Abraham is a Puerto Rican single parent with two boys. He is becoming very worried about them living in their run down neighborhood when one day he notices that Cubans who escape are ... See full summary »
Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.
Comedy about how New Yorkers are coping with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia and ethnic-racial conflict during a typical summer of the 1970s.
Sentimental story centers around a deaf-mute, Singer, and Mick, a teenager who lives in the house where he rents a room. Mick and Singer become friends, though they are separated by Singer's lack of communication ability and Mick's struggle with teenage problems. The lives of the people Singer touches are varied, linked only by their friendship with Singer. His friends include a deaf-mute, a drunk, and a doctor. Singer does his best to help those around him solve their problems, but who is there to help him solve his own? Written by
Melissa Portell <firstname.lastname@example.org>
When Dr. Copeland goes in to see Judge Bronson he enters via a swinging door with a glass panel in it. A member of the camera crew is reflected in the glass as it swings shut. See more »
[Spoken to Willie in the barber shop in an attempt to embarrass her father]
Father would do anything for you now... now when it's too late!
Portia, that ain't no way to talk to the Doc. We got to live together now.
Oh, yes, just a big happy family!
[to Portia, humiliated and wanting to leave]
You drive Willie home.
Well, what's the matter, Father? Am I embarrassing you in front of your friend? Oh, you don't have to feel he's so much better than you - after all, you're ...
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Poignant sixties film with diversity issues abound -- sensitive Alan Arkin performance
I cannot forget the theme music of "The Heart Is a Lonely Hunter" by Dave Grusin. There's a certain pervading peacefulness listening to its strains. Watching the film again on cable reminded me how impressed I was when I first saw it. Ever since, I kept an eye on movies with Alan Arkin in it -- his performance as John Singer, a deaf-mute, was sensitively delivered and commanded respect. It was Sondra Locke's debut appearance. She was young and slim, perfect for the role of "Mick", who learned to accept his disability and was able to share her love of music with him.
Along this life's journey of Singer, his friends included Chuck McCann as the plump fellow deaf-mute, who's playful and loved chocolates; Stacy Keach as the recovering alcoholic and new found chess mate; Percy Rodriguez as the self-righteous black Doctor who has his strife and discords with his daughter Portia, portrayed by a young Cicely Tyson. Lessons in diversity and tolerance are subtly evident as the story progresses. The ending is certainly not of Hollywood standard. Cinematographer James Wong Howe certainly tied in hope through his lens on the final shot with Mick (Sondra Locke) in it.
This film about reaching out and touching someone, irrespective of one's ability to verbally communicate or via signs, of one's race, color, or background, still rings true.
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