In the final days of WW2, in a M.A.S.H. unit in Burma, a severely wounded corporal watches in dismay as fellow soldiers pack-up to return home but a carrying nurse and five remaining soldiers bring him solace.
Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.
Two aging playboys are both after the same attractive young woman, but she fends them off by claiming that she plans to remain a virgin until her wedding night. Both men determine to find a way around her objections.
Sentimental story centers around a deaf-mute, Singer, and Mick, a teenager who lives in the house where he rents a room. Mick and Singer become friends, though they are separated by Singer's lack of communication ability and Mick's struggle with teenage problems. The lives of the people Singer touches are varied, linked only by their friendship with Singer. His friends include a deaf-mute, a drunk, and a doctor. Singer does his best to help those around him solve their problems, but who is there to help him solve his own? Written by
Melissa Portell <email@example.com>
Carnival is supposedly taking place on a warm summer night judging from characters' lightweight costumes but actors' frosty breath can be seen in a number of shots. See more »
[Hearing that his son-in-law's leg has been amputated]
Must be something I can do.
I'll tell you what you're gonna do. They're sendin' Willie home as soon as he can travel. He's gonna need a lot of care, so we're gonna move him here.
Of course, yes.
I'll cook and do the cleanin' and such... but all the time you'll know I'm hating you. I got a feelin' I'm gonna be a very good hater... and if I ain't, I can learn.
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There is no doubt about it, but when Hollywood decides to make a cinematic masterpiece, and at the same time draws upon indigenous American social and cultural mores, as exemplified by a writer of the talent of Carson McCullers, the result can be both breath-taking and almost overwhelming. It is partly their very `Americaness' that makes films like THE HEART IS A LONELY HUNTER so unique and special to someone like myself who is not American. And this film in particular shows a side of the American psyche which is all too often neglected and unacknowledged in movies. The novel on which it is based is, sadly perhaps, too complex and long to adapt to the screen without sacrificing some aspect of the many subplots it contains, and although I regret the loss of the radical political dimension, the subtle and heart-wrenching way loneliness, racism, impoverishment, snobbery, and disadvantage are conveyed are so powerfully treated that the end result is a film of almost unbearable sadness and melancholy... and yet... And yet there is an element of tremendous hope also at work; of the human spirit overcoming huge odds and learning life's lessons as the various characters go along and work out their individual destinies. Superb ensemble acting from all concerned, and technical credits of the highest order make this one of the most deeply satisfying films I have ever seen in my life. A masterpiece, and one that could only have been made in the USA.
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