A former British Naval Officer now makes his living by smuggling goods around the Mediterranean. After being forced to dump his cargo after nearly being caught by the authorities in Malta, ... See full summary »
Monica Rivers is the owner and ringmaster of a traveling circus, and she'll stop at nothing to draw bigger audiences. When a series of mysterious murders begins to occur and some of her ... See full summary »
Bolt, a British linguist, develops a universal language, so he's a sudden sensation and receives a Nobel prize. An ambitious diplomat, capitalizing on Bolt's celebrity, arranges for the U.S... See full summary »
One by one members of a special project team are being killed by telekinesis - the ability to move things with the power of the mind alone. The race is to determine which of the remaining team members is the murderer and to stop them.
In this spoof of spy films, CIA agent, Kelly, is in Rio De Janeiro spying on a wealthy industrialist, David Ardonian, who secretly plans to turn the world sterile and repopulate it with his harem. UK spy, Susan Fleming, helps Kelly.
Hammerhead is a dangerous international criminal suspected by British Intelligence of trying to steal NATO defense secrets. In desperation, a young, charming soldier of fortune is called in to match wits and guts in man-to-man combat with Hammerhead. His name is Charles Hood and he operates in London (the wilder parts) and moves on to the Portuguese coast in pursuit of Hammerhead and pursued by pert, kooky London model Sue Trenton. Written by
Like the first commenter, I discovered "Hammerhead" via the score LP in the 1970s. CBS-TV in the US used to show a heavily-edited version regularly; later, an uncut print was seen locally. (It was also spotted on cable during the 1980s.) It's a neat movie, with some good chase scenes (one involving a large hearse). The "Chelsea Happening" music accompanies an interesting performance-art show that was typical of the era. Judy Geeson's character manages to be both kooky and sexy as she and Vince Edwards scoot all over Europe in search of Hammerhead.
Note: the music on the LP is a different recording from that in the movie; the arrangements are, however, pretty much identical. The score rather predictably conforms to visual action: for example, those five rhythmic "hits" near the end of "Villa Fight" are cut to Charles Hood slamming a car door on someone's hand! This actually bolsters the charm of this picture.
Any chance to see "Hammerhead" should be seized upon!!
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