Rod Taylor plays a policeman sent to return a sensitive case; An Australian citizen, currently acting as high commissioner for peace talks who is wanted for an old charge -- of murder. The ...
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Historical depiction of the events preceding the political murder of Archduke Franz Ferdinand, would-be emperor of the Austro-Hungarian throne, in Sarajevo, June 28, 1914. A World War would... See full summary »
Loosely based on a true story, Christopher Plummer plays British bank robber Eddie Chapman who finds himself caught between the warring parties in WW2, the British and the Germans. working ... See full summary »
The Spanish explorer Pizarro captures the Inca god-chief Atahualpa and promises to free him upon the delivery of a hoard of gold. But Pizarro finds himself torn between his desire for ... See full summary »
Rod Taylor plays a policeman sent to return a sensitive case; An Australian citizen, currently acting as high commissioner for peace talks who is wanted for an old charge -- of murder. The talks are too sensitive to be disturbed, so Taylor ends up watching Christopher Plummer as he conducts his talks, and discovers that some want the talks to fail enough to think that killing Plummer is an obvious way to stop them. Written by
John Vogel <firstname.lastname@example.org>
First of only two 'Scobie Malone' cinema movies. The second and final one to date has been Scobie Malone (1975) which was made and released eight years after this film. Apparently, Jon Cleary's third Scobie Malone novel, 'Ransom', has been made for Japanese television. See more »
This is certainly not a bad film: the script maintains an air of uncertainty as to who is and who is not in the conspiracy to kill Plummer, there are some frantic fight scenes, a nice elegiac score, the performances are fine, putting in more emotion than usual for the genre, and the Goddess-like Daliah Lavi & the beautiful Camilla Sparv more than fill out the required "babe quotient" (as I've said before, these 60's spy thrillers are almost always a sure bet if you want to see some incredibly beautiful women). However, there is not much here that you have not seen before. Perhaps it says something about the greatness of Hitchcock that even one of his widely considered "lesser" pictures ("Topaz") is still better than this movie. (**1/2)
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