Col. Mike Kirby picks two teams of crack Green Berets for a mission in South Vietnam. First off is to build and control a camp that is trying to be taken by the enemy the second mission is to kidnap a North Vietnamese General.
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and ... See full summary »
U.S. Special Forces troops ("Green Berets") under the command of Colonel Mike Kirby defend a firebase during the Vietnam war. War correspondent George Beckwith accompanies Kirby and objects to both the war and the means by which it is executed. Kirby's firebase is overrun and his troops fight bravely to retake it. Kirby and a select group of his men are then ordered on a special mission to capture a high-level Viet Cong officer. Written by
Jim Beaver <firstname.lastname@example.org>
Oliver Stone wrote Platoon (1986) partially as an attempt to redress what he considered to be some of the more reactionary elements of this movie. See more »
The original poster states that "At the start of the movie, the orientation team is a part of the 3rd Special Forces Group. Muldoon and McGee are wearing 3rd Group flashes on their berets." This is incorrect. The solid red flashes on the berets of the orientation team, Muldoon and McGee at the beginning of the film are the flashes of the 7th Special Forces Group, not the 3rd SFG. See more »
[after seeing him in non-military issued pajamas]
Peterson, I worry about you. Three tours of duty and you're still acting like a civilian!
Muldoon, I'm not a Marine. I believe in my comfort!
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It is probably impossible to assess the content of this film in other than the context in which it was developed and presented. My own first viewing was in 1968 a matter of mere weeks before having to report for duty in the US Armed Forces. At that time I did not know whether or not I would have to go to Viet Nam as many of my friends already had. Some had already been killed or wounded in action. In this context, the film is one I will never forget.
John Wayne made this as a political film in an attempt to counter the rising tide of what he and others like him saw as treasonous protests against the government and the military over the conflict in Viet Nam. This horrid almost-war was tearing many families apart in controversy. Wayne wanted to make a patriotic statement of support for the Armed Forces who had been so good to him. He was denied several attempts at enlistment in WWII and was classified 4F. He made films to support the allied war effort then and hoped to show support again even though this was never a real war. Instead he was widely ridiculed by a rabid leftist press.
Yes, the film was definitely not accurate in the way we have come to demand of today's films. Such accuracy may have been impossible in the political climate of the day. There was deep seated anger in the upper military echelon for not being allowed to wage an actual war. Every engagement between forces was won by the Americans, but they were forbidden from the beginning to the end from pressing an attack. The result was perhaps history's worst military "Catch 22"; fight and then wait for the enemy to regroup, rearm and reattack. I still know military people who hate the entire media for the brow-beating they gave the military and Congress, who - in turn - forbade the military from pressing more aggressive action.
Wayne was also attempting to counter people in the entertainment industry whom he and others considered traitors (then and still) such as Jane Fonda, who visited and spoke in support of North Viet Nam.
It was this climate Wayne stepped into. His effort was genuine but it resulted in a cameo of the war rather than something palpable. Something that good has yet to be made. Much of what went on, real high drama and touching personal stories, has been almost entirely ignored by Hollywood. Thus, this also remains one of the few films of the hugely controversial era.
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