| Rod Taylor | ... | Scobie Malone | |
| Christopher Plummer | ... | Sir James Quentin | |
| Lilli Palmer | ... | Sheila Quentin | |
| Camilla Sparv | ... | Lisa Pretorius | |
| Daliah Lavi | ... | Maria Cholon | |
| Clive Revill | ... | Joseph | |
| Lee Montague | ... | Donzil | |
| Calvin Lockhart | ... | Jamaica | |
| Derren Nesbitt | ... | Pallain | |
| Edric Connor | ... | Julius | |
| Burt Kwouk | ... | Pham Chimh | |
| Russell Napier | ... | Leeds | |
| Ken Wayne | ... | Ferguson | |
| Charles 'Bud' Tingwell | ... | Jacko | |
| Franchot Tone | ... | Ambassador Townsend | |
| rest of cast listed alphabetically: | |||
| Vincent Ball | ... | Australian policeman (uncredited) | |
| Keith Bonnard | ... | Cameraman (uncredited) | |
| Peter Clay | ... | Assailant in Jeans (uncredited) | |
| Gerry Crampton | ... | Rifleman (uncredited) | |
| Shaun Curry | ... | Reporter (uncredited) | |
| Harry Fielder | ... | Car Driver (uncredited) | |
| Paul Grist | ... | Coburn (uncredited) | |
| Leo McKern | ... | Flannery (uncredited) | |
| Lionel Murton | ... | Reporter on Steps (uncredited) | |
| James Payne | ... | Taxi Driver (uncredited) | |
| Terence Plummer | ... | Assailant in Black (uncredited) | |
| Tony Selby | ... | Cameraman (uncredited) | |
| Gerald Sim | ... | Airport Official (uncredited) | |
Directed by | |||
| Ralph Thomas | |||
Writing credits | ||
| Jon Cleary | (based on the novel "The High Commissioner" by) | |
| Wilfred Greatorex | (screenplay) | |
Produced by | |||
| Betty E. Box | .... | producer | |
| Selig J. Seligman | .... | executive producer | |
| James H. Ware | .... | associate producer | |
Original Music by | |||
| Georges Delerue | (music composed and directed by) | ||
Cinematography by | |||
| Ernest Steward | |||
Film Editing by | |||
| Ernest Hosler | |||
Production Design by | |||
| Tony Woollard | (as Anthony Woollard) | ||
Makeup Department | |||
| Stella Hyers | .... | hair stylist | |
| W.T. Partleton | .... | makeup artist | |
| Geoffrey Rodway | .... | makeup artist | |
Production Management | |||
| Donald Toms | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Simon Relph | .... | assistant director | |
| Nicolas Hippisley-Coxe | .... | third assistant director (uncredited) | |
Art Department | |||
| Peter Young | .... | set dresser | |
Sound Department | |||
| Gordon K. McCallum | .... | sound recordist | |
| Dudley Messenger | .... | sound recordist | |
| Don Sharpe | .... | sound editor | |
| Otto Snel | .... | sound re-recording mixer (uncredited) | |
Camera and Electrical Department | |||
| James Bawden | .... | camera operator | |
Costume and Wardrobe Department | |||
| Yvonne Caffin | .... | costume coordinator | |
Music Department | |||
| Georges Delerue | .... | conductor | |
Other crew | |||
| Sidney Beckerman | .... | production associate | |
| Gladys Goldsmith | .... | continuity | |
| Gabriel Katzka | .... | production associate | |
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An air of mystery permeates this Cold War thriller, set mostly in London. Rod Taylor plays Scobie Malone, a rough and tough, and slightly uncultured Australian security man. His assignment is to bring back to Sydney a VIP diplomat named Sir James Quentin (Christopher Plummer), charged with the murder of a young girl many years earlier, long before he became The High Commissioner.
Initially, the question the plot asks is: what kind of man would kill a young woman, then vanish, then later turn up as a government diplomat? Is there some twist here? Maybe the diplomat was not really the murderer. Or, maybe he did it, but his personality has changed.
Sir James agrees to return to Sydney with Malone, but first wants to wrap up an important peace conference, to which Sir James seems genuinely devoted. His work on behalf of world peace seems conspicuously inconsistent with the mindset of a murderer. Malone agrees to the delay, but quickly learns that someone, or some entity, is trying to kill Sir James. The plot then switches to the vexing question: who wants to bump off Sir James, a man intent on fostering world peace?
Less spy adventure than elegant mystery, "Nobody Runs Forever" keeps viewers guessing, both about Sir James' past and about the threat that now surrounds him.
My only real complaint is that the motivation of Sir James' enemy (or enemies) is glossed over. Very little is actually explained at the end, except for the specific question of whodunit.
Otherwise, this is a fine mystery. The haunting, vaguely depressing score by Georges Delerue enhances the cloak and dagger atmosphere. Casting and acting are above average. I especially like the performance of Lilli Palmer as Lady Quentin. And dazzling Daliah Lavi is quite beautiful. Costumes are expensive and regal.
I'm baffled as to why this film is so seemingly obscure. It's not that old. It certainly does not lack for star power. And it's a quality production, all the way. Maybe its because the IMDb title is inconsistent with what U.S. viewers remember as "The High Commissioner".