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'It's Monopoly out there'. Jason Staebler, The King of Marvin Gardens, has gone directly to jail, lives on the Boardwalk and fronts for the local mob in Atlantic City. He is also a dreamer ... See full summary »
Paul Groves (Peter Fonda), a television commercial director, is in the midst of a personality crisis. His wife Sally (Susan Strasberg) has left him and he seeks the help of his friend John ... See full summary »
Greed, corruption, ignorance, and disease. Midsummer, 1349: the Black Death reaches northern Germany. Minstrels go to Hamelin for the Mayor's daughter's wedding to the Baron's son. He wants... See full summary »
Running in from seemingly nowhere, Micky Dolenz, Davy Jones, Michael Nesmith & Peter Tork - better known collectively as The Monkees - disrupt a bridge opening ceremony. From where and why did they come to disrupt the proceedings? They were filming a series of vignettes in several different genres, including a wild west sequence, a desert war sequence, a Confederate war sequence, and a science fiction sequence. They disagree with much of what is happening around them, and try to figure out how to escape the oppression they feel - symbolized by a big black box in which they are seemingly imprisoned - by the forces around. That oppression is often shown in the form of "The Big Victor Mature". Written by
Veteran actor Victor Mature agreed to appear in the movie after reading the script, admitting none of it made sense to him: "All I know is it makes me laugh." His character "The Big Victor" is presumed to be a comic jab at RCA Victor Records, which was the distributors for The Monkees records, and which also owned NBC, which aired their TV series. See more »
When Micky, Davy, and Mike are cornered by the man in the cloak, close-ups of Mike flipped - the part in his hair is backwards. See more »
We were talking with the Master regarding the nature of conceptual reality. Psychologically speaking, the human mind, or brain or whatever, is almost incapable of distinguishing between the real and the vividly imagined experience. Sound and film and music and radio. Even these manipulative experiences are received more or less directly and uninterpretive by the mind. They are cataloged and recorded and either acted upon directly, or stored in the memory, or both. Now this process, unless we ...
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The movie ends with a still shot of a stylized, apparently vintage Columbia Pictures logo. The "film" then: 1) skips a few frames, 2) gets tangled up in the projector mechanism, 3) catches fire and burns/melts, and 4) the film on which all of this has been filmed breaks as the soundtrack continues. As the music ends, the laugh of the woman kissing the Monkees in the first scene is heard again. See more »
"For those who look for meaning, and form as they do fact..." get a life.
I just can't understand why people are surprised this movie makes no sense. It was never supposed to make sense. (Duh! The writers were completely wasted on Frodis at the time.) It was just supposed to entertain and mock, and it does both wonderfully.
The Monkees are good actors. They wouldn't have been hired if they weren't good actors. Mike has a thing for deadpan and darkness, Micky is the best at sheer psychotic comedy, Davy is a Broadway veteran, and Peter actually had people believing he was that dumb in real life. Don't tell me they can't act, because they most definitely can.
They can also write. Sure, Jack & Bob get the sole credits, but in reality, they got a big helping hand on that script from the Monkees, who were also in that smoke-filled room.
(it is absolutely impossible to spoil this film) Head is very highly symbolic. Among the more memorable elements is the black box, which was actually based on 2 things: the Monkee image that the boys were bound to, and the real black box on the Screen Gems lot where the band was kept between takes. There's so much more symbolism in the movie that I'll just let you watch it and figure it out.
The music is awesome. "Circle Sky" is one of Papa Nez's best tunes ever, and "Porpoise Song" & "As We Go Along" will have you enthralled. If you'd rather be weirded out, then "Ditty Diego", "Can You Dig It?", and "Long Title" should be satisfactory, great songs that they are. And then there's "Daddy's Song", without a doubt a homage to Davy's Broadway days, and the editing/color scheming for that sequence is superb. (At least for '68.)
Oh, For those of you who won't watch a 'PG' film, you're missing out. Especially since Head was originally rated R in 1968. The rating was lowered about TWENTY years later!
Now where was I? Ah, yes: "We were speaking of beliefs. Beliefs and conditioning...."
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