| Vince Edwards | ... | Charles Hood | |
| Judy Geeson | ... | Sue Trenton | |
| Peter Vaughan | ... | Hammerhead | |
| Diana Dors | ... | Kit | |
| Michael Bates | ... | Andreas / Sir Richard | |
| Beverly Adams | ... | Ivory | |
| Patrick Cargill | ... | Condor | |
| Patrick Holt | ... | Huntzinger | |
| William Mervyn | ... | Walter Perrin | |
| Douglas Wilmer | ... | Pietro Vendriani | |
| Tracy Reed | ... | Miss Hull | |
| Kenneth Cope | ... | Motorcyclist | |
| Kathleen Byron | ... | Lady Calvert | |
| Jack Woolgar | ... | Tookey Tate | |
| Joseph Fürst | ... | Count Ortega | |
| Andreas Malandrinos | ... | Post Office Guard | |
| David Prowse | ... | George | |
| Earl Younger | ... | Brian | |
| Romo Gorrara | ... | Marcel | |
| Maggie Wright | ... | Roselle | |
| Veronica Carlson | ... | Ulla | |
| Penny Brahms | ... | Frieda | |
| Sarah Hardenburg | ... | Kiki | |
| Otto Diamant | ... | Joa | |
| Windsor Davies | ... | Police Sergeant | |
| Arthur Gomez | ... | Cafe Proprietor | |
| rest of cast listed alphabetically: | |||
| Amílcar Botica | ... | Man (uncredited) | |
| Cristina Cassola | ... | (uncredited) | |
| José de Carvalho | ... | (uncredited) | |
| Tomás de Macedo | ... | (uncredited) | |
Directed by | |||
| David Miller | |||
Writing credits | ||
| William Bast | (screenplay) and | |
| Herbert Baker | (screenplay) | |
| Stephen Coulter | (novel) (as James Mayo) | |
| John Briley | (adaptation) | |
Produced by | |||
| Irving Allen | .... | producer | |
| Andrew Donally | .... | associate producer | |
Original Music by | |||
| David Whitaker | |||
Cinematography by | |||
| Wilkie Cooper | (director of photography) | ||
| Kenneth Talbot | (director of photography) | ||
Film Editing by | |||
| Geoffrey Foot | |||
Art Direction by | |||
| John Howell | |||
Set Decoration by | |||
| Pamela Cornell | |||
Costume Design by | |||
| Brian Cox | |||
Makeup Department | |||
| Anne Box | .... | hairdresser | |
| Alan Brownie | .... | makeup artist | |
Production Management | |||
| L.C. Rudkin | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Danischewsky | .... | assistant director | |
| John O'Connor | .... | assistant director | |
Art Department | |||
| Michael Finlay | .... | painter (uncredited) | |
Sound Department | |||
| Charles Crafford | .... | sound editor | |
| Hugh Strain | .... | sound recordist | |
Special Effects by | |||
| Pat Moore | .... | special effects (as Patrick Moore) | |
Stunts | |||
| Gerry Crampton | .... | stunt supervisor | |
Camera and Electrical Department | |||
| Cecil Cooney | .... | camera operator (as C.C. Cooney) | |
| Ray Parslow | .... | camera operator | |
Music Department | |||
| David Whitaker | .... | conductor | |
Other crew | |||
| Rita Davison | .... | continuity | |
| Ralph Tobert | .... | choreographer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
"Hammerhead" fit very nicely into the 60's/70's explosion of spy flicks which were rushed into theaters following the success of James Bond. It was less humorous and over-the-top than either the Matt Helm or Derek Flint series, but less dark than the Harry Palmer films. It was a solid blend of humor and action and stands as one of the best productions of the era.
Vince Edwards did quite a very respectable job as Charles Hood, handling himself exceptionally well in the action sequences, making a credible two-fisted action hero. Peter Vaughn was excellent as the eccentric title villain and I have a memory of a very well done chase sequence with Edwards and a motorcycle that sticks in my mind. Judy Geeson as Hood's romantic interest, while cute and 60's groovy, was incredibly weak and was the film's major drawback, much like a large number of the Bond Girls of the Roger Moore era.
"Hammerhead" was based on the Charles Hood spy novel by Steven Coulter, writing as James Mayo. Coulter/Mayo was a friend and contemporary of Ian Fleming and even helped Fleming with the background material for CASINO ROYALE. Coulter finished five spy novels in the Hood series. They are actually quite good and it's a shame that Irving Allen only made one Charles Hood film. I recommend the novels as well if you can find any of them in print anymore.
I saw "Hammerhead" in the theater when it was first released and then remember seeing an edited version on TV some time later. Although it's been a very long time since I've seen "Hammerhead", I have very fond memories of it and would love to see a DVD release of it in the future.
I recommend "Hammerhead" as one of the better spy adventures of the 60's.