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The Hour of the Furnaces (1968)
"La hora de los hornos: Notas y testimonios sobre el neocolonialismo, la violencia y la liberación" (original title)

7.6
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Ratings: 7.6/10 from 482 users  
Reviews: 6 user | 4 critic

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Title: The Hour of the Furnaces (1968)

The Hour of the Furnaces (1968) on IMDb 7.6/10

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Credited cast:
María de la Paz ...
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Fernando E. Solanas ...
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Edgardo Suárez ...
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1 November 1973 (Argentina)  »

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The Hour of the Furnaces  »

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Edited from Faena (1960) See more »

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Voice for the voiceless
4 August 2007 | by (Argentina) – See all my reviews

I think any analysis of this film should take into account the context in which it was released. In Argentina in the late 60's there were tremendous injustices inflicted upon the people. Argentina's teenage industry was being undermined by the unrestricted entrance of foreign capitals and products. Factories started to "rationalize" the personnel, workshops were closing, unable to compete with the multinationals that were landing in our fragile economy. This was not new at all for a country which has not yet fulfilled his economic independence, but the signs of underdevelopment were getting more and more evident in a country which has historically considered himself more European than Latin American. Whatisworse, democracy has become an utopia in a country where its major party was banned, and the minority parties which were allowed to rise in power after limb-democratic elections were quickly overthrown by the constant military coups. Argentina lived from 55-83 in a virtual State of Siege where all political activities related to the major party (Peronist Party)were fiercely persecuted. These regime did not hesitate to assassinate and imprisoned popular activists. So the Argentine people arrived to a sideways in those years. Either stay silent and tolerate the injustice, or raise their voice in protest. To raise the voice in those times involved persecution and most probably, death. So there was a new choice to make. Either protest and get killed or to protest and defend oneself. Argentine people were not thirst for blood, they were sick of injustice and were willing to fight for a better existence. The film is not a call for violence, it is a call for understanding, a call for conscience. the movie is the voice of the silent workers fed up with treason and exploitation.


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