Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips ... See full summary »
Raymond St. Jacques,
A beautiful black gangster's moll flees to Harlem with a trunkload of gold after a shootout, unaware that the rest of the gang, and a few other unsavoury characters, are on her trail. A ... See full summary »
In the turn-of-the century Texas town of Cottownwood Springs, marshal Frank Patch is an old-style lawman in a town determined to become modern. When he kills drunken Luke Mills in ... See full summary »
Sequel to Cotton comes to Harlem. Another bad influence is hitting Harlem and Gravedigger and Coffin Ed are the two cops who will stop it. Charleston Blue was a prohibition era black ... See full summary »
Raymond St. Jacques,
Peter De Anda
A hitchhiker named Martel Gordone gets in a fight with two bikers over a prostitute, and one of the bikers is killed. Gordone is arrested and sent to prison, where he joins the prison's ... See full summary »
Wilbur 'Hi-Fi' White,
Leon Isaac Kennedy,
A reluctant gunslinger tires of having to defend himself at every cow town he visits, so he adopts an alias and continues his wandering. At an outpost run by a father and young son, he gets... See full summary »
Charles Marquis Warren
Anson Page, a lawyer with Southern roots leaves New York, his wife and his kids for Georgia. His assignment is to investigate the case of Garvin Wales, a famous writer, now nearly blind and... See full summary »
I had been looking for a copy of this movie for sometime and finally got myself an original Prism Video pre-record off of eBay. What a disappointment! I'd been looking forward to at least a decent blaxploitation feature, but this piece of junk would hardly qualify as a competent TV film. Kevin McCarthy, always a hammy actor to begin with, is way, way over the top in this one, practically foaming at the mouth in many of his scenes. The plot is so full of astounding contrivances (for example, mere hours after he escapes from prison, Raymond St. Jacques' face is on the front page of the local paper - which must have been printed at midnight to reach Kevin McCarthy's front porch when it does!) that after not much time the whole plot becomes totally risible. You do get a brief glimpse of Dana Wynter's nipple, but this is hardly worth having to sit through a 106 minute feature that should have clocked in under 90.
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