The Monkees are tossed about in a psychedelic, surrealist, plotless, circular bit of fun fluff.

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Cast

Cast overview, first billed only:
...
...
Davy (as David Jones)
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...
...
The Big Victor
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Minnie
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Lord High 'n Low
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Off. Faye Lapid
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Swami
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I. Vitteloni
Charles Macaulay ...
Inspector Shrink
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Mr. and Mrs. Ace
Charles Irving ...
Mayor Feedback
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Black Sheik
...
Heraldic Messenger
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Storyline

Running in from seemingly nowhere, Micky Dolenz, Davy Jones, Michael Nesmith & Peter Tork - better known collectively as The Monkees - disrupt a bridge opening ceremony. From where and why did they come to disrupt the proceedings? They were filming a series of vignettes in several different genres, including a wild west sequence, a desert war sequence, a Confederate war sequence, and a science fiction sequence. They disagree with much of what is happening around them, and try to figure out how to escape the oppression they feel - symbolized by a big black box in which they are seemingly imprisoned - by the forces around. That oppression is often shown in the form of "The Big Victor Mature". Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

What is HEAD all about? Only John Brockman's shrink knows for sure!


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

20 November 1968 (USA)  »

Also Known As:

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Box Office

Budget:

$750,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

| (Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The final film of Sam Flint. See more »

Goofs

In the scene where Davy is talking to Frank Zappa with a cow between them, Davy's left arm changes from being by his side to being on the cow's back between shots. See more »

Quotes

The Jumper: [Threatening to jump off a tall building] I'm gonna do it! I'm gonna do it! I swear I'm gonna do it!
Micky Dolenz: I say she won't.
Mike: Of course she will! Ten dollars says she will.
Micky Dolenz: Ten dollars, huh?
The Jumper: I'm gonna do it!
See more »

Crazy Credits

These names were seen in reverse during the end credits: Srebmahc Yrret Oreh Snrub Ekim Gnihton Drapehs Rehtse Rehtom Iksotsleh Enitsirk Dneirf Lrig Namffoh Nhoj Dneifxes Eht Revaew Adnil Yraterces Revel Yelnah Mij Sidorf See more »

Connections

Spoofs Golden Boy (1939) See more »

Soundtracks

Happy Birthday to You
(1893) (uncredited)
Written by Patty S. Hill & Mildred J. Hill
Performed by The Monkees
See more »

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User Reviews

 
Accidental Masterpiece
27 July 2006 | by (United States) – See all my reviews

Forget Easy Rider - Head is THE film about the 1960s.

Almost laugh: as the Monkees reduce their entire career to a one-minute TV commercial about dandruff! See: the 50 foot Victor Mature try to figure out what the heck he's doing in this film! Hear: Frank Zappa (with his pet cow on leash) tell Davey Jones "Your music is awfully white"! Experience: the Monkees' only live performance as a real rock band play the honest-to-gosh first-ever real punk-rock song (Circle Sky)! Listen: as Davey Jones sings a Harry Nielsen song about having a transsexual father! Be confused: be very confused, as confused as Terri Garr is when Mickey Dolenz makes sexual innuendos about her in her film debut! Witness: futile protests against the Vietnam War leap out of nowhere and just as quickly disappear! Watch: Mike Nesmith spit on Christmas while wearing a velvet Victorian smoking jacket in a cobwebbed Gothic horror-movie sound-stage! Let yourself drift: into the karmic bliss inspired by a comic-book version of Indian mysticism delivered by a hammy white character-actor in black-face, while Peter Tork pretends that he knows how to play a guitar! Discover: Academy Award winning director Bob Rafelson's first feature length film, as written by Academy Award winning actor Jack Nicholson! Pretend it's not happening: when the Monkees commit group suicide by jumping off the Golden Gate Bridge! Take drugs - take a lot of drugs: take as many drugs as the cast and crew evidently did while making this film!

With Head, the Monkees revealed themselves as the angriest, snottiest entertainers in Hollywood history, bar none. It is bewildering to discover that they blamed the failure of this film on bad promo. To be sure, the promotion was virtually non-existent; but did they not recognize how angry, how down-right depressing, how self-destructive this film actually is?! I mean, this film is a trip - on bad acid - to the suicide ward of a mental hospital. The only film I know to be this depressing is Terry Gilliam's Brazil; and like Brazil, this film reveals why life in the later 20th Century was almost unbearable - if you were lucky. It's not simply that Western culture was suffering from serious information-overload, but the information itself was just bad, bad, more bad, and dismal. In fact, it was the overload effect itself that kept people going, since this allowed people to keep distracting themselves with one crisis or another - if news from Vietnam became too much to bear, they could turn the channel and watch a documentary on the rising unemployment rate.

The "positive" response to the reality revealed in Head was Woodstock - three days of peace and love and nudity and mud and bugs and bad food and dirty drink and poop and pee and bad acid and Peter Townsend almost killing Abbie Hoffman. All taking place behind a steel fence, under the lovingly watchful eyes of a veritable army of NY State Troopers - meaning that the "freedom" of Woodstock Nation was as illusory as the song John Sebastion thought he was singing while so strung out he could barely speak. "500,000 assholes too stupid to come in out of the rain," was one critic's judgment on Woodstock (I think it was Andy Warhol).

The one good thing occurring there was Jimi Hendrix's Star Spangled Banner. Two years previously, the Jimi Hendrix Experience had gone on their first National tour of America, as the warm-up band opening for - the Monkees.

See, it's all connected somehow.

You owe it to yourself - nay, you owe it to your unborn children - to see the real 1960s, only to be found on film in this bizarre, miraculous, and utterly absurd tribute to one of the more interesting capitalist scams of the later 20th Century.


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