1) Jerôme Chambard, a retired man, taken in by nuns in a convent, swears like a trooper. 2) Françoise takes a lover because he has promised her a diamond necklace. 3) Denis, a seminarist, ... See full summary »
In Italy, the gambler and professor of poetry Daniele Dominici arrives in the seaside town of Rimini and is hired to teach for four months in the Liceu replacing another teacher. His ... See full summary »
This is the story of French Lt. Col. Pierre-Noel Raspeguy who leads his French paratroopers in battle against the Communist Viet Minh guerrilla in French Indochina and later during the Algerian war of independence.
Julien Dandieu, leader of the socialist political party PRU is asked to be part of the new conservative government as minister of foreign affairs. However his reputation is somewhat ... See full summary »
In the middle of the night, deputy Philippe Dubaye wakes up his old friend Xavier Maréchal with disturbing news: he has just killed Serrano, a racketeer with extant political connections. ... See full summary »
French filmmaker Rene Clement presents Alan Delon as a petty criminal on the run from the underground. On the Rivera, he seeks refuge in a flophouse whose soup line is served by Jane Fonda ... See full summary »
In 1930 Marseilles two small-time crooks join forces when they meet brawling over a woman. Starting with fixed horse races and fights, they start to find themselves doing jobs for the local... See full summary »
Interesting premise and poor development in this mediocre crime movie
Robert Enrico was an average director who happened to direct good scripts with a strong cast (Les Aventuriers, Le Vieux Fusil), and wonderful scores by his friend François de Roubaix too.
Ho! has an interesting premise: a loser-driver wants to prove to his bosses he can be a real elegant/tough/mastermind gangster. The exposition at the beginning of the movie is quite good then, but they added a flashback before that to tell the backstory of "5 years before" which is cheap and useless.
The main problem is the script doesn't build a consistent character arc. Belmondo is a good low-profile dummy in the beginning, then he rapidly switches to an enterprising 'Bébel' quite sure and full of himself. This simply doesn't work: it is a major directorial failure. The love affair with a top model (Johanna Shimkus) doesn't help to stir Ho away from Belmondo's stock light-hearted philanderer. Then again the script doesn't rise above routine crime situations. In the end you've got an awkward character (the irritatingly comical bébel of Tendre Voyou) in a poor film noir story. The screenwriters here could have learnt a bit from Dumas' Count of Monte Cristo, and how to credibly grow your hero from a naive young man into a relentless adult.
I am no fan of Drive and I must say it was disheartening to see so many people love it, but yes, Ryan Gosling's character was more consistent (yet blandly so), the love interest fitted the character's arc instead of bugging the narration and there was a real fatalistic storyline. Plus the director had style (too much IMO) whereas style is limited to Mr Belmondo's ties and suits in Ho!
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