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Running in from seemingly nowhere, Micky Dolenz, Davy Jones, Michael Nesmith & Peter Tork - better known collectively as The Monkees - disrupt a bridge opening ceremony. From where and why did they come to disrupt the proceedings? They were filming a series of vignettes in several different genres, including a wild west sequence, a desert war sequence, a Confederate war sequence, and a science fiction sequence. They disagree with much of what is happening around them, and try to figure out how to escape the oppression they feel - symbolized by a big black box in which they are seemingly imprisoned - by the forces around. That oppression is often shown in the form of "The Big Victor Mature". Written by
The "box" shown in several scenes in the film was inspired by a large square booth that was built for The Monkees during the filming of their TV show. Between takes, they grew bored and wandered around the studio, often getting lost, so studio brass had a large "room" built for them in one of the sound stages. According to one of the Monkees, they would spend time there studying their scripts, composing and playing music, and smoking (which they were forbidden to do on the set). Colored lights were added to the room to page whoever was needed on the set. See more »
Wires pulling the mermaids and Mickey through the water can be seen at the beginning of the film. Wires are also visible supporting the Monkees before getting sucked into the vacuum, and when falling from the sky into the street at the end of the film. See more »
These names were seen in reverse during the end credits: Srebmahc Yrret Oreh Snrub Ekim Gnihton Drapehs Rehtse Rehtom Iksotsleh Enitsirk Dneirf Lrig Namffoh Nhoj Dneifxes Eht Revaew Adnil Yraterces Revel Yelnah Mij Sidorf See more »
"For those who look for meaning, and form as they do fact..." get a life.
I just can't understand why people are surprised this movie makes no sense. It was never supposed to make sense. (Duh! The writers were completely wasted on Frodis at the time.) It was just supposed to entertain and mock, and it does both wonderfully.
The Monkees are good actors. They wouldn't have been hired if they weren't good actors. Mike has a thing for deadpan and darkness, Micky is the best at sheer psychotic comedy, Davy is a Broadway veteran, and Peter actually had people believing he was that dumb in real life. Don't tell me they can't act, because they most definitely can.
They can also write. Sure, Jack & Bob get the sole credits, but in reality, they got a big helping hand on that script from the Monkees, who were also in that smoke-filled room.
(it is absolutely impossible to spoil this film) Head is very highly symbolic. Among the more memorable elements is the black box, which was actually based on 2 things: the Monkee image that the boys were bound to, and the real black box on the Screen Gems lot where the band was kept between takes. There's so much more symbolism in the movie that I'll just let you watch it and figure it out.
The music is awesome. "Circle Sky" is one of Papa Nez's best tunes ever, and "Porpoise Song" & "As We Go Along" will have you enthralled. If you'd rather be weirded out, then "Ditty Diego", "Can You Dig It?", and "Long Title" should be satisfactory, great songs that they are. And then there's "Daddy's Song", without a doubt a homage to Davy's Broadway days, and the editing/color scheming for that sequence is superb. (At least for '68.)
Oh, For those of you who won't watch a 'PG' film, you're missing out. Especially since Head was originally rated R in 1968. The rating was lowered about TWENTY years later!
Now where was I? Ah, yes: "We were speaking of beliefs. Beliefs and conditioning...."
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