An offbeat, episodic film about three friends, Paul, a shy love-seeker, Lloyd, a vibrant conspiracy nut, and Jon, an aspiring filmmaker and peeping tom. The film satirizes free-love, the ...
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Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
Filmed stageplay based on the ancient greek play The Bacchae written by Euripides. This play is performed by members of The Performance Group, an NYC experimental theater group who has made... See full summary »
An offbeat, episodic film about three friends, Paul, a shy love-seeker, Lloyd, a vibrant conspiracy nut, and Jon, an aspiring filmmaker and peeping tom. The film satirizes free-love, the Kennedy assassination, Vietnam, and amateur filmmaking. Written by
Philip Brubaker <firstname.lastname@example.org>
This movie is one of the best American movies in the sixties. It's form, sharpness, concision, subtlety and great comedy make it a peak of new-wave American cinema and show the real talent of Brian de Palma.
If the movie is political, it is not a propagandistic one. It is a real artistic work, where everything is relative, fun is everywhere, politics is ridiculed just as the lack of politics. Nothing stands to the great destructive power of the irony and of the cinema. MASH by Altman can be compared to this movie.
All this comes with a great directing skill and novelty. Hitchcock and French nouvelle vague can be an influence (they are actually cited in the movie), but de Palma is original and his merits are beyond any doubt.
5 of 9 people found this review helpful.
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