Arthur and Anatole are two little robbers. They want to rob money, money that will travel in a special train from Paris to Bruxelles. They don't know that other people have planned to do ... See full summary »
L'Alpagueur is a free-lance spy from the French secret agency. He's put on the investigation about L'epervier, a serial-killer who employs young boys to help him robbing banks before ... See full summary »
Victor Vautier is incorrigible: he's in constant motion, working several cons at once, using different names and changing disguises. He's charming and outrageous, incapable of uttering a ... See full summary »
Episodic portrait of a criminal, from 1934 until after the war. Roberto Borgo is tough, cool, sardonic, loyal, and deadly. He comes to Marseilles to help his friend Xavier Saratov get out ... See full summary »
Francois always despised the textile barons who ruled his local town. But he fell in love with the family heiress Gilberte. Ten years ago, he would have married her. Now only hatred holds them together. Francois is accused of murder. A hooker and a football star lie slaughtered. He thinks he has been framed by the mob. Going underground, he finds that the trail leads all the way to the top - to ... See full summary »
Rocco and his female accomplice, Angèle hijack a truck from a trucking company in the Saharan desert. The head of the trucking company, Castigliano hires Rocco's friend, Hervé and a newly ... See full summary »
Interesting premise and poor development in this mediocre crime movie
Robert Enrico was an average director who happened to direct good scripts with a strong cast (Les Aventuriers, Le Vieux Fusil), and wonderful scores by his friend François de Roubaix too.
Ho! has an interesting premise: a loser-driver wants to prove to his bosses he can be a real elegant/tough/mastermind gangster. The exposition at the beginning of the movie is quite good then, but they added a flashback before that to tell the backstory of "5 years before" which is cheap and useless.
The main problem is the script doesn't build a consistent character arc. Belmondo is a good low-profile dummy in the beginning, then he rapidly switches to an enterprising 'Bébel' quite sure and full of himself. This simply doesn't work: it is a major directorial failure. The love affair with a top model (Johanna Shimkus) doesn't help to stir Ho away from Belmondo's stock light-hearted philanderer. Then again the script doesn't rise above routine crime situations. In the end you've got an awkward character (the irritatingly comical bébel of Tendre Voyou) in a poor film noir story. The screenwriters here could have learnt a bit from Dumas' Count of Monte Cristo, and how to credibly grow your hero from a naive young man into a relentless adult.
I am no fan of Drive and I must say it was disheartening to see so many people love it, but yes, Ryan Gosling's character was more consistent (yet blandly so), the love interest fitted the character's arc instead of bugging the narration and there was a real fatalistic storyline. Plus the director had style (too much IMO) whereas style is limited to Mr Belmondo's ties and suits in Ho!
4 of 7 people found this review helpful.
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