| Photos (See all 10 | slideshow) |
| Alain Delon | ... | Daniel | |
| Marianne Faithfull | ... | Rebecca | |
| Roger Mutton | ... | Raymond | |
| Marius Goring | ... | Rebecca's Father | |
| Catherine Jourdan | ... | Catherine | |
| Jean Leduc | ... | Jean | |
| Jacques Marin | ... | Pump Attendant | |
| André Maranne | ... | French Superintendent | |
| Bari Jonson | ... | French Customs Officer | |
| Arnold Diamond | ... | French Customs Officer | |
| John G. Heller | ... | German Customs Officer | |
| Marika Rivera | ... | German Waitress | |
| Richard Blake | ... | 1st Student | |
| Chris Williams | ... | 2nd Student | |
| Colin West | ... | 3rd Student | |
| Kit Williams | ... | 4th Student | |
| rest of cast listed alphabetically: | |||
| Stephanie Muldenhall | ... | Child (uncredited) | |
Directed by | |||
| Jack Cardiff | |||
Writing credits | ||
| André Pieyre de Mandiargues | (novel "La Motocyclette") | |
| Ronald Duncan | (screenplay) | |
| Jack Cardiff | (adaptation) | |
| Gillian Freeman | thought sequences dialogue | |
Produced by | |||
| Sacha Kamenka | .... | associate producer | |
| Ronan O'Rahilly | .... | executive producer | |
| William Sassoon | .... | producer | |
Original Music by | |||
| Les Reed | |||
Cinematography by | |||
| Jack Cardiff | (photographed by) | ||
| René Guissart Jr. | (lighting cameraman) (as René Guissasrt) | ||
Film Editing by | |||
| Peter Musgrave | |||
Art Direction by | |||
| Jean d'Eaubonne | (as Jean D'Eaubonne) | ||
| Russell Hagg | |||
Makeup Department | |||
| Bill Griffiths | .... | hair stylist | |
| Bunty Phillips | .... | makeup artist | |
Production Management | |||
| C.R. Foster-Kemp | .... | production manager (as Cecil Foster Kemp) | |
| Stuart Freeman | .... | production supervisor | |
| Paul Laffargue | .... | production manager | |
Second Unit Director or Assistant Director | |||
| James Hodgetts | .... | assistant director | |
| Philippe Lefebvre | .... | assistant director (as Phillipe Lefebvre) | |
Sound Department | |||
| John Aldred | .... | sound recordist | |
| Robert T. MacPhee | .... | sound recordist (as Bob McPhee) | |
| Clive Smith | .... | sound editor | |
| Mike Tucker | .... | boom operator | |
| Tony Dawe | .... | foley recordist (uncredited) | |
Stunts | |||
| David Watson | .... | stunt arranger | |
Camera and Electrical Department | |||
| John Cardiff | .... | camera operator | |
| Peter MacDonald | .... | camera operator | |
| Ray Meehan | .... | gaffer (as Raymond Meehan) | |
Costume and Wardrobe Department | |||
| Suzy Berton | .... | wardrobe mistress | |
| Masada Wilmot | .... | wardrobe mistress | |
Editorial Department | |||
| David Watson | .... | color consultant | |
Music Department | |||
| Douglas Gamley | .... | conductor | |
Other crew | |||
| Laurie Atkin | .... | fantasy color consultant | |
| Doreen McCann | .... | production secretary | |
| Eve Wilson | .... | continuity | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Romance section | IMDb UK section |
Imagine Diana Rigg joining "Easy Rider's" Dennis Hopper and Peter Fonda for a ride across France and Germany and you will have a pretty good idea what "Girl on a Motorcycle" looks like. Made one year before "Easy Rider"; this is an amazing 1960's road movie that includes hip camera angles, groovy music, a leather suit and a Harley Super Glide.
While low-budget, it is not a thrown together "B" Movie but a thoughtful existential trip inside the mind of a flawed character who happens to be a sexy woman. On close examination, what appears to be yet another fruitless examination of the mysteries of female discontent is really a more expansive study of the human condition. Rebecca, the main character, illustrates life as a process of choosing between comfortable security and the need for freedom and excitement; a daily struggle with guilt and its consequent self-destructiveness, and the seductive lure of risk. Motivations familiar to almost all serious motorcycle riders.
In voice-over, Marianne Faithful gives us Rebecca's story in a series of flashbacks, with minimal scenes of conventional dialogue. Most of these work very well although there is a ski weekend flashback about midway through the film that looks more like a travel advertisement than a movie scene. And while much of Jack Cardiff's film is beautifully shot, the action sequences are somewhat clumsy looking and obviously low budget. And there is excessive reliance on the Elvis movie technique of projecting moving scenery(shot by the second unit) with the star pretending to be cruising along the road while actually stationary in the studio.
Cardiff was very creative with the editing and came up with some great match cuts, typically used to bring Faithful out of her frequent flashbacks/dreams. In one we see her lover slowing pulling open the zipper of her suit, then the film cuts to the tread of an Army tank moving past the place where she has been napping by her motorcycle.
Cardiff's technique was quite revolutionary at the time as his camera has a love affair with the leather suit , the motorcycle, and Faithful's eyes. His extensive use of very tight shots is extremely effective and the most pleasing thing about the film.
The ending is a bit of a puzzle; after the accident they pull up from the scene to a wide aerial shot and you expect the movie to go out on this shot (copied for "Easy Rider's" ending), which would have been very effective. Instead they cut to a travelogue-like scene of a European village and go to credits after about 60 seconds of this stuff. It serves no purpose other than to deflate any lasting impact.
Faithful is on screen in almost all the scenes and gives a surprisingly good performance. Alain Delon as her lover gets a fair amount of screen time (all in flashbacks). I've not been able to take Delon seriously as an actor since his performance as a character named "Baldy" in Dean Martin's "Texas Across the River" in 1966. Plus I get him confused with Jorge Rivero and his almost identical character "Capt. Pierre Cordona aka Frenchy" in "Rio Lobo". Maybe they are the same person and used two names as a tax dodge.
Both the VHS tape and the DVD include a nice stills gallery and a couple trailers.
All in all I recommend this film. It has thoughtful themes and many well-shot scenes. If you like motorcycles, a sexy body in and out of a leather suit, the most beautiful eyes ever, and cute freckles you should view this film.