Sequel to Cotton comes to Harlem. Another bad influence is hitting Harlem and Gravedigger and Coffin Ed are the two cops who will stop it. Charleston Blue was a prohibition era black ... See full summary »
Raymond St. Jacques,
Peter De Anda
Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips ... See full summary »
Raymond St. Jacques,
Employees of rich conman lothario Luther Lucas discuss his five most outrageous conquests. In order to deceive and bed these five women, he'll spare no expenses and pretend to be gay, a friend of Greta Garbo, an artist, etc.
Natalia is a young Spanish woman who arrives in Mexico City, invited by Esteban, her boyfriend. However, due to work, he is absent, but his friends, Ana and Sofia, convince Natalia to ... See full summary »
A rich, jet-setting playboy has a secret life: he's also a professional Mafia hitman. When he decides it's time to retire from that life, he finds that his former employers don't like the ... See full summary »
When Clementi Suborin is found murdered, his secretary recounts to the police the story of his rise from Czech refugee to ultra-rich New Yorker. The tale of betrayal, womanising and fraud ... See full summary »
Yvonne De Carlo,
Zsa Zsa Gabor
Ever wonder what really goes on in a sorority house overflowing with the most beautiful, most spirited and most available college women who ever graced a campus anywhere? Well we can't ... See full summary »
I agree with an earlier posting that this is a fairly abysmal movie; however, having said that, the fact you get to see the only semi-nude seen ever put on film by the beautiful Dana Wynter and a fully nude shot of Barbara McNair, a mediocre singer with a better than mediocre bod, made this worthwhile to see. I, in fact, saw if four times at the PX Movie Theater in Yongsan, Eighth Army Compound, Seoul, Korea. But it was just 25-cents to get in and getting a little nudity in your mainstream flick was quite a gas in 1968.
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