A successful talent agent enjoys the good life until his wife leaves him. He moves in with his friend and begins an affair with the man's wife. He also gets a new difficult client whose public image must be preserved at any cost.
Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for... See full summary »
American couple Mike and Janet Harper move to England for Mike's work, his company which deals in wool textiles and wool fashions. Despite Mike's want for them to live in a flat in the ... See full summary »
This is the story of the clock-like movements of a giant, big city New Orleans hotel. The ambitious yet loyal manager, wrestles with the round-the-clock drama of its guests. A brazen sneak ... See full summary »
Rome, 1825. Bishop Rivarola (Tognazzi) and colonel Nardoni (Salerno) are in charge to suppress liberal revolution. Shoemaker Cornacchia (Manfredi) got the information that the liberal ... See full summary »
Enrico Maria Salerno,
Dr. Bartholomew Snow, a psychiatrist, is treating a man with emotional problems who, it turns out, is a brilliant scientist being pursued by different international powers and their ... See full summary »
The place is Trieste and the time is 1927. Emilio Brentani leads a peaceful and uneventful life with his older sister Amalia. At least until the day he meets Angiolina Zarri, a beautiful ... See full summary »
Cast stronger than vehicle in this visually rich but morally truncated adventure.
Had it been informed by the sensibilities prevailing but a few years after its release, The Hell With Heroes might have become a cult classic: two discarded war heroes, cynical pilot-of-fortune Taylor and his appealingly (and handsomely) ingenuous sidekick Deuel, adventuring in an Africa in its last throes of anti-colonialist turmoil, fall victims to a crook and his moll ... it reeks of existential angst while providing plenty of Cardinale's cleavage (with stuff blowing up in the background). But the film neatly sidesteps the paradoxes it presents -- whose land is this, and who are the real savages here? (Hint: they wear wrist watches and sunburn easily). Deuel's performance has satisfying depth, and his technique, considerable subtlety; despite the role's stereotypical attributes (friendly, uncomplicated kid, worships older, cynical Alpha Male), his is the only character whom we suspect of thoughts and feelings to which we are not explicitly privy. Worth watching if only to ponder how Deuel might further have developed his craft had he not succumbed to depression over the slick commercial path onto which his career was even then being steered. Taylor is reliably fun to watch, Cardinale is real eye-candy, and Guardino and McCarthy deliver as always ... the action and scenery aren't half bad, either. As a plus, it's a decent family film (not pre-schoolers, of course), with a moral spin about what evil does to those who tolerate it and the usual pre-ratings absence of frontal nudity, baroque sexuality, and self-medication with heroin. Good beat, you can dance to it -- I give it an 85.
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