After collecting her sickly follower from jail, Oryu is taken in by a fishing village. Feeling indebed to their generosity, she stays to work for the village and promises to leave her ... See full summary »
Oryu the Red Peony visits an old dying Boss of an ally family and promises she would help guide the new Boss. Meanwhile a turf war breaks out. When the family is betrayed from within and ... See full summary »
Police detective Tajima, tasked with tracking down stolen firearms, turns an underworld grudge into a blood-bath. Suzuki transforms a colorful pot-boiler into an on-target send-up of cultural colonialism and post-war greed.
Oryu (Fuji Junko) is invited to stay with a local yakuza boss of a silk farming town. When a rival gang murders the boss Oryu takes it upon herself to protect his business and family. Written by
Well made film that would go on to influence the Pinky Violence genre
The Pinky Violence films would go on to become very popular in 1970's Japan, and this film is often seen as something of a precursor to the genre; and it's not really hard to see why, as although I wouldn't call this a 'full' Pinky Violence film - it certainly shares a lot in common with the films that would go on to become very popular in the seventies. The main thing, of course, that ties this film to the Pinky Violence flicks is the female protagonist; a lady loner who goes around with a samurai sword and a pistol looking for revenge on those that killed her father. The film starts in a gambling hall and we watch as our heroine catches a man gambling. Naturally, he's none to happy and after trying to jump her later on; she's saved by a young male swordsman. She later gets in with a local gang who happen to be at war with another over territory. She requests an audience with the boss leader and demands that the two gangs stop warring. Her hunt for her father's killer also continues, and it turns out that the killer may be closer home to than she first realised.
A major theme that the film relies on is the idea of its female protagonist being caught in a "man's world" and insisting that she is, in fact, a man. As the genre moved on, the female leads would become more infallible and always superior to the men; but in this film, that's not the case and indeed our heroine even relies on a bit of male help at times. The film is not as over the top, confusing or action packed as some of the later Pinky films and the plot follows a straight narrative that is easy to follow. Anyone going into this film expecting to see a hot chick slice up a load of people with her sword is liable to be disappointed; but there's still plenty of swordplay in the film, and the ending in particular is a highlight on that front. There are plenty of not so savoury characters in the film also but there's also a lot of honour too, which again distances the film from a lot of the later efforts. Overall, I can't say that I am as big a fan of this effort as I am of the likes of the genre on the whole; but this is a film that is certainly worth seeing.
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