... | Carmichael | |
| Wallas Eaton | ... | Hoeffler | |
| Tutte Lemkow | ... | Frenchie LeBec | |
| Katya Wyeth | ... | Meg (as Kathja Wyeth) | |
| Tracey Crisp | ... | Julie | |
| Geoffrey Bayldon | ... | Gutch | |
| John Bindon | ... | Bull Parker | |
| Anthony Ainley | ... | Bomber LeBec | |
| Robert Russell | ... | Stockton | |
| David Bauer | ... | Police Chief Geffrion | |
| George Pravda | ... | Wulf | |
| Eric Pohlmann | ... | Bergesch | |
| rest of cast listed alphabetically: | |||
| Martin Beere | ... | Reporter (uncredited) | |
| Craig Booth | ... | David (uncredited) | |
| Julie Croft | ... | Nicole (uncredited) | |
| Barbara Dana | ... | Nun (uncredited) | |
| Robert Gillespie | ... | Senior Swiss Banker. (uncredited) | |
| Marjie Lawrence | ... | Peggy (uncredited) | |
| Leon Lissek | ... | French Taxi Driver (uncredited) | |
| Arthur Lovegrove | ... | Innkeeper (uncredited) | |
| Will Stampe | ... | Fishmonger (uncredited) | |
| Paul Tropea | ... | Child at Grave (uncredited) | |
Directed by | |||
| Bud Yorkin | |||
Writing credits | ||
| Blake Edwards | (based on a character created by) and | |
| Maurice Richlin | (based on a character created by) | |
| Tom Waldman | (written by) and | |
| Frank Waldman | (written by) | |
Produced by | |||
| Lewis J. Rachmil | .... | producer | |
Original Music by | |||
| Ken Thorne | |||
Cinematography by | |||
| Arthur Ibbetson | (director of photography) | ||
Film Editing by | |||
| John Victor-Smith | (as John Victor Smith) | ||
Production Design by | |||
| Michael Stringer | |||
Art Direction by | |||
| Norman Dorme | |||
Costume Design by | |||
| Dinah Greet | |||
Makeup Department | |||
| Ernest Gasser | .... | makeup artist | |
| Wally Schneiderman | .... | makeup artist | |
| Pearl Tipaldi | .... | hairdresser | |
Production Management | |||
| Charles Orme | .... | production supervisor | |
| Robert Watts | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Michael Frewin | .... | second unit director | |
| Kip Gowans | .... | assistant director | |
Art Department | |||
| Terence Morgan II | .... | set dresser | |
| Mickey Lennon | .... | stand-by prop (uncredited) | |
Sound Department | |||
| Jonathan Bates | .... | sound editor | |
| Gerry Turner | .... | sound recordist (as Gerald Turner) | |
Special Effects by | |||
| Colin Chilvers | .... | special effects supervisor | |
Camera and Electrical Department | |||
| Skeets Kelly | .... | photographer: second unit | |
| Tony Spratling | .... | camera operator | |
Costume and Wardrobe Department | |||
| Ivy Baker | .... | wardrobe supervisor | |
Music Department | |||
| Ken Thorne | .... | conductor | |
Other crew | |||
| Ann Skinner | .... | continuity | |
| Gerry Chiniquy | .... | title designer (uncredited) | |
| John W. Dunn | .... | title designer (uncredited) | |
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| Revenge of the Pink Panther | The Pink Panther | The Pink Panther Strikes Again | The Pink Panther 2 | A Shot in the Dark |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Most peoples opinion of the Pink Panther series is that as long as Peter Sellers was alive the films were classics. The ones made with leftover footage of Sellers, not so good, and the ones without Sellers ("Son Of PP", The Ted Wass "Curse Of PP", the Steve Martin remake)stink.
Well I am NOT of that opinion. Sure, it's nearly impossible to watch ANYONE else pretending to be the good Inspector, or a relative. But for me the best Panther films are the first 2 60's gems, "Pink Panther" and "A Shot In The Dark". Once Blake Edwards resurrected the series in 1975 with "Return" and "Strikes Again" the films got more and more silly and preposterous. I mean Clouseau' boss Dreyfus in an insane asylum or as the "Phantom Of the Opera" ruined the films for me long before most fans cried foul.
The thing I loved about the original 2 films were that, silly as they were, they were within the realm of possibility. That wasn't the case after "The Return of The Pink Panther", which I recall actually seeing in the movies on it's original release.
Perhaps that's why i'm much more forgiving of films like "Curse Of The PP" (the Ted Wass vehicle) because they didn't get as far out as the 1970's entries in the series with Sellers.
After finally catching the much maligned "Inspector Clousea" I have to say, although missing Sellers all the same, this is actually my 3rd favorite entry in the series right after the original two, and much better than the Steve Martin remake.
Of course one of the things for me that adds to it is the entire 60's vibe-I feel this is simply the most enjoyable time period to place this type of farce in. There's allot of 60's-isms that just fit in with this type of comedy. There's a reason Austin Powers tapped into the 60's thing for much of it's humor.
Arkin doesn't imitate Sellers (unlike Steve Martin) and plays Clousea a bit understated, but for me it works much better-again as one tries to image these things happening within the realm of real life. It's just too bad we don't have Herbert Lom as Dreyfus or a Henry Mancini music score (though there really is nothing wrong with the movies score at all as it is).
At this point in my life i've see the original Panther" and "Shot In The Dark" multiple times, but "Inspector Clousea" only twice making it my very favorite "Panther" movie to pull off the shelf and watch on my DVD burned from a cable TV showing of the flick.
Go into it with an open mind (especially those who somehow may not know the other movies in the series very well) and you could easily enjoy this very much..Far from a failure in my book..