6.4/10
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15 user 8 critic

How to Save a Marriage and Ruin Your Life (1968)

When a carefree bachelor tries to get his best friend to drop his mistress and return to his wife, he finds himself with romantic problems as well.

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Cast

Complete credited cast:
...
David Sloane
...
Carol Corman
...
Harry Hunter
...
Muriel Laszlo
...
Thelma
...
Mr. Slotkin
Katharine Bard ...
Mary Hunter
...
Eddie Rankin
...
Everett Bauer
...
Marcia Borie
...
Roger
Monroe Arnold ...
Wally Hammond
Claude Stroud ...
Hall Satler
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Storyline

Battle of the sexes comedy about a free-wheeling bachelor who decides to save his friend's marriage by proving that all mistresses are incapable of fidelity. The plot gets complicated when the bachelor offers to set up the wrong girl in a lavish love-nest and she accepts, thinking it to be a marriage proposal. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

After you've had your wedding cake - do you need a little cookie, too?! See more »

Genres:

Comedy | Romance

Certificate:

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Details

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Language:

Release Date:

29 January 1968 (Sweden)  »

Also Known As:

Bague au doigt, corde au cou  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

(Pathécolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Quotes

Harry Hunter: [to Carol] But there's an opening in merchandise, and you have character, integrity, and principle. It'd be interesting to see if an executive could survivewith such handicaps.
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Soundtracks

The Winds of Change
Music by Michel Legrand
Lyrics by Mack David
Performed by The Ray Conniff Singers
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User Reviews

 
surprisingly good
27 April 2007 | by (United States) – See all my reviews

This is a very well written movie. I missed the very beginning. I wasn't prepared for the articulate war of the sexes theme. Some people might consider it too talky. At times it sounded like a George Bernard Shaw play. Sometimes it seemed that Dino was sleepwalking and this much wordplay was a little too much for him. Perhaps the interesting dimensions owe something to the participation of Wallach his wife. Movies from this period project a particular mise en scene of imperial America at its zenith of hubris and naivitee. The characters Martin and Wallach play are unselfconsciously "upper class" and enjoy the life of extreme privilege without any consideration if they deserve their good fortune. The US was up to its neck in Vietnam at the time and modern consumer society was being born. A nice old chestnut from a time we can remember fondly but not aspire to emulate.


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