Luke, an escaped convict, and Jaroo, a loner gold prospector, team up with a band of Apache Indians in 19th century Mexico to capture a large, heavily armed fortress for the millions -- or ... See full summary »
Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips ... See full summary »
Raymond St. Jacques,
It's the end of the 70s. Hippies are assimilating, women are raising their consciousness, and men are becoming confused and ineffectual. Don't expect to be able to keep track of all the ... See full summary »
A black soldier returns from fighting for the Union in the Civil War only to find out that his mother has been murdered by a gang of white thugs. He becomes a bounty hunter, determined to track down and kill the men who killed his mother.
Larry G. Spangler
An African-American scientist develops a formula to regenerate dying liver cells, but it has the unfortunate after-effect of turning him into an albino vampire with a mania for killing ... See full summary »
A thief breaks into the home of a wealthy, happily married Beverly Hills couple. He soon finds out, though, that the couple is neither as wealthy as he thought they were and are not as ... See full summary »
Joyce Van Patten
I had been looking for a copy of this movie for sometime and finally got myself an original Prism Video pre-record off of eBay. What a disappointment! I'd been looking forward to at least a decent blaxploitation feature, but this piece of junk would hardly qualify as a competent TV film. Kevin McCarthy, always a hammy actor to begin with, is way, way over the top in this one, practically foaming at the mouth in many of his scenes. The plot is so full of astounding contrivances (for example, mere hours after he escapes from prison, Raymond St. Jacques' face is on the front page of the local paper - which must have been printed at midnight to reach Kevin McCarthy's front porch when it does!) that after not much time the whole plot becomes totally risible. You do get a brief glimpse of Dana Wynter's nipple, but this is hardly worth having to sit through a 106 minute feature that should have clocked in under 90.
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