Jonas Wilde, a British secret service agent licensed to kill, returns from a successful mission determined to resign. Canning, his London superior, agrees to forward his resignation if ... See full summary »
A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some ... See full summary »
Eighteen-year-old Esther has been deaf and blind since the accident which killed her mother. Wealthy Margaret Landi, a native of Esther's village in Ireland, is talked into helping to ... See full summary »
Libidinous 15 year old English schoolgirl Lucy finds her single mother dead. They never had a good relationship, but this still unbalances her. She moves in with the family of her mother's old friend. She hates him and seduces his wife.
Marco, a young, arrogant art student, is friendly with Timothy, a medical student, and Sarah, his girl friend. Timothy is dominated by his beautiful mother, Carol, who is divorcing her ... See full summary »
Hammerhead is a dangerous international criminal suspected by British Intelligence of trying to steal NATO defense secrets. In desperation, a young, charming soldier of fortune is called in to match wits and guts in man-to-man combat with Hammerhead. His name is Charles Hood and he operates in London (the wilder parts) and moves on to the Portuguese coast in pursuit of Hammerhead and pursued by pert, kooky London model Sue Trenton. Written by
Like the first commenter, I discovered "Hammerhead" via the score LP in the 1970s. CBS-TV in the US used to show a heavily-edited version regularly; later, an uncut print was seen locally. (It was also spotted on cable during the 1980s.) It's a neat movie, with some good chase scenes (one involving a large hearse). The "Chelsea Happening" music accompanies an interesting performance-art show that was typical of the era. Judy Geeson's character manages to be both kooky and sexy as she and Vince Edwards scoot all over Europe in search of Hammerhead.
Note: the music on the LP is a different recording from that in the movie; the arrangements are, however, pretty much identical. The score rather predictably conforms to visual action: for example, those five rhythmic "hits" near the end of "Villa Fight" are cut to Charles Hood slamming a car door on someone's hand! This actually bolsters the charm of this picture.
Any chance to see "Hammerhead" should be seized upon!!
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